Album of the Year 2018 #16: Sheck Wes - MUDBOY - HipHop | HipHop Channel

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Album of the Year 2018 #16: Sheck Wes - MUDBOY - HipHop

Album of the Year 2018 #16: Sheck Wes - MUDBOY - HipHop

Album of the Year 2018 #16: Sheck Wes - MUDBOY

Posted: 18 Dec 2018 05:04 AM PST

Artist: Sheck Wes

Album: MUDBOY

Listen:

YouTube

Spotify

Apple Music

Tidal

Zippyshare

Background by /u/ItsBigVanilla

Khadimoul Rassoul Sheck Fall isn't an easy person to pin down. Born 1998 in New York, he moved with his family to Wisconsin at an early age, and alternated between Harlem and Milwaukee for the bulk of his adolescent life. His identity was always multifaceted: was he the well-behaved kid that his mother wanted him to be, or was he a product of the streets? This tension came to a head when his mother sent him, a teenager who couldn't stay out of trouble, to Senegal, Africa, to live with his family overseas. The move was a major disruption in Khadimoul's life, further challenging his sense of self, but it turned out to be a blessing in disguise.

Senegal would become the pivotal moment of the boy's life. Instead of becoming disconnected from his friends and family back home, Khadimoul realized in Senegal that "I gotta do this shit for my people. This is my why and that's a big enough why." His journey to Africa became more than an extended punishment; it became a time of self-discovery. He connected with his African roots; he met family he had never known before; he even picked up some of the language. The stage had been set for his return to the U.S. and his transformation into something completely unexpected.

Khadimoul came back to the States reinvigorated and hooked up with some friends to start recording music. He took on a new name: Sheck Wes. His passions couldn't be contained to a single arena: he developed an interest in fashion, designing and modeling clothes, getting particularly inspired by Kanye West's Yeezy Season 3. He furthered his love for basketball, something that came naturally to him because of his height (6'2"), energy, and affinity for street pick-up games. He began to cultivate a series of passions that would soon come to permeate his identity and characterize his artistic persona and mythos.

During this transitory period, something caught fire. Sheck was hanging out with some friends, producers, recording a few songs, when he inadvertently fumbled his way to creating the most riotous anthem of the decade. "Mo Bamba" was recorded in one-take, on a whim, and its structure was completely happenstance, as the beat cut off halfway through, prompting Sheck to deliver perhaps the dumbest line to ever become iconic: "Fuck. Shit! BITCH!" He caught the beat again, threw in some ad-libs, and the rest was history. A star was born.

The song began to catch on. Its odd charm and earwormish sensibility gave it a staying power that eludes most trap music, and it wasn't long before it went viral. Sheck had done more than just hit a lucky vein, though; he had captured Travis Scott's attention. The long story of Sheck signing to G.O.O.D. Music is fascinating, but let's keep it short: a Harlem kid belched out a banger and got signed to fucking G.O.O.D. Music. The odds of this happening at any other time in history are astronomically low, but in 2018 the stars have aligned, and thanks to the power of the Internet, the world was ready for Sheck Wes.

After signing to Cactus Jack Records (Travis Scott's label that exists under G.O.O.D Music), Sheck began to record his debut album, MUDBOY. He recognized the importance of the moment and, instead of dropping another formulaic trap streamfest, he decided to craft something truly unique, something that could hope to match the originality of the man behind it.

Review by /u/ItsBigVanilla

Trap is the new pop. It's been a long time coming, but 2018 officially marks a sea change in modern culture: rap music is the most popular genre in the world. It's why Selena Gomez is releasing songs with Gucci Mane. It's why Maroon 5 is releasing songs with Future and Kendrick Lamar, who also teamed up with Taylor Swift only a few brief years ago. It's why the sight of a white 15 year old rapping about cooking dope in a traphouse isn't just a thing of nightmares anymore, it's a reality.

Since trap is the current dominating force in mainstream rap, it only follows that the genre is becoming increasingly fractured. Migos, the standard bearers for chart-topping commercial trap, continue to repeat a tired formula that felt fresh just two years ago, while newcomers such as 6ix9ine put their own spin on the recipe by harkening back to the days of unadulterated, Lil Jon-esque hype, all while chasing the clout that comes with capturing a feature from the latest Latin pop-trap star. Hardcore trap has developed its own audience, as artists such as City Morgue, scarlxrd, and early xxxtentacion have infused the genre with the brash dissonance of early 2000s nu-metal, crafting songs that feel strangely unique and instantly dated from the second they drop. Trap has even managed to wrap its lean-covered tendrils around the biggest rappers to come up before the new wave, and its influence can be seen in Kendrick's "Goosebumps" feature, Nicki Minaj's frequent collabs, and J. Cole's strange relationship with Lil Pump. Love it or hate it, trap is the mood of the end of the 2010s, the cultural current that will carry us, decidedly unsober, to the end of the decade. But like every great musical moment before it, trap is ripe for a deconstruction.

Where were you when you first heard "Mo Bamba"? The song has developed the rare anthemic quality that cements itself into listeners' minds in such a way that their experience with it becomes a memorable journey for them. On first listen, it's far too easy to dismiss the song as SoundCloud trash: it's boneheadedly simple melodically, it's nonexistent lyrically, and it's repetitious to the point of feeling like some sort of parody. First-time listeners often feel left out on some big joke when hearing it, but somehow it stays with them after it ends. It becomes harder to stop hearing that melody in your head; you feel tempted to show it to someone else. It comes on again, at a party perhaps, and you can't help but sing along to the irresistibly infectious opening line: "I got hooooooooooooooooesssssssss." By the time the beat evaporates and leaves Sheck screaming obscenities into the void, you realize you've been dancing since the song started; you're screaming into that void, too. Now everyone you know is playing it and you just can't escape it; you start to admit something to yourself, you love this fucking song.

But "Mo Bamba" is no fluke. All of the qualities that make the song so great – its simplicity, its punchiness, its charisma – are the same qualities that set MUDBOY two steps ahead of any other trap release this year. The album opens with "Mindfucker", an intro marked by production so sinister that Sheck almost feels like an afterthought. The rapper's verse doesn't even start until the three-minute track is nearly halfway done, and when it finally does, it's far tamer than anyone would have expected from the album's three singles. This is just the effect that Sheck wants: instead of jumping out from behind the bushes in a ski mask, he's slowly rising from the mud, just as the album's cover depicts. (Side note: Sheck has noted that he calls himself a "mudboy" because he came from the mud, rising from the streets of Harlem to became a bona fied star.)

However, the album doesn't take long to explode. "Live Sheck Wes" immediately catches the ear for its banger factor alone, as a screaming Sheck Wes erupts over soul-snatching bass, proclaiming at the top of his lungs, "Live Sheck Wes bitch I'm dying Sheck Wes!" an ungodly amount of times. Is this the rapper's way of telling us that he's true to himself, or is it just another ridiculous exclamation, signifying nothing? This question proves difficult to answer, and herein lies the album's true brilliance.

You see, Sheck Wes can be thought of in terms of two extremes: a disposable byproduct of rap's new wave, or its messiah. The rapper, who calls himself "Sheck Jesus" and strikes a mud-covered Christ pose on the album's cover, seems like he belongs to the fictional Atlanta of FX's hit show, rather than belonging to the same reality as the rest of us. He's larger than life, he's blatantly absurd, and he looks like a cross between Vince Staples and a Somalian pirate. What I'm willing to break the fourth wall and argue is this: he knows exactly what he's doing.

An adlib as hilarious as the weepy "mudboooy" does not come about by accident. A song titled "Danimals", in which Sheck goes off into a hazy rant about a Dave Chapelle skit, is not bizarre by chance. A bar like "I fuck hoes in toupees" is not just an act of God. These weirdnesses are all calculated acts designed to feed into a persona, and this persona is designed to break trap down to its most basic elements: extreme catchiness, relentless hype, celebrity fetishism, and a thin, barely perceptible layer of surrealism that keeps artists just out of their fans' reach. Sheck Wes employs these elements to astonishing success on MUDBOY, the first great post-trap album in existence.

To truly understand this idea requires a listener to examine the rest of the album, as well. For all the hype of the pulsing "Gmail" or the menacing "Wanted", a surprising proportion of the album can only be described as mellow. The ambient "Burn Slow" boasts the lyric "Hold my blunt burn slow 'cause life's going too fast" and features Sheck's most restrained performance on the entire project, while "WESPN" is jam-packed with a sense of melancholy and nostalgia, both lyrically and sonically. Sheck is never a great lyricist, but he consistently gives us glimpses into his mind, hinting that his ambitions are greater than the confines the "trap" label suggests. These moments, entire tracks really, are inexplicable to someone viewing the album as a commercial effort designed to generate as many sales as possible. If Sheck was the generic dime-a-dozen artist that people make him out to be, why wouldn't he feature mentor Travis Scott on his debut album? If he didn't have a point to prove, why would he eschew features altogether, toy with song structures and refrain from pumping out Bamba-esque bangers for the masses?

The answer to these questions is simple: he does have something to prove, and goddamn has he proven it. As the beat to triumphant album closer "Vetement Socks" rides out, the symbolic credits roll, and we begin to take stock of what we've just experienced. MUDBOY is a murky mixed bag, an album that teeters on amateurish but aspires to greatness. It's a divisive approach to the genre, standing in stark contrast to the squeaky clean bubblegum trap that defines the charts today. It's an album that captures the DIY punk ethos, an aversion to settling for mediocrity or selling out, even if it means that not everyone can join in on the fun. It's the first great moment in the career of an artist who'll be around long past his expiration date.

Favorite Lyrics by /u/ItsBigVanilla

We was out here on the strip, tellin' cops to suck our dick

With some boys, we're shootin' shots, other boys was clutchin' clips

It gets tragic where I live, everything is negative

Hold the roaches in the crib, elevator full of piss

Everybody grew up tough, bunch of diamonds in the rough

Police ain't never give a fuck, they just want us in them cuffs

• "Live Sheck Wes"

I live a mudboy lifestyle, killers on speed dial

Don't fuck with Sheck Wes, we gon' break a ki' down

Call that bitch 2K, how she blow me out

• "Gmail"

My mama said that I ain't never coming home

I'm too badass and can't nobody else control me

But mama knew she made a fuckin' badass

So mama, you think I'm gonna let these bitch ass niggas hold me

I turned a couple years into a couple months

I took my plan, and now I'm writin' history

Niggas always gon' downplay a young nigga

These fuck niggas don't got a real story

• "Jiggy On the Shits"

I GOT HOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOEEEEEEESSSSSSSSSSSSSSSS

• "Mo Bamba"

BITCH!

• Various songs

Discussion Questions by /u/ItsBigVanilla

• What's your "Mo Bamba" story? Where were you when you first heard it? Did you hate it or love it? How has your opinion of the song changed since then?

• Do you think the album benefits from being featureless, or would you have preferred to hear some other artists on the project? If so, who?

• 1) How can Sheck Wes improve as his career continues? What aspects of his musicianship and artistry should he focus on?

• 2) Do you agree with my "post-trap" interpretation of MUDBOY, or am I making something out of nothing?

• 3) Do you think that we'll still be talking about Sheck Wes 5 years from now?

Thanks to everybody for reading this. I hope this writeup changed some of your minds on the album, because I've seen quite a bit of hate for it on here since it released. If you like Sheck Wes and you haven't seen him live, do it as soon as humanly possible. He has one of the most intense live shows in music today, and it's only going to get harder to be front row at a Sheck concert, so get out there and support him while you can!

submitted by /u/ItsBigVanilla
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Hip-Hop Listening Club of the Week #262: The Legend Lady J - Glock N My Hand (1994)

Posted: 18 Dec 2018 03:14 AM PST

Welcome to HHH Listening Club!

We're back after a short (kinda long tbh) hiatus due to business and being a bit lazy. I hope we can keep it going again.

Today we'll be listening to Glock N My Hand by The Legend Lady J

Background

I can't find a lot of info about this record, other than that it's from Memphis, 1994, on O.B. Records. I downloaded like 45GB of old Memphis tapes a year ago, and I'm just slowly, very slowly going through them. This one stood out to me because Lady J has a very strong vocal performance with some very dark lyrics. Sounds like some classic Memphis shit, with some Houston vibes, like on the track I'm Creeping for example.

Album: Glock N My Hand

Label: O.B. Records

Producer(s): DJ ZAE

Representing: Memphis, TN

Streaming Sources:

YouTube

Guidelines:

This is an open thread to share your thoughts on the album. Avoid vague statements of praise or criticism. This is your chance to be a critic.

Please keep any top level comments to 140+ characters.

  • Why do you like this album?

  • What are the best tracks?

  • Did it meet your expectations?

  • Have you listened to this tape before?

  • What is your first impression?

  • Explain why you like it or why you don't.

Remember, people who participate in the discussion in a meaningful way are entered into a drawing to select next week's album!

LIST OF ALL LISTENING CLUBS

submitted by /u/Sputchit
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[SHOTS FIRED] Tory Lanez tells Royce Da 5'9" "Suck My Dick" on Twitter

Posted: 18 Dec 2018 12:26 PM PST

[FRESH VIDEO] Saba - SIRENS ft. theMIND

Posted: 18 Dec 2018 04:00 PM PST

2011 XXL Freshman Rountable : Kendrick Lamar, Mac Miller, Lil B, Big KRIT, Meek Mill Talk About Fears of The Internet & It’s Effect On Hip Hop

Posted: 18 Dec 2018 05:54 AM PST

In his newest cipher, Chris Rivers spits some pretty damning bars about his father Big Pun

Posted: 18 Dec 2018 12:00 PM PST

https://www.youtube.com/watch?v=6zhSZoML8Uc

Fast forward to 10:42 if you are interested, but the whole cypher is fire.

" I aint never tried hope, struggled with the tightrope"

"Around the ceiling fan...tried to hang myself "

"See my dad raised me to be the only boy to protect everybody"

"While being a direct reason why I couldn't protect anybody"

"The self conflicted, conflicting feelings of feeling like you gotta kill your dad to protect your mother "

Later:

"Cause my dad was a legend, that doesn't mean I'm a human?"

"Cause his past was a lesson, that doesn't mean its abusive?"

I understand people basis for separating the artist and the person, but it is becoming more and more clear that Big Pun was an abusive piece of shit. Again not to say it detracts from how good Capital Punishment is, but I think Pun deserves to be viewed in a different light now.

Edit: Took out the Spacey comparison; I didn't want that erroneous comparison to overshadow the bigger picture here.

submitted by /u/kars4kidz
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Favorite bar of 2018?

Posted: 18 Dec 2018 08:03 PM PST

In the year of some of the wildest shit I've seen, what bar or song has stood out to you the most?

submitted by /u/Immortal-Iron-Fist
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BIG K.R.I.T. Pop up concert in Atlanta on 11/20. Bring a toy or $10 for the door.

Posted: 18 Dec 2018 05:07 AM PST

City Morgue - Gravehop187

Posted: 18 Dec 2018 01:09 PM PST

Jidenna - Long Live the Chief

Posted: 18 Dec 2018 03:38 PM PST

[FRESH] Knxwledge. ボビーとボビーのボリューム1

Posted: 18 Dec 2018 02:48 PM PST

[Fresh] Aesop Rock & TOBACCO are Malibu Ken - Corn Maze

Posted: 18 Dec 2018 09:05 AM PST

Billboard Hot 100 Discussion - December 7-13 2018

Posted: 18 Dec 2018 06:14 PM PST

From the Billboard Hot 100

Songs marked with a '*' are hip-hop songs or songs by primarily hip-hop artists.

Songs marked with a '\'are songs with hip-hop features or songs by hip-hop adjacents.

Position Title Artist Last Week Weeks Charting Peak
(5x) 1 Thank U, Next Ariana Grande - 1 6 1
2 Without Me Halsey ▲+1 3 10 2
* 3 Sicko Mode Travis Scott ▼-1 2 19 1
4 Happier Marshmello & Bastille - 4 17 3
5 High Hopes Panic! At The Disco - 5 19 5
6 All I Want For Christmas Is You Mariah Carey ▲+1 7 28* 6
* 7 Sunflower (Spider-Man: Into The Spider-Verse) Post Malone & Swae Lee ▲+10 17 8 7
* 8 Drip Too Hard Lil Baby & Gunna ▲+1 9 13 4
* 9 ZEZE Kodak Black ft. Travis Scott & Offset ▼-1 8 9 2
/ 10 Girls Like You Maroon 5 ft. Cardi B ▲+1 11 29* 1
* 11 Wake Up In The Sky Gucci Mane X Bruno Mars X Kodak Black ▲+8 19 13 11
* 12 Mo Bamba Sheck Wes ▼-2 10 16 6
13 It's The Most Wonderful Time Of The Year Andy Williams ▲+3 16 8 13
14 Breathin Ariana Grande ▼-2 12 17 12
15 Jingle Bell Rock Bobby Helms ▲+11 26 23* 15
/ 16 Eastside Benny Blanco, Halsey & Khalid ▲+2 18 22* 16
* 17 Going Bad Meek Mill ft. Drake ▼-11 6 2 6
18 Rockin' Around The Christmas Tree Brenda Lee ▲+3 21 25* 14
* 19 Lucid Dreams Juice WRLD ▼-6 13 31* 2
* 20 Better Now Post Malone ▼-5 15 33* 3
21 A Holly Jolly Christmas Burl Ives ▲+1 22 8 21
22 Youngblood 5 Seconds Of Summer ▼-8 14 28* 7
/ 23 Trip Ella Mai - 23 19 11
24 The Christmas Song (Merry Christmas To You) Nat King Cole ▲+5 29 15 24
/ 25 Taki Taki DJ Snake ft. Selena Gomez, Ozuna & Cardi B ▼-1 24 11 11
/ 26 MIA Bad Bunny ft. Drake ▼-1 25 9 5
27 Rudolph The Red-Nosed Reindeer Gene Autry ▲+9 36 2 27
* 28 Leave Me Alone Flipp Dinero ▲+4 32 13 27
* 29 Money Cardi B ▼-1 28 8 13
/ 30 Love Lies Khalid & Normani ▼-3 27 43* 9
31 Last Christmas Wham! ▲+3 34 7 31
32 Let It Snow, Let It Snow, Let It Snow Dean Martin ▲+9 41 2 32
* 33 BAD! XXXTENTACION ▲+42 75 5 16
34 Speechless Dan + Shay ▲+6 40 14 33
* 35 Better Khalid ▼-2 33 13 29
36 Beautiful Bazzi ft. Camila Cabello ▲+1 37 19 30
* 37 whoa (mind in awe) XXXTENTACION ▲+64 DEBUT 1 37
* 38 I Like It Cardi B, Bad Bunny & J Balvin ▲+4 42 36* 1
39 Shallow Lady Gaga & Bradley Cooper ▼-1 38 11 5
40 Here Comes Santa Claus (Down Santa Claus Lane) Gene Autry ▲+61 DEBUT 1 40
41 Sleigh Ride The Ronettes ▲+60 DEBUT 1 41
42 Feliz Navidad Jose Feliciano ▲+59 - 3 42
43 Natural Imagine Dragons ▼-8 35 21* 13
* 44 Uproar Lil Wayne ▲+6 50 11 7
45 Broken lovelytheband - 45 22* 29
* 46 Taste Tyga ft. Offset ▲+1 47 29* 8
47 She Got The Best Of Me Luke Combs ▲+2 49 18 34
* 48 Guardian Angel XXXTENTACION ▲+53 DEBUT 1 48
* 49 Dangerous Meek Mill ft. Jeremih & PnB Rock ▼-18 31 17 31
50 God Is A Woman Ariana Grande ▼-2 48 22* 8
* 51 I Don't Let Go XXXTENTACION ▲+50 DEBUT 1 51
52 Best Shot Jimmie Allen ▲+7 59 13 46
* 53 Calling My Spirit Kodak Black ▲+11 64 2 53
54 Drunk Me Mitchell Tenpenny ▲+2 56 18 53
* 55 Pure Cocaine Lil Baby ▼-9 46 2 46
56 Lost In Japan Shawn Mendes X Zedd ▲+15 71 12 48
* 57 Arms Around You XXXTENTACION x Lil Pump ft. Maluma & Swae Lee ▲+17 74 7 28
58 You Say Lauren Daigle ▲+11 69 22 44
* 59 Close To Me Ellie Goulding X Diplo ft. Swae Lee ▲+34 93 4 59
* 60 KIKA 6ix9ine ft. Tory Lanez ▼-16 44 3 44
* 61 What's Free Meek Mill ft. Rick Ross & JAY-Z ▼-41 20 2 20
* 62 One Minute XXXTENTACION ft. Kanye West & Travis Barker ▲+39 DEBUT 1 62
63 Be Alright Dean Lewis ▲+16 79 7 63
* 64 Train Food XXXTENTACION ▲+37 DEBUT 1 64
* 65 What Are You So Afraid Of XXXTENTACION ▲+36 DEBUT 1 65
* 66 Backin' It Up Pardison Fontaine ft. Cardi B ▲+20 86 9 65
* 67 Armed And Dangerous Juice WRLD ▲+9 76 5 44
* 68 Staring At The Sky XXXTENTACION ▲+33 DEBUT 1 68
69 When The Party's Over Billie Eilish ▼-1 68 8 52
* 70 Lie NF ▼-5 65 20 48
71 This Feeling The Chainsmokers ft. Kelsea Ballerini ▲+16 87 9 71
72 Consequences Camila Cabello ▲+22 94 6 72
73 Burning Man Dierks Bentley ft. Brothers Osborne ▲+17 90 8 69
* 74 Talk To Me Tory Lanez & Rich The Kid ▲+9 83 7 72
* 75 MAMA 6ix9ine ft. Nicki Minaj & Kanye West ▼-32 43 3 43
76 Sixteen Thomas Rhett ▲+23 99 5 76
77 Girl Like You Jason Aldean ▲+24 - 3 77
* 78 WAKA 6ix9ine ft. A Boogie Wit da Hoodie ▼-27 51 3 51
* 79 Uptown Vibes Meek Mill ft. Fabolous & Anuel AA ▼-40 39 2 39
80 Nothing Breaks Like A Heart Mark Ronson ft. Miley Cyrus ▼-13 67 2 67
81 Good Girl Dustin Lynch ▲+15 96 5 81
* 82 On Me Meek Mill ft. Cardi B ▼-52 30 2 30
* 83 You Jacquees ▲+17 100 3 83
* 84 Difference (Interlude) XXXTENTACION ▲+17 DEBUT 1 84
* 85 No Stylist French Montana ft. Drake ▲+10 95 12 47
* 86 24/7 Meek Mill ft. Ella Mai ▼-32 54 2 54
87 Last Shot Kip Moore ▲+14 - 4 87
* 88 Smile (Living My Best Life) Lil' Duval ft. Snoop Dogg & Ball Greezy ▲+4 92 16 56
* 89 Fine China Future & Juice WRLD ▼-1 88 8 26
* 90 Close Friends Lil Baby ▼-6 84 10 28
* 91 TIC TOC 6ix9ine ft. Lil Baby ▼-38 53 3 53
* 92 That's On Me Yella Beezy ▼-12 80 20 56
93 Ella Quiere Beber Anuel AA & Romeo Santos ▲+4 97 6 79
* 94 Good Form Nicki Minaj ft. Lil Wayne ▼-34 60 2 60
* 95 Look Back At It A Boogie Wit da Hoodie ▲+6 DEBUT 1 95
96 This Is It Scotty McCreery ▲+5 DEBUT 1 96
97 Beautiful Crazy Luke Combs ▲+4 - 5 58
* 98 Nuketown Ski Mask The Slump God ft. Juice WRLD ▼-35 63 2 63
* 99 Dip Tyga & Nicki Minaj ▲+2 - 6 63
* 100 Yosemite Travis Scott ▲+1 - 9 25

*Note: if a song has been charting for more than 20 weeks and is below #50, it gets dropped off prematurely.

Notable:

  • XXXTentacion charts 9 tracks off his new album (every track except for intro)

    • #33 BAD! (▲+42)
    • #37 whoa (mind in awe)
    • #48 Guardian angel
    • #51 I don't let go
    • #62 One Minute ft. Kanye West & Travis Barker
    • #64 Train food
    • #65 what are you so afraid of
    • #68 STARING AT THE SKY
    • #84 difference (interlude)

  • Gucci Mane's Wake Up In The Sky rises to #11 (▲+8) with the release of his album. None of his other tracks chart.

  • Meek Mill holds on to 6 positions, with 9 of his album tracks dropping off this week.

  • A Boogie Wit Da Hoodie's Look Back At It debuts at #95

  • 6ix9ine's FEFE ft. Nicki Minaj & Murda Beatz drops off after 20 weeks, peaking at #3 and spending its last week at 52.

Billboard 200 (Albums):

Position Title Artist Sales Last Week Weeks Charting
1 Skins XXXTENTACION 132K (52K pure) DEBUT 1
2 Championships Meek Mill 129K, down 43% 1 2
5 Evil Genius Gucci Mane 51K (5K pure) DEBUT 1
6 ASTROWORLD Travis Scott 44K, down 5% 8 19
8 DUMMY BOY 6ix9ine 43K, down 49% 3 3
9 Street Gossip Lil Baby 42K, down 52% 2 2
10 Scorpion Drake 41K, up 8% 11 24
62 Everythangs Corrupt Ice Cube - DEBUT 1
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Royce da 5'9" - Malcolm X

Posted: 18 Dec 2018 02:53 PM PST

Phife Dawg - Dear Dilla

Posted: 18 Dec 2018 04:28 PM PST

Playboi Carti - Home (KOD)

Posted: 18 Dec 2018 09:05 PM PST

[FRESH] Kodak Black - Testimony (Jimmy Kimmel Live)

Posted: 18 Dec 2018 04:47 AM PST

T.I. - Dead & Gone ft. Justin Timberlake

Posted: 18 Dec 2018 08:04 AM PST

[FRESH] - Ice Cube - That New Funkadelic (Official Music Video)

Posted: 18 Dec 2018 01:00 PM PST

Complex: The Best Songs of 2018

Posted: 18 Dec 2018 07:49 PM PST

The Law - Ab-Soul feat. Mac Miller

Posted: 18 Dec 2018 07:19 PM PST

Tupac - Runnin' (Dying To Live) Ft. Notorious B.I.G.

Posted: 18 Dec 2018 03:47 PM PST

Royce 5'9 - I Got The Keys (Freestyle)

Posted: 18 Dec 2018 02:41 PM PST

Big L - Da Graveyard ft. Lord Finesse, Jay-Z, Microhpone Nut, Party Arty, Grand Daddy I.U.

Posted: 18 Dec 2018 01:11 PM PST

XXXTENTACION - the remedy for a broken heart (why am I so in love)

Posted: 18 Dec 2018 10:05 AM PST

Saba - Burnout Ft. Eryn Allen Kane

Posted: 18 Dec 2018 06:30 PM PST
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