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Album of the Year #25: Kali Uchis - Isolation - HipHop

Album of the Year #25: Kali Uchis - Isolation - HipHop

Album of the Year #25: Kali Uchis - Isolation

Posted: 25 Dec 2018 07:29 AM PST

Artist: Kali Uchis

Album: Isolation

Label: Universal Music

Release Date: April 6th, 2018

Listen

Apple Music

Spotify

Background

Kali Uchis is a 24-year-old Colombian-American singer. Her parents fled to America a couple of years before she was born in order to avoid conflict in Colombia. Born In Virginia, she bounded around between America and Colombia during her childhood. During her adolescence, she learned how to play several instruments and was always writing poetry and songs. At first, she was more interested in directing and writing and had no interest in singing herself. This changed when she decided to release her first mixtape in 2012, Drunken Babble. The project was met with positive reception as people lauded her ability to switch between genres and create her own lane and sound.

As she continued to release more music, her popularity grew and she began collaborating with more well-known artists and producers, particularly Diplo, Tyler the Creator, BadBadNotGood, Kaytranada, Snoop Dogg and The Gorillaz. The first three singles to Isolation, Tyrant, Nuestro Planeta and After the Storm, helped cement her fanbase even further. She performed several festivals in 2017 and at the beginning of 2018 was brought on as the opening act to Lana Del Ray's "LA to the Moon" tour at the beginning of 2018. Several features, including those with Daniel Caesar and Miguel, helped bring her name more into the mainstream as well. At the time of the release, Kali's fanbase was ready for the new album as her last full-length project was released in 2015.

Review

In a world where there are only two options for fans of rap and RnB music, drip or drown, it is refreshing to listen to a project as meaningful and palatable as Isolation. As our genre of music becomes more mainstream, the lyrics and impact of songs become diluted. This has been the case for quite some time and is by no means a new phenomenon, but for me, in 2018, I was actively searching for fresh perspectives and new voices to listen to in hopes of breaking the uniformity and staleness of modern rap. Enter Kali Uchis, a 24-year-old female singer from Colombia. Prior to listening to this album, my knowledge of her music was limited, but I had seen that the project received praise here on HHH, so the day after the release I decided to listen. I will dissect the album more thoroughly later in the piece, but just from a holistic perspective, this project was amazing. The airy, up-beat instrumentals coupled with Kali's incredible vocals make for such a great combination. For me, a project is good if I can feel transported to the world that the artist is in and describing. With Isolation, I felt exactly that – sitting on the beach drinking something out of a coconut with the WhoDatMiami American flag bathing suit on.

The album begins with "Body Language", an invitation to the listener to explore the life of Kali Uchis. Featuring production and writing from Om'mas Keith, frequent Frank Ocean collaborator, the spacious and flute-heavy beat set the table for a deeper dive into the album and the whimsical and capricious lifestyle of our narrator. "Just come closer" she urges the listener, and how can you not with how perfect her vocals sound? The track transitions into "Miami", which is an ode to the empowerment of women and how today, immigrants like Kali and featured artist Bia do not have to conform to previously-established gender roles and they can pursue success in any medium they choose to. The line, "He said he'd want me in his video like Bound 1. But why would I be Kim? I could be Kanye. In the land of opportunity and palm trees" encapsulates her desire to break free from traditional paths to fame for women. Quoted about this line, Kali said, "I'm not the Kim on your motorcycle, btch. I'm the one riding the sht." Kali is in control of her own fate and will not be marginalized by the system that has set her up to fail.

With "Just a Stranger", Kali flips another trope within rap music completely on its head. Ever since Kanye dropped Late Registration, rap fans have held disdain for gold diggers who simply use artists like Kanye for their wealth and notoriety without actually caring for them. But have those same listeners ever asked themselves why gold diggers exist? Kali seeks to provide an answer – the Colombian-American singer bashes the stereotype completely and lauds woman going after what they need. "When bellies are hungry, but there ain't no money you get it and don't care how." As an immigrant woman, Kali faces obstacles on a daily basis that male rappers do not. She feels no remorse taking advantage of someone for money because the odds are against her and she has to get it how she can.

Kali continues to address the hardships that immigrants face in "Your Teeth in my Neck". Within the track, over a bouncy instrumental which I think is my favorite on the album, she discusses how no matter how hard she works, her material keeps getting ripped off and people are appropriating her art. This is a common theme within music, particularly with Americans hopping on trends started and popularized by immigrants. After all, who would have ever thought that Beyoncé would be on "Mi Gente" and Drake would be saying "tings"? This also seems to be a dig at the music industry as a whole, saying that artists are taken advantage of by large record labels, only to be worked and churned out when their popularity diminishes. It is an unfortunate reality, but Kali knows that with persistence and hard work, she will be able to overcome these obstacles.

Within the larger context of the album, Kali also addresses her love life and the relationships the she has been in. In "Flight 22" she floats over the beat, singing about her unrequited love and that no matter where she is going on this trip, she wants to be with this lover. This track truly highlights how incredible her voice is. As someone who was in a new relationship when this album dropped (and still is!), this song resonated with me a lot. I knew that wherever I was going, I wanted my girlfriend with me. On the contrary, Kali addresses some of the hardships she has dealt with in relationships. In "Tyrant" featuring Jorja Smith (you should also check her album out as well!), they discuss the idea of staying closed off in a relationship in order to avoid being overly-exposed and in-turn, manipulated. Kali has addressed previous relationships in which she was taken advantage of, so it is no surprise that she is approaching this new love with some restraint. Even though she is madly in love, she is afraid to show it because she does not want to get hurt again. Whoever you are, I think we can all relate to that feeling in some capacity.

On "Dead to Me", Kali dismisses a past fling, asking the previous lover to simply leave her alone. Even though this person is still obsessed with her, she just wants things to end. I think this track is very relevant, especially with what is going on with Cardi B and Offset right now. Whether their breakup is legitimate or not, the way that the rap community has reacted to it is disgusting in my opinion. Constantly urging Cardi to take back Offset and forgive him for whatever he did wrong is exactly the ways of thinking that propagates the type of behavior discussed in the song. Many men believe they are entitled to whichever women they want and in turn, cannot handle rejection in an appropriate way. Kali is sticking up for herself, and declaring that in her eyes, this person is dead. On a musical note, this beat features one of my favorite instrumentals of the album with airy synths and drums backing her.

Nuestro Planet is a song completely in Spanish featuring Reykon, a Colombian reggaeton rapper. From a production standpoint, this song differs from the album a bit with a more latin-influenced beat. In this it is a great change of pace on the album and even though the listener may not understand what she is saying, it is still sonically pleasing and easy to follow along with. Admittedly, the message of this song of Kali yearning to have things return to how they were with her lover falls a bit flat relative to the depth and importance of some of the other tracks on the album.

Next, enters my favorite sequence of songs on the album – "In My Dreams" into "Gotta Get Up". "In My Dreams" is an absolute banger in every sense of the word. The use of guitar and light percussion make for such a minimalist yet profound beat. This is a song that when it comes on, you just can't help but nod your head along to it. This is the most positive song on the track, discussing this utopian dream world for Kali in which all her problems are erased and everything is perfect, but only in her dreams. Her bills are paid, her mom isn't on coke, boys treat her properly – its great! "Why isn't everyone here?" she wonders aloud. Well, her question is quickly answered when her alarm goes off and she is awoken and slammed with the hardships of her everyday life yet again. This song is another great display of her vocals, showcasing her range as she belts out that she has to get out of bed and look for something in real life that can match what she yearned for in her dreams.

The next track, "Tomorrow", talks about Kali's desire to break-free from her everyday life and follow her dreams. Even though things seem dim in this small town, she urges her lover to follow with her on a path to freedom. All she wants to do is day-dream and pursue her dreams, pushing reality to be addressed tomorrow. The song is produced by Kevin Parker of Tame Impala. The beat compliments the message of the sing so well as the spacey synths give a bounce to the track. Kali rides the instrumental beautifully.

"Coming Home" talks about how no matter what Kali does, there will always be people who disapprove of her, but she is fine with that. Featuring one of the best beat switches of 2018 (no cap), she talks about she intends to stay true to her roots and remain confident despite all the negativity she is surrounded with. When you are a female artist in a community largely dominated by males, appearance is something that is unfortunately brought-up a lot. Regardless of what people say though, she simply intends to "keep It moving."

"After the Storm" is truly a masterpiece. Odds are, if you have listened to one song on this project, it was presumably this one because of the Tyler feature. The message of this song is so overwhelmingly positive and encouraging. For 12 songs, Kali has talked about countless issues and obstacles she has faced as a result of her gender and ethnicity and despite all of that, she urges the listener to remain positive and that even though things may be hard now, they will get better. As someone who tends to overreact and snowball from small issues in my life, this song truly helps to put things in perspective for me. The calming and transient ambiance of the song helps reassure the listener that even when it rains, the sun will shine once again.

The final two songs return to relationship issues, the first in which she discusses how no one likes to be taken advantage of in a relationship. Even though she was cheated on, Kali cannot cope and is acting as if everything is the same in her life. This song shows that even though Kali is working towards independence, there are still moments of weakness that we all face. These moments are underscored on "Killer", the concluding song of the album. This song was recorded when Kali was 17, which is truly a testament to how talented she really is. I think this track shows just how much progress she has made as a woman over the years. Instead of being upset and yearning for her past lover as she did when she was younger, she now has grown and is able to see how she can learn and move forward from this time. Kali wrote this song while she was living out of her car and shows just how low things were for her at the time. It is a reminder to the listener that even though things are looking better now, experiences like these are what guided her to where she is today.

To me, this project just feels so important in the context of the current political landscape. In a world where a GoFundMe to build a wall has $16mm donated to it, we need to throw our support behind strong, immigrant women who show that no matter what race or country you are from, you can be a positive contribution to the community. I strongly urge you to listen to this project, especially if you live in warm weather as this album just screams summer to me. Furthermore, if you are already a fan, see Kali in concert. She was absolutely incredible and was one of my favorite shows of the year. Her bravado on stage compliments her music so well and her vocals sound even better in person.

Thank you for reading and for those celebrating, Merry Christmas and a Happy New Year to all!

Favorite Lyrics

The sun'll come out

Nothing good ever comes easy

I know times are rough

But winners don't quit

So don't you give up

  • After The Storm (Featuring Tyler The Creator and Bootsy Collins)

I'm feeling happy inside

I've got no reason to hide

I'm a dream girl

I'm never stressing my bills

Nobody ever gets killed

It's the dream world

  • In My Dreams

Today is the day I'll learn that I believe in miracles

I can feel the world opening up, I think I broke the curse

  • Tomorrow

Discussion Questions

  • What were your thoughts on the album?

  • How important to you is finding music from new perspectives?

  • Is it important to listen to music that spreads a positive message and helps to eradicate stereotypes and limitations placed on marginalized groups (in this case immigrants and women)? Is this something you consider when consuming music?

  • Do you think Kali will transition into the "pop lane"?

  • From a musical perspective, any other albums that you would recommend that have a similar sound?

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Daily Discussion Thread 12/25/2018

Posted: 25 Dec 2018 03:55 PM PST

Welcome to the /r/hiphopheads daily discussion thread!

This thread is for:

  • objective questions with right/wrong answers (e.g. "Does anyone know what is happening with MIXTAPE?", "What is the sample in SONG?")
  • general hip-hop discussion
  • meta posts...e.g. ideas for the sub

Thread Guidelines

  • Do not create a separate self post for these types of discussions outside of this thread - if you do, your post will be removed, as stated in the guidelines.

  • Please be helpful and friendly.

  • If a question has been asked many times before, provide a link to a thread that contains the answer.

Weekly/Monthly Threads

Other ways to interact

There are a number of other ways to interact with other members of HHH:

New to /r/hiphopheads or hip-hop in general?

Check out these:

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Mac Miller - “Isn’t She Lovely” (Stevie Wonder Cover)

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Cardi B Rejects Super Bowl Halftime In Support of Colin Kaepernick

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[FRESH] Pi’erre and Cardo’s Wild Adventure

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Eminems list of his favourite 12 diss tracks of all time

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[FRESH MIXTAPE] Waka Flocka Flame - I Can't Rap Vol. 2

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[FRESH MIXTAPE] Soulja Boy - Swag 2

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Mac Miller - Grand Finale (RIP)

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Blonded Radio 8AM LA / 11AM NYC / 4PM LDN

Posted: 25 Dec 2018 07:52 AM PST

https://twitter.com/beats1/status/1077588949978177536?s=21

merry christmas motherfuckers

op can tell time this time. i've been working hard

https://twitter.com/vegynvegyn/status/1077588720272977921

edit: beats 1 schedule calls it "blonded Xmas" and it's only an hour long

submitted by /u/TheOddScreen
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The infamous John from Tennessee call on Sway

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Ski Mask’s “Stokeley” Surpasses Over 100 Million Streams in Less Than a Month

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Favorite song of the album?

submitted by /u/theelementchaplin
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[FRESH] Unotheactivist - Ronny J Please Turn Me Up

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Mac Miller Interview with Power 106 (super positive, prepare for tears, Divine Feminine era)

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Method Man Arguing with Ghostface Killah and U-God

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[FRESH VIDEO][NSFW] Father - Throw it (Original video was removed from Youtube and had to be reuploaded on Pornhub)

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Jay-Z - Holy Grail ft. Justin Timberlake

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Billboard Hot 100 Discussion - December 14-20 2018

Posted: 25 Dec 2018 02:17 PM PST

From the Billboard Hot 100

Songs marked with a '*' are hip-hop songs or songs by primarily hip-hop artists.

Songs marked with a '\'are songs with hip-hop features or songs by hip-hop adjacents.

Position Title Artist Last Week Weeks Charting Peak
(6x) 1 Thank U, Next Ariana Grande - 1 7 1
2 Without Me Halsey - 2 11 2
* 3 Sicko Mode Travis Scott - 3 20* 1
* 4 Sunflower (Spider-Man: Into The Spider-Verse) Post Malone & Swae Lee ▲+3 7 9 4
5 Happier Marshmello & Bastille ▼-1 4 18 3
6 High Hopes Panic! At The Disco ▼-1 5 20* 5
7 All I Want For Christmas Is You Mariah Carey ▼-1 6 29* 6
* 8 ZEZE Kodak Black ft. Travis Scott & Offset ▲+1 9 10 2
* 9 Drip Too Hard Lil Baby & Gunna ▼-1 8 14 4
10 It's The Most Wonderful Time Of The Year Andy Williams ▲+3 13 9 10
11 Rockin' Around The Christmas Tree Brenda Lee ▲+7 18 26* 11
12 A Holly Jolly Christmas Burl Ives ▲+9 21 9 12
13 Jingle Bell Rock Bobby Helms ▲+2 15 24* 13
* 14 Wake Up In The Sky Gucci Mane X Bruno Mars X Kodak Black ▼-3 11 14 11
/ 15 Girls Like You Maroon 5 ft. Cardi B ▼-5 10 30* 1
* 16 Mo Bamba Sheck Wes ▼-4 12 17 6
17 The Christmas Song (Merry Christmas To You) Nat King Cole ▲+7 24 16 17
* 18 Eastside Benny Blanco, Halsey & Khalid ▼-2 16 23* 16
19 Breathin Ariana Grande ▼-5 14 18 12
20 Youngblood 5 Seconds Of Summer ▲+2 22 29* 7
* 21 Better Now Post Malone ▼-1 20 34* 3
* 22 Going Bad Meek Mill ft. Drake ▼-5 17 3 6
* 23 Lucid Dreams Juice WRLD ▼-4 19 32* 2
24 Imagine Ariana Grande ▲+77 DEBUT 1 24
/ 25 Taki Taki DJ Snake ft. Selena Gomez, Ozuna & Cardi B - 25 12 11
* 26 MIA Bad Bunny ft. Drake - 26 10 5
27 Last Christmas Wham! ▲+4 31 8 27
28 Rudolph The Red-Nosed Reindeer Gene Autry ▼-1 27 3 27
* 29 Trip Ella Mai ▼-6 23 20* 11
* 30 Money Cardi B ▼-1 29 9 13
* 31 Leave Me Alone Flipp Dinero ▼-3 28 14 27
32 Let It Snow, Let It Snow, Let It Snow Dean Martin - 32 3 32
33 Sleigh Ride The Ronettes ▲+8 41 2 33
34 Feliz Navidad Jose Feliciano ▲+8 42 4 34
35 Here Comes Santa Claus (Down Santa Claus Lane) Gene Autry ▲+5 40 2 35
36 Speechless Dan + Shay ▼-2 34 15 33
/ 37 Love Lies Khalid & Normani ▼-7 30 44* 9
38 Beautiful Bazzi ft. Camila Cabello ▼-2 36 20* 30
* 39 Better Khalid ▼-4 35 14 29
* 40 I Like It Cardi B, Bad Bunny & J Balvin ▼-2 38 37* 1
41 (There's No Place Like) Home For The Holidays Perry Como ▲+60 DEBUT 1 41
42 It's Beginning To Look A Lot Like Christmas Perry Como & The Fontane Sisters ▲+59 DEBUT 1 42
43 Natural Imagine Dragons - 43 22* 13
44 Shallow Lady Gaga & Bradley Cooper ▼-5 39 12 5
45 Happy Xmas (War Is Over) John & Yoko/The Plastic Ono Band With The Harlem Community Choir ▲+56 DEBUT 1 45
* 46 Calling My Spirit Kodak Black ▲+7 53 3 46
47 Wonderful Christmastime Paul McCartney ▲+54 DEBUT 1 47
48 White Christmas Bing Crosby ▲+53 - 14 12
* 49 Uproar Lil Wayne ▼-5 44 12 7
50 Christmas (Baby Please Come Home) Darlene Love ▲+51 DEBUT 1 50
51 She Got The Best Of Me Luke Combs ▼-4 47 19 34
* 52 BAD! XXXTENTACION ▼-19 33 6 16
* 53 Dangerous Meek Mill ft. Jeremih & PnB Rock ▼-4 49 18 31
54 Drunk Me Mitchell Tenpenny - 54 19 53
55 Best Shot Jimmie Allen ▼-3 52 14 46
56 Nothing Breaks Like A Heart Mark Ronson ft. Miley Cyrus ▲+24 80 3 56
/ 57 Close To Me Ellie Goulding X Diplo ft. Swae Lee ▲+2 59 5 57
* 58 MoshPit Kodak Black ft. Juice WRLD ▲+43 DEBUT 1 58
59 You Say Lauren Daigle ▼-1 58 23 44
* 60 Armed And Dangerous Juice WRLD ▲+7 67 6 44
* 61 Talk To Me Tory Lanez & Rich The Kid ▲+13 74 8 61
* 62 Arms Around You XXXTENTACION x Lil Pump ft. Maluma & Swae Lee ▼-5 57 8 28
63 Be Alright Dean Lewis - 63 8 63
* 64 Backin' It Up Pardison Fontaine ft. Cardi B ▲+2 66 10 64
65 Burning Man Dierks Bentley ft. Brothers Osborne ▲+8 73 9 65
66 This Feeling The Chainsmokers ft. Kelsea Ballerini ▲+5 71 10 66
67 Sixteen Thomas Rhett ▲+9 76 6 67
68 Cozy Little Christmas Katy Perry ▲+33 DEBUT 1 68
69 Consequences Camila Cabello ▲+3 72 7 69
* 70 Pure Cocaine Lil Baby ▼-15 55 3 46
71 Girl Like You Jason Aldean ▲+6 77 4 71
72 Good Girl Dustin Lynch ▲+9 81 6 72
* 73 No Stylist French Montana ft. Drake ▲+12 85 13 47
* 74 Testimony Kodak Black ▲+27 DEBUT 1 74
* 75 You Jacquees ▲+8 83 4 75
* 76 KIKA 6ix9ine ft. Tory Lanez ▼-16 60 4 44
77 When The Party's Over Billie Eilish ▼-8 69 9 52
78 Last Shot Kip Moore ▲+9 87 5 78
* 79 whoa (mind in awe) XXXTENTACION ▼-42 37 2 37
80 Ella Quiere Beber Anuel AA & Romeo Santos ▲+13 93 7 79
81 Beautiful Crazy Luke Combs ▲+16 97 6 58
* 82 Fine China Future & Juice WRLD ▲+7 89 9 26
83 Lost In Japan Shawn Mendes X Zedd ▼-27 56 13 48
84 This Is It Scotty McCreery ▲+12 96 2 84
* 85 Smile (Living My Best Life) Lil' Duval ft. Snoop Dogg & Ball Greezy ▲+3 88 17 56
* 86 Close Friends Lil Baby ▲+4 90 11 28
87 Sweet But Psycho Ava Max ▲+14 DEBUT 1 87
* 88 Gnarly Kodak Black ft. Lil Pump ▲+13 DEBUT 1 88
/ 89 Lovely Billie Eilish & Khalid ▲+12 - 8 78
90 The Christmas Song Lauren Daigle ▲+11 DEBUT 1 90
91 Envy Me Calboy ▲+10 DEBUT 1 91
* 92 Yosemite Travis Scott ▲+8 100 10 25
93 Electricity Silk City x Dua Lipa ▲+8 - 6 93
* 94 Good Form Nicki Minaj ft. Lil Wayne - 94 3 60
95 Millionaire Chris Stapleton ▲+6 - 3 95
* 96 Look Back At It A Boogie Wit da Hoodie ▼-1 95 2 95
* 97 24/7 Meek Mill ft. Ella Mai ▼-11 86 3 54
* 98 Uptown Vibes Meek Mill ft. Fabolous & Anuel AA ▼-19 79 3 39
* 99 Nuketown Ski Mask The Slump God ft. Juice WRLD ▼-1 98 3 63
* 100 MAMA 6ix9ine ft. Nicki Minaj & Kanye West ▼-25 75 4 43

*Note: if a song has been charting for more than 20 weeks and is below #50, it gets dropped off prematurely.

Notable:

  • Kodak Black's Dying To Live album charts tracks in the top 100:

    • #8 ZEZE ft. Travis Scott & Offset (▲+1)
    • #46 Calling My Spirit (▲+7)
    • #58 MoshPit ft. Juice WRLD
    • #74 Testimony
    • #88 Gnarly ft. Lil Pump

  • Post Malone & Swae Lee's Sunflower rises to #4 (▲+3). No other Spider-Man tracks chart.

  • The Hot 100 fills with christmas songs, causing most songs to drop a bit, or fall off.

  • Travis Scott's Yosemite continues to climb a bit to #92 (▲+8), after re-entering at #100 last week.

  • Tyga's Taste ft. Offest falls off after 29 weeks, peaking at #8 and spending its last week at #46

  • NF's Lie drops off after 20 weeks, peaking at #48 and spending its last week at #70

  • Yella Beezy's That's On Me drops off after 20 weeks, peaking at #56 and spending its last week at #92

Billboard 200 (Albums):

Position Title Artist Sales Last Week Weeks Charting
1 Dying To Live Kodak Black 89K (5K pure) DEBUT 1
2 Championships Meek Mill 83K, down 36% 2 3
5 Spider-Man: Into The Spider-Verse Soundtrack 52K (14K pure) DEBUT 1
6 ASTROWORLD Travis Scott 48K, up 9% 6 20
9 Scorpion Drake 43K, up 3% 10 25
186 Pain 2 Derez De'Shon - DEBUT 1
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[FRESH] [SHOTS FIRED] Layzie Bone - LET ME GO MIGO (Migos and 21 Savage diss)

Posted: 25 Dec 2018 10:25 PM PST

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50 Cent - Many Men This song is Raw as fuck lol

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Capital STEEZ - "Herban Legend"

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[FRESH] Domo Genesis - The Christmas Song

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[FRESH] Bones - StayingAheadOfTheWeather

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Kanye West - I feel like that

Posted: 25 Dec 2018 06:25 PM PST

HOG SLAUGHTA BOYZ (Earl Sweatshirt & Na'kel) - silenceDArapgame

Posted: 25 Dec 2018 09:48 AM PST
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