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New Music Friday: September 4th - HipHop

New Music Friday: September 4th - HipHop


New Music Friday: September 4th

Posted: 04 Sep 2020 10:02 AM PDT

fuck u-haul you know what it is

Albums

Big Sean - Detroit 2

Danger Incorporated - Hackers of the World Unite

Bbymutha - Muthaland

6ix9ine - TattleTales

Duwap Kaine - Thank You Kaine

Ozuna - ENOC

Ghosts on a Trampoline - What Is Life But A Bucket Of Ghosts

Ils Verront - Autumn!

Lord Apex and V Don - Supply & Demand

93FEETOFSMOKE - SOFUBI

Kasher Quon - Scam Likely

Giant Gorilla Dog Thing - Baths With Geese

Fat Tony - Exotica

KISSTHECROOK - Can I Show U Tha Yard?

Gyyps - Boe 2

AMANI + KING VISION ULTRA - An Unknown Infinite

GASHI - 1984 (Deluxe)

EPs

Matt Watson - OUCH!

not yet posted:

Ramriddlz - Ain't Shit Sweeter

P Money - While We Wait

Apathy - A Hint of Empathy

Jelly & Pi'erre Bourne - The Wolf of Peachtree (Deluxe)

Ian Isiah - AUNTIE

Kemba & Jonsey - Wayfarer

Singles

SZA - Hit Different (feat. Ty Dolla $ign)

JPEGMAFIA - Last Dance

Bryson Tiller - Inhale

Joyner Lucas - What's Poppin (What's Gucci) / Fall Slowly (Evolution) [feat. Ashanti]

RMR - Welfare (feat. Westside Gunn)

Dorian Electra - Gentleman (feat. Unkle Adams)

Frisco - Red Card (feat. Skepta, Jammer, JME, Shorty)

Bad Bunny - COMPOSITOR DEL AÑO

Lil Durk - The Voice

Mulberry - Swim Trunk Music

Tobi Lou - Endorphins

Chloe x Halle - Do It (Remix) [feat. Doja Cat, City Girls, & Mulatto]

Ari Lennox & Anthony Ramos - If You Want Me To Stay

Ramirez - Children of the Void (feat. Sosmula)

Saweetie - Tap In (Remix) [feat. DaBaby Post Malone & Jack Harlow]

Buddy - Glitch (feat. Tinashe)

42 Dugg & Marshmello - Baggin'

NBA YoungBoy - Callin' (feat. Snoop Dogg)

Valee - Rice / Hike Hitcher

Slauson Malone - Simile #7 (see page 127 and Ttrabul 2) [feat. Jai]

ROC MARCIANO - SNOW (EL MARYACHO RMX)

clipping. - Double Live (feat. Christopher Fleeger)

Shygirl - Freak

Memphis Depay - 2 Corinthians 5:7

Dumbfoundead - All Alone

LIL TRACY - MESSY

G-Eazy - Down (feat. Mulatto)

Lady Leshurr - #UNLESHED 4

Mega Ran - RIP CHADWICK BOSEMAN (FREESTYLE)

Monica & Lil Baby - TRENCHES

Yung Gravy – yup!

Elzhi - JASON

30 Deep Grimeyy - Toy Story

TheKickDrums - Sleeping Limb (feat. R.A. The Rugged Man)

Salaam Remi & Super Cat - Push Time

GROUPCHAT - Story (feat. Casey Veggies & BRYYCE)

VanJess - Come Over

Actress - Walking Flames (feat. Sampha)

A Boogie wit da Hoodie, Don Q & Trap Manny - Vroom Vroom

D Double E - Tell Me A Ting (feat. Kano)

Ekoh - Locked In (feat. Rittz)

Twista - Hope 'We Rise' (2020 Remix) [feat. S.O.S.]

Bandgang Lonnie Bands - From That Way (feat. Dame Gretzky & YSL Kashlaflexx)

Merkules - Death Wish (feat. Game)

Paul Epworth - Mars & Venus (Feat Vince Staples, ISHMAEL & Elle Yaya)

NotGleams - Never Know (Remix) [feat. Smoke DZA]

Ras Kass - 5 Mikes

Cassidy & Raekwon - So Long (Dos Beats Remix)

not yet posted (it seems):

Blunts & Blondes - McQueen Dreams (feat. Wiz Khalifa)

Domino - Baby So West Coast (feat. Snoop Dogg)

Calez - Got With Me (Love 4Eva)

Lil Durk - The Voice

Ymtk - Dizzy Love (feat. Rexx Life Raj)

Cam O'bi - Can Anybody Hear Me (feat. Junii)

Onyx & Snowgoons - Kill Da Mic (Remix) [feat. Ali]

Zion I - WLCM (future)

Spectacular Diagnostics - Drift Away

Oxlade - DKT

Grima x Azza - R U MAD? (feat. P Money, Little Dee, Dreps & Money Max)

MARTIN $KY - Taking Up Space

KAMUU - Mango (feat. Adeline)

Spodee - Filthy (feat. Gunna)

Icewear Vezzo & YN Jay - Autograph

Blu - Bacc N Blacc (feat. Cashus King, Makzo, Donel Smokes & Falcxne)

Mayhem Nodb - HP Barz (feat. Blay Vision & Eyez)

Steve Aoki - How Else (feat. Rich the Kid & ILoveMakonnen) [Todd Terry Remix]

Horrible Andy - Human (feat. Deem Spencer)

B.G. Knocc Out & 80 Empire - Dedicated

Ghetts - Mozambique (feat. Jaykae & Moonchild Sanelly) [OTHERLiiNE Remix]

Ufo361 & Sonus030 - Games

SoundsByForeign - Catch Me If You Can (feat. Ufo361)

DJ Envy - Sittin In My Car (feat. A Boogie Wit Da Hoodie & Fabolous)

Dutchieman & 38 Spesh - Testers

Rich The Kid, Quavo & Takeoff - Too Blessed

Zaytoven - I Hope (feat. G Herbo)

PA Smurf - It Ain't Easy (feat. Boldy James)

Kojoe, B.D., ELIONE & ¥ellow Bucks - T.K.N.Y. (feat. Statik Selektah)

Dua Saleh & Bas - RE(A)D (feat. Bas)

Lee Clarke, Ivy Sole & Kingsley Ibeneche - Evaporate

Sech, Daddy Yankee & J Balvin - Relación (Remix) [feat. ROSALÍA & Farruko]

Lil Loaded - High School Dropout

Rucci & ALLBLACK - Okay Doeee

Babyxsosa - 24Hrsurf

Skyes Beats - Chop It (feat. Dezzie & Headie One)

Killer Crab Man - Push Supremacists (feat. Mike Ladd)

UNO Stereo - TEXT (feat. Amindi)

Wax Roof - High Life (feat. Sango & Nosidam)

The Cyanide Syndicate (Nacho Picasso, Key Nyata & Keyboard Kid) - Blue Chips (feat. Sango & Twelve'len)

PcbLilButter - Fydh (feat. Slimelife Shawty)

32yachty - Come On (feat. Young Scooter)

Andrew Kamen - It's Fine

Rasheed Chappell, Freeway & UFO Fev - Foreign Cars

Qveen Herby - Mission

Ethereal - Cs 1.6

Cahus King - Ja Was Right

Allan Kingdom - EXCITED

ShittyBoyz & Trl - Turnt Shit

Lil 9 - P to the D (feat. Bandgang Masoe)

Yung Fatt - Dope Man (feat. Yo Gotti)

Xanman - True Story

Lou Brindell - Em Eye See (feat. Myka 9)

CaliMoney - On the Road (feat. Badngang Lonnie Bands)

Jasper - For You (feat. Phoelix)

Jay Free - Rap Game (feat. Babyface Ray)

Tytuus - Gulag (feat. JPEGMAFIA & Toxic)

YungManny - Howard Bison

Jay Park - Day By Day


From /u/KHDTX13 (will be updated):

Fresh Singles

Fresh Albums & EPs

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Sto's Album Club Week #1 | Thug Motivation 101 by Young Jeezy

Posted: 04 Sep 2020 12:18 AM PDT

Let's Get It: Thug Motivation 101 is the major label debut and overall third studio album by American rapper Young Jeezy. It was released on July 26, 2005, by his indie record label Corporate Thugz, under the distribution from Def Jam.

The album was supported by four singles: "And Then What" featuring Mannie Fresh, "Soul Survivor" featuring Akon, "Go Crazy" and "My Hood". The album debuted at number two on the Billboard 200, selling 172,000 copies in the first week. The album was certified double platinum by the Recording Industry Association of America (RIAA).

Go to your kitchen, pull out all the Pyrex items you got, and play this. From start to finish its full of anthems and bangers to keep you standing on the table. I champion this album as one of the pioneers to trap music on a mainstream level, and especially want to highlight the work from Shawty Redd. With instruments like the KORG Triton, Roland TR-808, and MPC2000, he created an orchestral frenzy to accompany Jeezy's chicken tal It completely makes sense why Jeezy choose to put him on 7 out of 20 songs…which of course happen to be some of my favorite songs on the album. The production on TM101 certainly influenced me to think big on production of my own.

STANDOUTS

  1. Thug Motivation 101 [Shawty Redd]
  • - one of the greatest intros in all of hip hop
  • - signature pizzicato string melody is just nuts
  • - money counter at the hook is the cherry on top
  • - DONALD TRUMP BAR IN FIRST VERSE DIDN'T AGE WELL
  1. And Then What [Mannie Fresh]
  • - the stomp in the hook sets the whole song off
  • - great mix of 808 sub and electric bass guitar
  • - the drop brings it all together
  • - MANNIE FRESH INTRO IS ALL I CAN SAY
  1. Go Crazy [Shawty Redd]
  • - One of only two sampled records in the album
  • - completely changed the tempo of the album
  • *Sample : The Impressions - "Man Oh Man"

Other favorites:

  • Trap or Die [Shawty Redd]
  • Bottom of the Map [Shawty Redd]
  • Get Ya Mind Right [Shawty Redd]
  • Bang [Jazze Pha]

https://preview.redd.it/cifkntu1y2l51.png?width=471&format=png&auto=webp&s=6f736ea93975f7f0190e3c5c9807dd9ca8c291f3

Singles

  • "And Then What"
  • "Soul Survivor"
  • "Go Crazy (Remix)"
  • "My Hood"

Charts

  • U.S Billboard 200 peaked at #2
  • U.S Top R&B/Hip Hop Albums (Billboard) peaked at 1
  • U.S Top Rap Albumsss peaked at 1

Questions to maybe discuss

Stand out tracks?

Best baseline?

Songs from today that seem similar?

Anything about the album you would change?

Do you remember listening to it the first time? Any differing opinion from then?

Feel free to ask me anything!

Also, I'll be live streaming tonight on twitch at 8 EST talking about the album, going over beats, listening to songs, ect.

Twitter

Instagram

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[FRESH VIDEO] Big Sean - Lithuania ft. Travis Scott

Posted: 04 Sep 2020 09:03 AM PDT

Logic is going to perform the opening ceremony for the League of Legends LCS finals

Posted: 04 Sep 2020 10:33 AM PDT

[LEAK] Childish Gambino - Love Bug

Posted: 04 Sep 2020 02:27 PM PDT

[FIRST IMPRESSIONS] Big Sean - Detroit 2

Posted: 04 Sep 2020 08:45 PM PDT

It's been about a day, what do you think about this album? I think it's probably a little bit too long, but there's some really great moments, a lot of the production is great, and I really like a lot of the features as well.

submitted by /u/tcpotato
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Internet Money's "B4 The Storm" sells 32K First Week (1K Pure). Jaden's "CTV3: Cool Tapes Vol. 3" sells 15K First Week (3K Pure). Disclosure's "Energy" sells 14K First Week (6K Pure). Lil Wayne's "No Ceilings" sells 25K 564th Week (First Week on Streaming).

Posted: 04 Sep 2020 02:07 PM PDT

Rank Artist Album Label Pure Sales Sales + Streaming
1 Juice WRLD Legends Never Die Grade A/Interscope 210,343 497,000
2 The Weeknd After Hours XO/Republic 275,000 444,000
3 Lil Uzi Vert Eternal Atake Generation Now/Atlantic 9,666 288,000
4 Eminem Music To Be Murdered By Shady/Aftermath/Interscope 117,000 279,000
5 Pop Smoke Shoot For The Stars Aim For The Moon Victor Victor/Republic 59,000 251,000
6 Drake Dark Lane Demo Tapes OVO/Republic 19,000 223,000
7 Logic No Pressure Def Jam 172,000 221,000
8 Lil Baby My Turn Quality Control/Motown/Capitol 10,000 197,000
9 Bad Bunny YHLQMDLG Rimas 35,000 179,000
10 Mac Miller Circles Warner 61,000 164,000
11 Future High Off Life Freebandz/Epic 15,822 153,000
12 Jhene Aiko Chilombo Def Jam 38,000 152,000
13 Lil Wayne Funeral Young Money/Republic 38,000 139,000
14 NAV Good Intentions XO/Republic 73,000 135,000
15 Lil Uzi Vert LUV vs. The World 2 Generation Now/Atlantic 5,000 130,000
16 DaBaby BLAME IT ON BABY Interscope 12,000 124,000
17 Gunna WUNNA Young Stoner Life 4,093 111,000
18 A Boogie wit da Hoodie Artist 2.0 Atlantic 3,052 111,000
19 Polo G THE GOAT Columbia 14,539 99,000
20 YoungBoy Never Broke Again Still Flexin, Still Steppin Never Broke Again/Atlantic 3,551 91,000
21 Kehlani It Was Good Until It Wasn't TSNMI/Atlantic 25,000 83,000
22 Rod Wave Pray 4 Love Alamo/Geffen/Interscope 2,332 72,000
23 YoungBoy Never Broke Again 38 Baby 2 Never Broke Again/Atlantic 3,994 67,000
24 Moneybagg Yo Time Served N-Less/Interscope 7,000 66,000
25 Young Dolph Rich Slave Paper Route/Empire 33,000 65,000
26 Tory Lanez The New Toronto 3 Mad Love/Interscope 5,524 64,000
27 Russ SHAKE THE SNOW GLOBE Columbia 39,815 63,000
28 G Herbo PTSD Machine/Epic 4,000 59,000
29 Lil Durk Just Cause Y'all Waited 2 Alamo/Geffen/Interscope 3,107 55,957
30 PARTYNEXTDOOR PARTYMOBILE OVO/Warner 3,061 52,237
31 Nas King's Disease Mass Appeal 19,021 47,788
32 Don Toliver Heaven Or Hell Cactus Jack/Atlantic 1,990 44,356
33 Megan Thee Stallion Suga Atlantic 4,279 41,000
34 The Kid Laroi F*CK LOVE Columbia 6,796 40,000
35 Bad Bunny LAS QUE NO IBAN A SALIR Rimas 7,931 39,828
36 Anuel AA Emmanuel Real Hasta La Muerte 3,560 39,233
37 Joyner Lucas ADHD Twenty Nine Music 10,144 38,400
38 Agust D D-2 BigHit 15,115 37,753
39 Yo Gotti Untrapped Epic/CMG 7,000 35,000
40 Run The Jewels RTJ4 BMG 31,065 34,609
41 Lil Yachty Lil Boat 3 Quality Control/Motown/Capitol 3,722 34,164
42 Pop Smoke Meet The Woo 2 Victor Victor/Republic 3,280 34,077
43 Jay Electronica A Written Testimony Roc Nation 10,842 31,703
44 Dreamville Revenge Of The Dreamers III: Director's Cut Dreamville/Roc Nation/Interscope 1,647 32,828
45 NLE Choppa Top Shotta Warner 2,433 32,769
46 Internet Money B4 The Storm Internet Money/TenThousand 766 32,168
47 Freddie Gibbs Alfredo ESGN/ALC/Empire 20,524 31,290
48 Teyana Taylor The Album G.O.O.D./Def Jam 4,250 31,088
49 Summer Walker Life On Earth - EP LVRN/Interscope 3,526 30,327
50 6LACK 6pc Hot EP LVRN/Interscope 8,082 28,951
51 Key Glock Yellow Tape Paper Route/Empire 782 28,290
52 Jessie Reyez BEFORE LOVE CAME TO KILL US N/A 14,979 26,430
53 John Legend Bigger Love Columbia 12,552 26,199
54 Amine Limbo Republic 7,350 25,711
55 Brandy B7 EOne 15,607 25,636
56 Childish Gambino 3.15.20 Wolf+Rothstein/RCA 5,584 25,273
57 J Balvin Colores UMLE 3,800 25,059
58 blackbear everything means nothing Alamo/Interscope 5,916 23,160
59 Various Artists Birds of Prey: The Album Atlantic 9,454 22,352
60 Brent Faiyaz Fuck The World Lost Kids 711 22,088
61 Stunna 4 Vegas Rich Youngin Interscope 559 21,967
62 Shoreline Mafia Mafia Bidness Atlantic 1,142 21,324
63 Quando Rondo QPac Warner 352 20,348
64 Jadakiss Ignatius Ruff Ryders/Def Jam 6,329 19,927
65 $uicideBoy$ STOP STARING AT THE SHADOWS G59 1,302 19,092
66 DVSN A Muse In Her Feelings OVO/Warner 2,349 19,081
67 Tee Grizzley The Smartest Tee Grizzley 1,800 18,845
68 Gucci Mane Gucci Mane Presents: So Icy Summer Guwop/Atlantic 1,055 18,773
69 Rich The Kid BOSS MAN Rich The Kid/Atlantic 420 18,512
70 City Girls City On Lock Quality Control/Motown/Capitol 1,994 18,461
71 Lil Tjay State of Emergency Columbia 1,611 17,101
72 Dave East Karma 3 Mass Appeal/Def Jam 2,613 16,798
73 Kiana Ledé KIKI Republic 5,070 16,533
74 Key Glock Son Of A Gun Paper Route/Empire 713 16,128
75 Dominic Fike What Could Possibly Go Wrong Columbia 4,349 16,102
76 JayDaYoungan Baby23 Atlantic 197 15,899
77 NoCap Steel Human 2020 135 15,795
78 Lil Keed Trapped On Cleveland 3 Young Stoner Life 190 15,978
79 Maluma PAPI JUANCHO Sony Music Latin 1,005 15,376
80 Sleepy Hallow Sleepy Hallow Presents: Sleepy For President Winner's Circle/Empire 225 15,266
81 Mozzy Beyond Bulletproof Mozzy/Empire 2,594 15,212
82 Jack Harlow Sweet Action Generation Now/Atlantic 704 15,140
83 K. Michelle All Monsters Are Human EONE 9,438 14,734
84 K CAMP Kiss 5 Family Ties/Interscope 693 14,631
85 JoJo good to know Warner 9,609 14,606
86 Jaden CTV3: Cool Tape Vol. 3 MSFTS/Roc Nation 2,693 14,563
87 Disclosure Energy Island 5,820 14,455
88 August Alsina The Product III: stateofEMERGEncy Shake The World/Empire 5,369 14,416
89 Mulatto Queen of Da Souf Streamcut/RCA 616 14,311
90 Burna Boy Twice As Tall Bad Habit/On A Spaceship/Atlantic 1,699 13,632
91 Alina Baraz It Was Divine Mom+Pop 2,294 13,557

Top 10 First Weeks of 2020 Across All Genres

Rank Artist Album Label Pure Sales Sales + Streaming
1 Taylor Swift folklore Republic 615,000 846,000
2 Juice WRLD Legends Never Die Grade A/Interscope 210,343 497,000
3 The Weeknd After Hours XO/Republic 275,000 444,000
4 BTS MAP OF THE SOUL: 7 BigHit/Columbia 347,000 422,000
5 Lil Uzi Vert Eternal Atake Generation Now/Atlantic 9,666 288,000
6 Eminem Music To Be Murdered By Shady/Aftermath/Interscope 117,000 279,000
7 Lady Gaga Chromatica Interscope 206,515 275,904
8 Pop Smoke Shoot For The Stars Aim For The Moon Victor Victor/Republic 59,000 251,000
9 Halsey Manic Capitol 180,000 239,000
10 Kenny Chesney Here And Now Blue Chair/Warner Nashville 222,000 233,000

FAQ:

Q: Source?

A: http://hitsdailydouble.com/sales_plus_streaming

Q: How is this list sorted?

A: It's sorted by sales + streaming

Q: What are pure sales?

A: Pure sales are purchases of the album (itunes, amazon, physicals, etc)

Q: Where is X album?

A: Only albums that make the top 50 in sales+streaming for their debut week are counted

Q: Why do some albums show exact sales numbers while others do not?

A: The albums that do not show exact numbers are the ones that have had sales corrections from Billboard

Q: Aren't those numbers kind of low for Childish Gambino?

A: Childish Gambino's "3.15.20" officially released on a Sunday, a week after it was premiered on his website, this caused him to lose out on two days of sales as well as losing some interest due to the delayed release.

Q: Where can I find last year's list?

A: 2019 list, 2018 list, 2017 list, 2016 list


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The Price Of Moral Sacrifice On 6ix9ine’s ‘TattleTales’ - Album Review

Posted: 04 Sep 2020 08:36 PM PDT

In an age in which the market feels more saturated than ever, the lengths and moral code surrounding an artist's claim to fame has never felt so ambiguous. Whilst this is by no means an abrupt marketing formula, it feels like a demand that within the musical landscape of now, it is the world of media gimmicks that either make or break the inaugural acceptance of the next era of stars. No artist has ever been so prone to the polarising motto, all publicity is good publicity, then New York native 6ix9ine. Making himself a household name through essentially adopting the token title of hip-hops villain, in the age of internet virality and streaming, it felt as if the mogul had cracked the code. Irrespective of one's opinion on 6ix9ine as a person, though damning an image that may be, no artist has ever had the ability to turn heads quite like him. Whilst I often find myself offended by his inability to separate product from its maker in the least flattering way possible, it is his enigmatic theatrics and bizarre conduct that leaves me intrigued every time.

6ix9ine's latest album 'TattleTales' comes after his glorified release from jail. The result of his careless ignorance and constant tease, 6ix9ine, sonically or otherwise, allows his brash actions to bleed into the medium. That element of his life has always had precedence and influence in his music, yet on his latest body of work, I struggle to find his progression. As is the case for most of these gimmicky, flash in the pan artists, there comes a point in which style is lost and the thinly veiled lack of substance is exposed. 'TattleTales' feels like 6ix9ine's 'hitting the wall moment' as he struggles to juggle his synonymous exhilarating antics, with a newfound squeaky clean sound. Everything from his persona, to his appearance, to the album's art, precedes his reputation, yet I struggle to catch even a glimpse of that same colour and unapologetic attitude anywhere on the record.

Granted, the opening track picks up from a place of familiarity for its performers. 'LOCKED UP 2', the revitalised remix of Akon's 'Locked Up' sees both 6ix9ine and Akon reflect upon the troubled undertakings that led to each demise respectively. Revisiting the paths littered with mistakes that would eventually lead to the pair being locked up. Toying with this idea of suppression, the instrumental bears a luxurious frame initially with its piercing keys and serene string refrains, only to be ultimately muted by the violent thrashings of warped descending synths. Whilst the idea in which we understand and sympathise with 6ix9ine's sorrows feels a little far-fetched and ignorant, it's as close to a heartfelt and insightful moment of relief we get.

Things immediately plummet following 6ix9ine's defining moment of pitiful honesty on the follow-up track 'TUTU'. Whilst the favouring of these tropical, colourful instrumental palettes is nothing new within the 6ix9ine catalog, no rendition prior has sounded quite so cheap and shallow. It is almost a given that when the production is so shamelessly toothless, the expectation falls upon the shoulders of the performer to engage. Yet here, 6ix9ine reels back his usual presence to unfold an equally one-note and forgettable vocal performance. Regardless of how unstomachable 6ix9ine's emphatic rage often is, it's at least a recognisable style, here, 6ix9ine fades all too deviously into a sea of unidentifiable crooners. These same issues become a recurring plague on the track 'CHARLIE'. With its lifeless clunky pan flutes, and a chorus with perhaps the most perplexing lack of cohesion ever, composed as if it were 6ix9ine's personal shopping list, the track demonstrates Tekashi's willingness to recycle these generic and inorganic tropes and shamelessly flog them like a dead horse.

'Highlights', a term that is relative to one's perception and ability to separate Tekashi from his music, are few and far between. Those familiar and inclined to the synonymous 6ix9ine sound are likely to be scratching their heads and wincing at more than a handful of the cuts present on the record, but it is the inclusion of 'GOOBA' which acts as a safe haven for his unfiltered, trademark style. Vocally 6ix9ine evokes an unbridled rage through his brutish inflections. Reaching an unparalleled sense of monstrous eruption, it is outlandish cuts like this that make 6ix9ine such a contentious figure. The track's lyrical content captures that provocative tease and childish jest the 6ix9ine formula entertains. An almost landmark return, as the phenomenon directly taunts and gaslights his haters. Whilst, not a sound I exactly care for, this is pinnacle 6ix9ine and I struggle to deny just how bold and daring it is.

6ix9ine has made his interest to transcend genres and merge definitive barriers no secret throughout his career. Constantly opting to fuse together elements of hip-hop and Latin pop, or one step further, inviting and appearing on predominantly Spanish speaking artists tracks. As expected 'TattleTales' refuses to interrupt this fascination and harbours a few of its own stylistic splices. We have the cut 'YAYA' which may in fact be the most migraine-inducing track within the 6ix9ine discography. With its manipulated chipmunked vocal phrases and Tekashi's grotesquely strenuous lead refrain it feels as if the song is a tandem bonanza poised with the task of slowly eating away at my sanity.

Where 'YAYA' seeks to assault my ears through its rancid production, 6ix9ine ventures elsewhere stylistically to champion his abusively excessive vocals. Similarly sickening and an additionally abhorrent display of complete unambitious incompetence is Tekashi's effort to toy with the tropes of dancehall on 'NINI'. Where featured artist Leftside boasts a real smokey and dance feverish flair to his infectious delivery, 6ix9ine is the complete antithesis. Sticking out like a sore thumb, Tekashi lacks the suave, minimalist traits to even remotely do his rendition justice. It is simply mind-boggling to me why anyone, Tekashi included, would see himself fit to appeal to such an otherworldly demographic when his efforts are so blatantly unfit.

Though the album exclusively welcomes recurring names within the Tekashi repertoire, for the most part, 6ix9ine struggles to find virtually any chemistry with his collaborators. Living up to its creator's namesake, the track 'TROLLZ' exhibits a point of contention forged from too much personality. Yet again 6ix9ine waters down his sound to create this flavourless melodic crooning that feels far too reserved to leave a lasting impact. Without his sustained audacious presence, he is simply left in the dust by Nicki Minaj who runs circles around him with her witty, personality-filled attitude and delivery that oozes with confidence. Where too much personality spoils the equation on 'TROLLZ' it is the removal of pronounced presences that leads to a vapid and sparse listen on 'LEAH'. With its violently invasive distorted synth line that acts as the enveloping blanket that devours anything and everything beneath it, a somber Akon and 6ix9ine feel all but lost in the reverb-heavy abyss. The two sing of giving in to their primal erotic desires with unnamed partners and indulging in lustful activities, yet nothing is given the necessary treatment to sound sincere or intimate. It all feels so surface level and one-note. So much so, that I am left feeling baron and cold with just how much blank space is left through underwhelming performances.

6ix9ine manages to continually underwhelm and flaunt a lack of creative substance throughout the project's entirety. Yet it isn't until the back end in which he truly flaunts his blasé and repetitive habits. 'GATA' is a prime example of the style over substance formula the Tekashi brand has so rigorously relied upon. 6ix9ine interpolates and calls back to many a past track of his own whilst boasting a truly tasteless sense of independence in which he states his unwelcoming nature towards an undescribed 'ho'. Its lines like "I won't save her, I won't breed a ho, I don't need a ho, I just fuck her and mislead the ho, I mistreat the ho" that truly capture the vile, downright misogynistic nature of Tekashi's devoid moral compass. Yet another instance in which 6ix9ine references his own canonical arc is on the track 'GTL'. Sampling the album's opener, the track is yet another installment in the niche trend of phone recorded songs. Whilst it plays out as a case of insightful recollection in which 6ix9ine comes to the realisation of his bad company, regressing over his misplacement in trust and loyalty amongst those that would eventually turn on him, I fail to see the appeal in such an amateurish and inaudible mix. A part of me hopes that this is the nail in the coffin that finally condemns the ambient-filled phone recorded track to the depths of the drawing board.

I truly and honestly struggle to understand the direction and decisions leading up to 6ix9ine's construction of the album. 6ix9ine is a head-turner, yet a majority of 'TattleTales' feels constructed to go in one ear and immediately out the other. Whilst his synonymous sound is admittedly a hard to swallow pill, his newfound appreciation for an overly pristine and calculated layout sucks any and all originality and life from his sound. Let's face it, 6ix9ine isn't exactly a poet or wordsmith, so when his boisterous and over the top personality is removed from the equation I find his craft to become redundant and if anything, a grueling chore. The surface-level enjoyment to be found on 'TattleTales' asks more of its listeners than it does 6ix9ine, as I find myself scrambling to draw positives from its creator's input. 'TattleTales' is not the eye-catching, snazzy project we've come to expect from Tekashi, as it instead feels like the result of the watering down of one's already insufficient craft.

TattleTales - 6ix9ine - 2/10

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Ab-Soul - Dangerookipawaa Freestyle

Posted: 04 Sep 2020 05:29 PM PDT

2020 XXL Freshman Cyphers Trailer

Posted: 04 Sep 2020 07:26 AM PDT

[FRESH] Knxwledge - HX.PRT_15

Posted: 04 Sep 2020 03:16 PM PDT

San Bernardino rapper Doggystleeee recovers from critical condition after triple shooting. "I'm Still here with Y'all! God Had better Plans for me! And this just made my grind harder!!!! I appreciate all the love from everybody".

Posted: 04 Sep 2020 05:40 PM PDT

https://www.instagram.com/p/CEu8BfyFonN/?igshid=1lko7e8s1qdt0

Back on my Grind! Thanks for all the prayers! I'mma stronger individual, my success is everything to me andI will not go backwards, God gave a nigguh a 2nd Chance so imma take that into consideration and act upon it! R.I.P to my Uncle tho love you Unc and imma do this rap shit for you man!

submitted by /u/JakeArvizu
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[FRESH] Dumbfoundead - All Alone

Posted: 04 Sep 2020 06:23 AM PDT

[FRESH] Big Sean- Don Life (feat. Lil Wayne)

Posted: 04 Sep 2020 08:17 AM PDT

50 cent-Life On the Line (rare original version that Columbia records wanted him to change)

Posted: 04 Sep 2020 10:11 PM PDT

Atmosphere interview on Aesop’s Table - the new podcast from Black Aesop of Living Legends.

Posted: 04 Sep 2020 09:03 PM PDT

Dave - Streatham

Posted: 04 Sep 2020 02:52 PM PDT

Nas - King's Disease

Posted: 04 Sep 2020 12:23 PM PDT

Armand Hammer (billy woods + E L U C I D) - Bitter Cassava (Feat. Pink Siifu) [Prod. By Earl Sweatshirt]

Posted: 04 Sep 2020 08:53 PM PDT

Big Sean on “Detroit 2”, Dealing with Loss, and Rediscovering His Passion for Music

Posted: 04 Sep 2020 05:55 PM PDT

[FRESH] Tha God Fahim X Your Old Droog - Tha Wolf On Wall St (Prod.By Tha God Fahim)

Posted: 04 Sep 2020 12:06 PM PDT

[FRESH VIDEO] Blueface - Baby (Dir. by @_ColeBennett_)

Posted: 04 Sep 2020 07:56 AM PDT

Mann - Bend Ya (feat. Kendrick Lamar and Frank Ocean)

Posted: 04 Sep 2020 08:20 PM PDT