Hype Tuesday: Post songs by artists that haven't gotten more than 50 upvotes on HHH - HipHop | HipHop Channel

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Hype Tuesday: Post songs by artists that haven't gotten more than 50 upvotes on HHH - HipHop

Hype Tuesday: Post songs by artists that haven't gotten more than 50 upvotes on HHH - HipHop

Hype Tuesday: Post songs by artists that haven't gotten more than 50 upvotes on HHH

Posted: 05 Jan 2021 08:00 AM PST

Rules

Artists qualify if they're never gotten 50 or more upvotes on /r/HipHopHeads (counting features)

Formatting:

Artist - Title

Description: no character minimum but some things that might be good to include: where the rapper is from, what subgenres they might fall into, have cosigns they might have, what their influences are/who they sound like.

Example:

Aaron May - Let Go

17 year old Houston Rapper, biggest influences are J Cole and Nas.

Heavily recommended: If you post a song, listen to another song and comment on it. Otherwise it doesn't rly work that well.

Feel free to add any feedback on what could make these threads better.

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Album of the Year Write-Up #16: 21 Savage & Metro Boomin - Savage Mode II

Posted: 05 Jan 2021 09:50 AM PST

​

Artist: Metro Boomin & 21 Savage

Album: Savage Mode II

​

Listen

YouTube

Spotify

Apple Music

Tidal

Soundcloud

​

Background by u/djreshiram

The story of Savage Mode II would not exist without an amazing origin story, after all this is a sequel.

The year was 2016. After a slew of mixtapes and an unfavorable appearance as XXL's 2016 Freshman List, 21 Savage was a hot topic for good reason. The now infamous 2016 Freshman cypher featured 5 up-and-comers labeled "mumble rappers" who many believed would not last in the industry. It's quite romantic how arguably all 5 of those artists are still relevant. It felt that so many people wanted them to fail, as they exclaimed hip-hop was dying and this was the nail in the coffin. The beautiful irony was that all these artists were trailblazers; unique individuals who were far from "killing hip-hop". They're innovators, who have and continue to craft amazing works of art in the ever-evolving world of music we love.

To be a fan of 21 Savage, one must understand who he is. The coldest fucking rapper to speak on the mic in a long ass time. 21 Savage is the lean sippin, gun wielding, hood oracle we didn't know we wanted. A man who suffered so much, you can hear it in his voice of earlier music. You can hear the trauma of being failed by an education system, the trauma of having to sell drugs to survive, the trauma of losing a brother, and 2 friends, one at 19 and one on his 21st birthday, where 21 was also shot 6 times. All those atrocities birthed arguably one of the best gangsta rappers since 50 Cent.

Personally, I remember not being a fan of 21 in the early days. I thought he was one-dimensional with a barrier around him, that he could never break. It was hard to see the 2016 Savage have any range, it really seemed like he'd be another run-of-the-mill street rapper. Thank fuck, I was wrong.

After living a hell of a life, at age 24, 21 Savage reinvented the wheel with the release of Savage Mode. A dark, monstrous and sinister project morphing the aesthetics of the serial killer horror movie with the rough and gritty realities of the gang life. It took an artist to see the potential of 21's jarring and cold-blooded delivery to show the world what could come from 21, and even leaving room for some experimentation. That artist was Metro Boomin.

Arguably one of the most important producers to modern hip-hop, Metro Boomin gave 21 Savage the tools Metro had developed from working with acts like Gucci Mane, Young Thug, Travis Scott and Future. The latter being responsible for 2 of the greatest trap albums ever, Rodeo and DS2, to which are 2 albums that wouldn't be what they were if it wasn't for Metro. He had been crafting a new sound, a much darker take on the trap style of production. Before Metro, it seemed the EDM aesthetics plagued the Blog Era and mixtape culture of the early '10s. Tracks like "Black and Yellow", "Hard In The Paint", "Bandz A Make Her Dance", "Type Of Way", "U.O.E.N.O" and "Collard Greens" are all great examples of some of the EDM trends bleeding into hip-hop. Metro himself played with those aesthetics, but Metro still had a different vibe.

"Mamacita" should be considered one of the most important tracks in hip-hop. Travis was really pushing this new aesthetic, that was something more than hip-hop, it was art. He took trap and southern hip-hop as a whole and went full Stanley Kubrick with it, reinventing the genre. "Mamacita" is a song with a one bar sample loop from this song that was cleverly paired with an explosive and distorted 808 bass and eerie pianos and percussion fills. It's a song like no other, being co-produced by Travis, Metro and DJ Dahi, and remains a classic today.

With this new sound in play, Metro went on to make more music with Travis on Rodeo (4 tracks in total, 5 with the deluxe version) and although the album was made with a team of outstanding producers and music, the Metro cuts like "3500" and "Nightcrawler" stand out. At the time, it wasn't certain who was playing what parts in these songs, but next year came and we all knew where these dark sounds were coming from.

DS2 is where the world assumed Metro peaked this sound. Future was the perfect artist for Metro's new style of trap. His gritty and deep voice made the 808s all the more harder, with 11 of the 13 tracks being produced or co-produced by Metro. This seemed like peak Metro, as he went on to executive produce the Drake and Future mixtape What A Time To Be Alive.

With such a resumé, Metro was particularly good at one thing, and it was something people hadn't noticed; his ability to produce and develop an artist. Young Thug, Future, Migos and even the resurgence of Gucci Mane can all be credited to Metro, where he produced tracks all through their careers, growing with them. With these new sounds it made perfect sense with Atlanta's next up was the darkest to come from the city.

Enter Savage Mode, the definition of perfect pairings. The pioneer of murderous trap production finally found the man who can match the sonics with unrelenting, cold-hearted raps and flows crafting one of the most celebrated projects of modern trap. Spawning two major singles in "X" featuring Future and the 21 staple track "No Heart", the album also features fan favorite deep cuts like "No Advance" and "Ocean Drive". All in all, Savage Mode is a 32 minute prevailing record, as both artists prove to be perfecting their craft while still showing ways to go.

The 4 year gap between Savage Mode I & II was an excellent amount of time for both artists to grow and develop further. One could argue that the biggest drawbacks from Savage Mode was the long-heard original criticisms of 21 Savage, which was his lack of range. It did seem like even if it was still good, 21 wouldn't be able to grow this sound much longer, and fortunately for the listeners, 21 seemed to want to grow as an artist.

21's debut album Issa Album is almost another Metro collab project, as the duo have 9 of the 14 tracks together, along with production from the usual suspects Southside and Zaytoven, and production from DJ Mustard, Pi'erre Bourne, Jake One and Wheezy, amongst others.

While the project spawned the hit "Bank Account", the album was rather unpopular in comparison to Savage Mode. One thing was certain though, 21 was experimenting. "Face Time" for example is a very left turn in Savage's discography up until this point, as the artist attempts a Mustard-bouncy pop rap love song, with Savage rocking the auto-tune. Even more impressive was "Nothing New", an underrated track in his discography about racial issues and police brutality that shows sincerity from Savage..

That same year, 21 and Metro dropped another project, but with Migos rapper Offset, called Without Warning, on Halloween of 2017. Offset was hot off the release of the Migos debut Culture, and the trio created a horror movie like no other. Metro's production had never sounded of this quality up to this point, with all parties working on a body of work, versus making a slew of singles. Tracks like "My Choppa Hate Niggas" and "Nightmare" perfectly weave into one another, and other cuts like the intro track with Travis Scott, "Ghostface Killers", relentlessly being followed up by "Rap Saved Me" mesh together so perfectly, some argue this is still one of these artists best projects.

Even more exciting was the strength and growth of 21 as a rapper. 21's writing was very on point, being some of the few who could pull off such disrespectful and heartless tracks like "My Choppa Hate Niggas" as well as excelling at hooks. While the biggest song on the project ended up being the Offset solo track "Ric Flair Drip", 21 was not overshadowed, as all 3 artists seemed to play off each other, getting the best out of one another for an excellent project.

After this, both Metro and 21 took nearly a year off to focus on their next major projects. Metro had released one more collaboration project with Detroit all-star Big Sean titled Double or Nothing, which featured "Pull Up N Wreck", where 21 was a featured artist. After this, it wasn't until November and December of 2018 that both artists dropped a new project, but this time on their own, but not to say they didn't help each other.

Metro dropped first; his debut album Not All Heroes Wear Capes. Metro came back like a phoenix from the fire, with adding a new and exciting element to his production, sampling. While he has sampled in the past, Metro hadn't done it as excessively as he did on this project, seeming to prove he was the trap Kanye we knew him to be. The album featured heavy hitters like Travis Scott, Gucci Mane, Swae Lee and of course, 21 Savage, while also featuring up-and-comers Gunna and to the ears of non-Latin audiences, J Balvin.

Although the project didn't spawn any major hits outside of the bonus track released before the album, "No Complaints" featuring Offset and Drake, the album still went on to be Metro's 1st number 1 album. The movie quality attributes proved that Metro does not need hits when you're releasing artistic endeavors like no other.

NAHWC spawned 3 more collaborations between Metro and 21, 2 of which being the solo cuts "10 Freaky Girls" and the now iconic "Don't Come Out The House" which featured 21 on a whisper flow over a co-produced Tay Kieth beat.

Then a month later 21 dropped his second album, and easily his most diverse and respected project, I Am > I Was. While only featuring 2 Metro cuts ("Break Da Law'' & "ASMR") Savage showed more growth than anybody else from that 2015 Freshmen class (sans Denzel Curry). Arguably some of his most mainstream cuts are seen here while still remaining very true to 21's sounds and aesthetics. The intro cut "A Lot" is easily one of the greatest hip-hop singles of the last 2 years, with an iconic soul sample, DJ Cuts, booming 808s, an incredible hook with amazing ad-libs and great verses from both 21 and J. Cole.

The album also features further explorations of sounds, such as "Ball w/o You", a gangsta break-up song, and "Monster" which is about fame and has one of the most unique beats, that include a child choir ensemble and a feature from Childish Gambino. 21 even released a lovely ode to his mother on "Letters 2 My Momma". Still even with the experimentation, 21 remains true to his brand of gangsta rap with sex tracks like "A&T" featuring City Girls or the Lord Infamous sampled banger that is "Good Day" featuring ScHoolboy Q and Project Pat.

With Metro and 21 having an amazing musical journey from the release of Savage Mode to the release of Savage Mode II, it seemed the two had grown tenfold artistically, and to new heights in their careers. But exactly how well would they execute their next project together?

​

Review by u/djreshiram

Intro

Morgan Freeman... What a fucking start. The cinematic tone is set almost immediately, as one of the most iconic voices in cinema begins the project with a monologue about the unity of men when they attempt to be great. With this intro, the album is quickly set into motion for Metro to immediately get into his sample bag.

Runnin

"Runnin" features a prominent Diana Ross sample that loops over and over, with a deadly array of bass and percussion, showing familiarity to the sinister sonics of 21 Savage. The ATL rapper spares no time giving you verse 1 with a great flow that matches the eeriness of the vocal chop and low piano note. The hook is one of many great ones heard throughout the record, with a soft-spoken menacing repeat of the word "runnin". 21 gives us a great outro with a couple more bars before getting into a speech about how he runs it, even going as far as to say he'd kill your crew. With the last couple of words being "pussy", it's only fair as the next song features those same words, a lot.

Glock In My Lap

If you haven't noticed 3 songs in, each song goes right into the other, helping the flow and aesthetics of the album live. The song technically starts 15 seconds before "Runnin" ends, with Morgan Freeman coming back to question whether people can repeat themselves. Then 21 comes with an iconic intro, repeating "pussy" an appropriate amount of times. Savage comes in vicious as hell over more of the haunting natural production Metro gives us, alongside co-producers Honorable C.N.O.T.E. and Southside. The pianos get complemented with scary strings and ghostly bells as 21 delivers another meaty hook. With 3 tracks in, it's no denying the mood has been set, but the duo cleverly sequence the project to hand us a love song as the theme of love is seen several times on the project.

Mr. Right Now

A reversed sample (which still hasn't been posted on WhoSampled) opens up this track. It sets the tone for a brighter track as 21 for the first time on the project, opens a song with the hook. Savage talks about his love life on this bouncy pop rap track, while referencing his favorite R&B artists like TLC, Beyoncé and Kieth Sweat. Then the king of pop rap, Drake, gives a good feature, matching 21's vibes well over the beat. The two even harmonize the hook when it comes back to great effect. The track ends with the intro into the next track, where a woman is talking about giving up sex to any guy who has money.

Rich Nigga Shit

The song begins with the woman from the previous outro explaining her beliefs on the way of the world, which is simply this: Money and sex make the world go around. With that energy, 21 talks about his luxurious life some more, with fellow ATL rapper Young Thug. This beat is much more relaxed, with a real string bassline over hypnotic keys and slow percussion, with 808 rim shots and cowbell. Thugger matches the vibes of 21 and gives him a solid verse. All in all, this is a very good track, it doesn't overstay its welcome, and kudos to Metro for the violin solo in the beginning and end of the song.

Slidin

Back to business. 21 channels the best energy from the first Savage Mode as he eats this minimal beat in one of the best tracks, especially if you're a fan of the most murderous 21 tracks. This classic has plenty of quotables, with great ad-libs and an interesting instrumental that adds and subtracts wonderfully, adding nothing but emphasis to Savage's verse. Fortunately, Metro and 21 keep the energy flowing, as Morgan ends the song, with words about living by the edge of the double edged-sword that is life.

Many Men

With no room for a break, "Many Men" starts right after "Slidin" with another classic beat that sounds like a horror-apocalypse. This dystopian type production is perfect for 21 to just be cold-hearted and drug-inducing. He channels the powers of 50 Cent, as the hook plays tribute to 50's now classic "Many Men", with the actual song being sampled before the end of the track. Both "Slidin" and "Many Men" seem interchangeable as 21 never wastes a bar delivering relentless flows of words that most rappers wish they could write. 7 tracks in and, really, only 3 breaks in between songs. It's only fair the next track is an interlude, placed right in the middle of the tracklisting.

Snitches and Rats (Interlude)

The idea of Morgan Freeman telling the difference between snitches and rats is… fun and intriguing. I'll leave it at that.

Snitches and Rats

Appropriately, 21 channels his cousin Young Nudy for a dark banger about, well, snitches and their completely different yet still disgusting synonym, rats. This street code joint delivers another great hook with deadpan humor. Nudy comes into his own on this beat as he adds a great verse. With this being the final feature on the album, 21 proves to do much more with less, as all 3 features help elevate the track that 21 could easily make great just by himself.

My Dawg

One of the more introspective songs on the album, 21 reflects on life events and the person he is. The somewhat uncomfortable piano and strings over the dark piano stabs and percussion paint a vivid picture of struggling and trials and tribulations. 21 addresses his citizenship as well as reflecting on past relationships and deceased friends and family. While this isn't the most accessible song on the album, it's a worthy listen as it plays well of the themes of loyalty from the last track, as well as touching on feelings of acceptance, that the hard shit in life defines who you are, and it's fine to accept that. With all that turmoil, the next track takes us a step back as we go back to hip-hop basics.

Steppin On Niggas

In 1988, rapper and producer duo Rodney-O and Joe Cooly dropped "Everlasting Bass'' aka "Nobody Dissin' Me". It only makes sense that Metro and 21 would sample a bass heavy, cheesy synthesized, 80s hip-hop track, that they turn into their own. The art of story-telling is ever prominent in 21's ability to match his vibes with the flows and production of the 80s. This song is worthy of any break-dancer as this track is great for a multitude of reasons. It's placed at a great moment in the album, and it pays respect to hip-hop as a whole while marrying the modern lyrics and slang of trap with the 80s hip-hop, who both share a love for the iconic 808 bass.

Brand New Draco

The joke of making an NBA highlight reel type beat is hilarious until Metro does one. Then it's a classic. Metro and 21 deliver a victory track where 21 raps about his success and he continues to be himself, only difference is the money keeps stacking. 21 raps so well on this track, Metro continues his great production as he switches up 808s, adds piano, and plenty of catchy percussion. The track is masterfully crafted with plenty of quotables, and one of the best flows in the outro, as 21 delivers excellency, 12 tracks in and not one mishap.

No Opp Left Behind

Reminiscing has been a theme throughout, but it comes full circle here on track 13. "No Opp Left Behind" features a groovy yet still oddly angelic beat as 21 discusses his life further, solidifying his life, as he talks about how he will always kill those who stand before him, and if you don't believe him, listen to his voice and you will hear the voice of someone who has done the things he's rapped about. Morgan Freeman wraps the song up by further elaborating the ideology that no enemies should be left standing in your way, and to eliminate them if possible.

RIP Luv

With 2 tracks left, 21 comes to the end by discussing his love life once more. The production comes off as heartfelt and dreamy, with Savage rapping about women and how he's given up on love because of the incidents that have happened in his life. He feels like the way he treats women today is because of his past and he's come to terms with it. This is one of many moments on Savage Mode II, where 21 shows great maturity, as not just a person but an artist who can capture a common emotion and express it in his own unique way, giving us an insight into 21's mind. The track ends with Morgan talking over a guitar solo about how love will never die, and that other things like lust and infatuation blur love, and those are things that can die over time.

Said N Done

The closing track, "Said N Done" opens with an 80s Stephanie Mills sample, then quickly goes into a hook, where 21 talks about how no matter what, he knows that he'll be okay. The song greatly wraps up all the themes of the album, as even after a life of gang violence, betrayal and heartbreak, 21 still sees that he will make it out, as he's made it this far. Morgan closes out the album with additional words of wisdom, discussing how at the end of the day, we're all here for ourselves, and we cannot let others tear us down, as they only have power if a person gives it to them. Yet, he reminds us to stay in Savage Mode.

Final Verdict

Savage Mode II sits high in both 21 Savage and Metro Boomin's discography for a multitude of reasons. Both artists sound as polished as ever, with Metro continuing to be a great producer, flexing both his ability to sample, his ability to collaborate with other producers, and his ability to produce full-on trap symphonies. 21 meanwhile is rapping better than he's ever done. He's managing to get plenty of range out of voice, and lyrically, he's as sharp as ever. Furthermore, the duo give a movie quality experience. Some might say that getting Morgan Freeman is a sure way to get "movie quality", but who else in trap is putting this much effort into an album? 21 manages to do less with more with only 3 features and curates a great 15 track album that all share similar themes, tied together in hands down one of the best hip-hop albums of the year. Bonus points for the Pen & Pixel artwork.

​

Favorite Lyrics by u/djreshiram

Runnin

"I ain't with thе rap beef, Draco pedophile, all of my opps get touchеd (Straight up)

We ain't never ran off on no barber, but we still be hoppin' out cuts (Straight up)"

Glock in my Lap

Pussy, pussy, pussy, pussy, pussy

Pussy, pussy,

Mr. Right Now

She want me to fuck her to some Keith Sweat (21)

But she stay in apartments I got beef at (On God)

Pussy so good, I had to sneak back (On God)

Hit her with my Glizzy, boy, I keep that

Runnin

Hit him with a twenty-piece, ranch lemon pepper (Pepper)

Black Air Force 1s dancing with the devil

I just made an opp do the running man (Running man)

Keep an FN in my Cullinan (Cullinan)

Still ain't met a bitch that I'd cuff again (21,21)

Still ain't met a bitch that I'd kiss (On God)

He was talking crazy, he got blick (Straight up)

Savage keep a token, John Wick (John Wick)

Shoot him in the back like he Rick (Ricky)

Playing freeze tag, niggas it (Sticky)

Snitches & Rats

You talk on the internet, we talk in the street (21)

Kel-Tec .223, like D-Wade, I love my heat (21)

Glock 19 in the booth, it's on the seat (Pussy)

Black Air Force 1s in the field, thеm my cleats (Pussy)

My Dawgs

I ain't know nothin' 'bout no Visa, I was in the park with the gang

Moms be feelin' bad, I try to tell her she is not to blame

No social security, couldn't get a license, but I still didn't complain

Steppin on Niggas

Got a Glock on my hip, niggas hippity-hop

He was dissin' on songs and that shit got him shot

Hit his block with a broom, hit his block with a mop

We ain't talking to bitches, we ain't talking to cops (Fuck 12)

Check the forecast, I got galore cash

Had them killers on your step like DoorDash

Fuck your baby daddy with his dork ass

We at the bottom, nigga, show me your extort pass

Brand New Draco

The whole song.

RIP Luv

I had your back, you put a knife in mine (Now I'm scarred)

If you was finna lose your life, I woulda gave you mine (On God)

I sit back and reminisce sometimes (Just be thinkin', you know, 'bout the old days)

I used to drink my syrup while you drank your wine (My old ways)

Said N Done

Right hand on my Glock, left hand on her coochie

Cock the chop, hit your top, nigga, Bruce Lee

I'm the boogeyman, pussies can't spook me

Got your BM on my line talkin' 'bout, "Scoop me"

***

Talking Points

How does Savage Mode II compare to Savage Mode?

Would you compare Savage Mode II to a movie?

Where does 21 Savage and Metro Boomin land amongst other producer and rapper duos?

Between the Pen & Pixels artwork and the throwback to 80s hip-hop, how do you feel about new artists tributing older artists?

Do you feel like 21 Savage has matured and grown as an artist?

What do you think is next for 21 Savage sonically?

submitted by /u/DJReshiram
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Dr. Dre Suffers Brain Aneursym and is in ICU in L.A.

Posted: 05 Jan 2021 05:05 PM PST

Kim Kardashian and Kanye West are getting a divorce: ‘She’s done’

Posted: 05 Jan 2021 03:28 PM PST

[FRESH VIDEO] The Weeknd - Save Your Tears

Posted: 05 Jan 2021 09:06 AM PST

"I’m doing great and getting excellent care from my medical team. I will be out of the hospital and back home soon. Shout out to all the great medical professionals at Cedars. One Love!!" - from Dr. Dre's official IG

Posted: 05 Jan 2021 08:34 PM PST

[FRESH] Slowthai, A$AP Rocky - MAZZA

Posted: 05 Jan 2021 09:59 AM PST

Mos Def rapping "All Caps". Rest in power MF DOOM

Posted: 05 Jan 2021 09:45 AM PST

[LEAK] A$AP Rocky - R.I.P. (.prod Kanye West) (2017)

Posted: 05 Jan 2021 03:58 PM PST

Nujabes ft. Shing02 - Battlecry

Posted: 05 Jan 2021 03:15 PM PST

[SHOTS FIRED] Royce aggressively defends eminem while the source founder dacid mace slanders and claims "Em is holding a space and should be tossed out"

Posted: 05 Jan 2021 12:06 PM PST

MF DOOM - GUV’NOR

Posted: 05 Jan 2021 05:20 PM PST

What would you say is the most creatively written verse or song that takes a literary device and pushes it to its limit?

Posted: 05 Jan 2021 06:03 PM PST

For instance, on D.E.M.O.N.S., Elzhi is able to maintain an entire verse so that each line breaks down the word "DEMON" as a different acronym.

Another great example is Gift of Gab (of Blackalicious) basically rapping the entire dictionary in alphabetical order on Alphabet Aerobics.

submitted by /u/-Nacirema
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2021 Grammy Awards Reportedly Postponed

Posted: 05 Jan 2021 12:54 PM PST

MF DOOM Will Never Really Die

Posted: 05 Jan 2021 04:26 PM PST

[FRESH VIDEO] Madvillain - All Caps (now in 1080p)

Posted: 05 Jan 2021 01:15 PM PST

Which rap song better captured the atmosphere of the recent Black Lives Matter protests in the U.S.?

Posted: 05 Jan 2021 02:16 PM PST

Feel free to add your own song if it isn't listed above.

submitted by /u/-Nacirema
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Ice Cube - Hello Feat. Dr. Dre & MC Ren

Posted: 05 Jan 2021 06:20 PM PST

Rap Lyrics Now Admissible as Court Evidence: A Dangerous Precedent

Posted: 05 Jan 2021 07:57 PM PST

Billboard Chart Discussion - Week Of January 09, 2021 | Mood returns to #1 | Blinding Lights back in top 10

Posted: 05 Jan 2021 09:38 AM PST

Billboard Hot 100 chart

Position Title Artist ▲/▼ Last week Weeks Charting Peak
1 Mood 24kGoldn Featuring iann dior ▲+6 7 21 1
2 Positions Ariana Grande ▲+12 14 10 1
3 Blinding Lights The Weeknd ▲+98 -- 56 1
4 Holy Justin Bieber Featuring Chance The Rapper ▲+17 21 15 3
5 Dynamite BTS ▲+39 44 19 1
6 Go Crazy Chris Brown & Young Thug ▲+18 24 34 6
7 Laugh Now Cry Later Drake Featuring Lil Durk ▲+18 25 20 2
8 I Hope Gabby Barrett Featuring Charlie Puth ▲+22 30 53 3
9 All I Want For Christmas Is You Mariah Carey ▼-8 1 44 1
10 Levitating Dua Lipa Featuring DaBaby ▲+17 27 13 10
11 Bang! AJR ▲+26 37 26 11
12 Rockin' Around The Christmas Tree Brenda Lee ▼-10 2 39 2
13 For The Night Pop Smoke Featuring Lil Baby & DaBaby ▲+16 29 26 6
14 Lemonade Internet Money & Gunna Featuring Don Toliver & NAV ▲+17 31 20 6
15 Jingle Bell Rock Bobby Helms ▼-12 3 36 3
16 Kings & Queens Ava Max ▲+25 41 21 13
17 A Holly Jolly Christmas Burl Ives ▼-13 4 20 4
18 Therefore I Am Billie Eilish ▲+24 42 8 2
19 34+35 Ariana Grande ▲+21 40 9 8
20 Dakiti Bad Bunny & Jhay Cortez ▲+14 34 9 5
21 Body Megan Thee Stallion ▲+14 35 6 12
22 What You Know Bout Love Pop Smoke ▲+29 51 17 22
23 Willow Taylor Swift ▲+15 38 3 1
24 Better Together Luke Combs ▲+33 57 13 24
25 Lonely Justin Bieber & benny blanco ▲+28 53 11 14
26 Rockstar DaBaby Featuring Roddy Ricch ▲+75 -- 36 1
27 Whoopty CJ ▲+25 52 8 27
28 It's The Most Wonderful Time Of The Year Andy Williams ▼-23 5 21 5
29 Run Rudolph Run Chuck Berry ▼-19 10 9 10
30 Before You Go Lewis Capaldi ▲+71 -- 45 9
31 Savage Love (Laxed - Siren Beat) Jawsh 685 x Jason Derulo ▲+70 -- 27 1
32 Afterglow Ed Sheeran ▲+27 59 2 32
33 More Than My Hometown Morgan Wallen ▲+68 -- 27 15
34 Whats Poppin Jack Harlow Featuring DaBaby, Tory Lanez & Lil Wayne ▲+67 -- 46 2
35 Starting Over Chris Stapleton ▲+31 66 18 25
36 WAP Cardi B Featuring Megan Thee Stallion ▲+19 55 21 1
37 I Should Probably Go To Bed Dan + Shay ▲+64 -- 21 37
38 Good Days SZA ▲+63 [FRESH] 1 38
39 Feliz Navidad Jose Feliciano ▼-33 6 15 6
40 Pretty Heart Parker McCollum ▲+61 -- 21 36
41 Let It Snow, Let It Snow, Let It Snow Dean Martin ▼-33 8 14 8
42 Happy Anywhere Blake Shelton Featuring Gwen Stefani ▲+59 -- 21 36
43 Holiday Lil Nas X ▲+13 56 7 37
44 The Christmas Song (Merry Christmas To You) Nat King Cole ▼-33 11 27 11
45 Monster Shawn Mendes & Justin Bieber ▲+19 64 6 8
46 Diamonds Sam Smith ▲+19 65 15 40
47 Watermelon Sugar Harry Styles ▲+54 -- 38 1
48 On Me Lil Baby ▲+10 58 4 30
49 Hawai Maluma & The Weeknd ▲+14 63 19 12
50 Underneath The Tree Kelly Clarkson ▼-38 12 10 12
51 You Broke Me First. Tate McRae ▲+17 68 19 50
52 Champagne Night Lady A ▲+28 80 10 52
53 Still Trappin' Lil Durk & King Von ▲+48 [FRESH] 1 53
54 Big, Big Plans Chris Lane ▲+17 71 13 42
55 Forever After All Luke Combs ▲+18 73 10 2
56 My Ex's Best Friend Machine Gun Kelly X blackbear ▲+13 69 20 28
57 Cry Baby Megan Thee Stallion Featuring DaBaby ▲+10 67 4 57
58 Hole In The Bottle Kelsea Ballerini ▲+38 96 11 58
59 B.S. Jhene Aiko Featuring H.E.R. ▲+42 -- 21 24
60 Love You Like I Used To Russell Dickerson ▲+19 79 17 31
61 Good Time Niko Moon ▲+21 82 13 61
62 Backdoor Lil Durk ▲+31 93 2 62
63 7 Summers Morgan Wallen ▲+20 83 19 6
64 Mr. Right Now 21 Savage & Metro Boomin Featuring Drake ▲+8 72 13 10
65 Without You The Kid LAROI ▲+5 70 4 63
66 Throat Baby (Go Baby) BRS Kash ▲+8 74 11 66
67 Prisoner Miley Cyrus Featuring Dua Lipa ▲+14 81 6 54
68 Tyler Herro Jack Harlow ▲+8 76 10 34
69 You're Mines Still Yung Bleu Featuring Drake ▲+16 85 4 52
70 Hit Different SZA Featuring Ty Dolla $ign ▲+20 90 16 29
71 Redman Lil Durk ▲+30 [FRESH] 1 71
72 Slay3r Playboi Carti ▲+29 [FRESH] 1 72
73 Stay Down Lil Durk, 6LACK & Young Thug ▲+28 -- 2 73
74 Adderall (Corvette Corvette) Popp Hunna ▲+10 84 2 74
75 Golden Harry Styles ▲+20 95 10 74
76 Beers And Sunshine Darius Rucker ▲+25 -- 3 76
77 Back To The Streets Saweetie Featuring Jhene Aiko ▲+10 87 6 76
78 Damage H.E.R. ▲+14 92 3 70
79 Take You Dancing Jason Derulo ▲+22 -- 4 79
80 What's Your Country Song Thomas Rhett ▲+21 -- 2 80
81 Midnight Sky Miley Cyrus ▲+20 -- 18 14
82 Go2DaMoon Playboi Carti Featuring Kanye West ▲+19 [FRESH] 1 82
83 Ain't Always The Cowboy Jon Pardi ▲+18 -- 17 55
84 Put Your Records On Ritt Momney ▲+16 100 11 79
85 Bichota Karol G ▲+3 88 5 85
86 Refugee Lil Durk ▲+15 [FRESH] 1 86
87 Happy Does Kenny Chesney ▲+14 -- 7 85
88 Monsters All Time Low Featuring Demi Lovato & blackbear ▲+13 [FRESH] 1 88
89 Take Me Home For Christmas Dan + Shay ▼-41 48 4 48
90 Vamp Anthem Playboi Carti ▲+11 [FRESH] 1 90
91 Down To One Luke Bryan ▲+10 [FRESH] 1 91
92 New N3on Playboi Carti ▲+9 [FRESH] 1 92
93 Death Ain't Easy Lil Durk ▲+8 [FRESH] 1 93
94 Took Her To The O King Von ▲+5 99 7 47
95 Save Your Tears The Weeknd ▲+6 -- 3 41
96 So Done The Kid LAROI ▲+5 -- 8 59
97 Just The Way Parmalee x Blanco Brown ▲+4 [FRESH] 1 97
98 Way Out Jack Harlow Featuring Big Sean ▼-9 89 3 74
99 M3tamorphosis Playboi Carti Featuring Kid Cudi ▲+2 [FRESH] 1 99
100 The Good Ones Gabby Barrett ▲+1 [FRESH] 1 100

Billboard Global 200 chart (most popular songs globally)

Position Title Artist ▲/▼ Last week Weeks Charting Peak
1 All I Want For Christmas Is You Mariah Carey - 1 9 1
2 Dakiti Bad Bunny & Jhay Cortez ▲+8 10 9 1
3 Dynamite BTS ▲+9 12 17 1
4 Blinding Lights The Weeknd ▲+13 17 17 4
5 Mood 24kGoldn Featuring iann dior ▲+10 15 17 2
6 Last Christmas Wham! ▼-4 2 8 2
7 Rockin' Around The Christmas Tree Brenda Lee ▼-4 3 7 3
8 Positions Ariana Grande ▲+15 23 10 1
9 Bichota Karol G ▲+12 21 10 9
10 Jingle Bell Rock Bobby Helms ▼-6 4 7 4

HitsDailyDouble is not updating sales numbers, if anyone knows why please let me know

Billboard 200 chart

Position Title Artist Sales Change Last week Weeks Charting
1 Whole Lotta Red Playboi Carti err err [FRESH] 1
2 Evermore Taylor Swift err err 1 3
3 The Voice Lil Durk err err 46 2
4 Shoot For The Stars Aim For The Moon Pop Smoke err err 11 26
5 Positions Ariana Grande err err 14 9
6 Folklore Taylor Swift err err 8 23
7 Good News Megan Thee Stallion err err 17 6
8 What You See Is What You Get Luke Combs err err 19 60
9 El Ultimo Tour del Mundo Bad Bunny err err 16 5
10 Music To Be Murdered By Eminem err err 3 49

Frequently Asked Questions:

Q: Why is X artist higher than Y artist on the 200 chart, even though X artist sold less?

A: This is because of a discrepancy between Billboard's ranking and the ranking from the website that the sales data is scraped from

Q: Where do you get the sales data from?

A: https://hitsdailydouble.com/sales_plus_streaming

Q: What does "err" mean on the 200 chart?

A: If you are seeing "err", that means that the bot I use to gather chart data couldn't identify sales data for a particular album because of a difference in album naming between Billboard and HitsDailyDouble

Get notifications for this post:

If you want to receive a message with the link when this thread is posted every week, message /u/HHHRobot with anything in the subject and put "subscribe billboard" as the message (or click this link). To unsubscribe, put "unsubscribe billboard" as the message (or click this link).

submitted by /u/RobYaLunch
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Daft Punk - Aerodynamic (Slum Village Remix)

Posted: 05 Jan 2021 08:47 PM PST

Put this together tonight in honor of the super villain MF Doom.

Posted: 05 Jan 2021 09:16 PM PST

Brotha Lynch Hung - 24 Deep

Posted: 05 Jan 2021 10:16 PM PST

Eminem - Bad Guys Always Die

Posted: 05 Jan 2021 06:50 AM PST

Underground rapper Lil Shark has passed away

Posted: 04 Jan 2021 11:34 PM PST

Conformation from his brother: https://twitter.com/ripkarter/status/1346306250812878848

This is Lil Shark's older brother.

My baby brother Brent, aka Lil Shark, passed away today. The best brother I could have asked for. I can only hope your pain is over with now and you're in a better place. I love you so much and I will miss you more than anything. Red heart

submitted by /u/keepmynamelowkeyfam
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[FRESH] Dave East - No Lucc

Posted: 05 Jan 2021 12:48 PM PST
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