Album of the Year #23: Smino - blkswn - HipHop | HipHop Channel

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Album of the Year #23: Smino - blkswn - HipHop

Album of the Year #23: Smino - blkswn - HipHop

Album of the Year #23: Smino - blkswn

Posted: 23 Dec 2017 07:34 AM PST

ARTIST: SMINO

PROJECT: blkswn

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APPLE MUSIC

BACKGROUND

Christopher Smith Jr., from St. Louis, Missouri, first made his way into the local music scene in 2012 under the name C. Smi, which he later changed to Smino in 2015 with the release of his debut EP, 'S!Ck S!Ck S!Ck'. This EP was produced exclusively by Monte Booker, a member of Smino's collective 'Zero Fatigue'. Only two months after its release, Smino then went on to put out a second EP, also produced by Monte Booker, titled blkjuptr. Blkjuptr was met with generally positive feedback, propelling Smino's musical career forwards and helping him find himself in the eyes of critics and bloggers.

After this second EP, it would be a little over a year before the world heard from Smino again, however, needless to say, it wasn't prepared in the least for what was to come.

REVIEW

Blkswn.

In this full length debut album, with 18 songs spread over an hour and three minutes, Smino puts on display a sonic spectacle as he effortlessly weaves through musical genres, fusing hip hop with elements of funk, soul, and RnB.

The project kicks off with what is probably its smoothest track. Entitled 'Wild Irish Roses', Monte Booker instantly sets a funky tone for the track with a bubbly synth accompanied by some hi hats. This tone is carried through the rest of the album as well and plays a huge role in binding the album together. Smino is quick to jump in with a catchy, yet calm flow which helps convey a relaxed atmosphere as he tells a story of himself inviting a girl to ride around town with him in search of 'Wild Irish Roses' (a brand of wine) - a thinly-veiled sexual proposition. All in all, 'Wild Irish Roses', perhaps my favourite track off the album, is a very strong opener that sets both the sonic and thematic tone for the rest of the project.

With the way they seamlessly blend into each other, the next two tracks 'Maraca' and 'Glass Flows' could easily have been passed off as one long song. Smino's versatility is blatantly apparent here as he surprises the listeners with a switch from an experimental intro verse to a very funky chorus on 'Glass Flows'. His verses have a playful vibe to them, as he isn't afraid to switch from singing lines to rapping lines to going into falsetto and then doing it over and over, all while somehow making the entire thing sound cohesive and well thought out. While the subject matter of the songs on the album revolves almost exclusively around Smino's relationships with women, he keeps the content fresh by addressing various aspects of the relationships, each with varying levels of seriousness. This can be seen as he switches from dabbling in playful lyrics with sexual connotations in 'Maraca' to highlighting the precarious nature of his relationship with a woman in 'Glass Flows'.

The song "Glass Flows" also marks the appearance of Ravyn Lenae, the first of six female features on blkswn. In this remarkably well executed track, her and Smino exchange bars, providing both Smino, and his female companion's perspective on their relationship.

The next track, Flea Flicka switches the vibe up to a funkier and happier tone. And while it plays its role in the progression of the album, I personally didn't welcome this departure from the atmosphere Smino had created thus far. This track didn't feel as if it was put together all that well, comprising only two verses - a guest feature from Bari, and a second verse from Smino - with no hook or bridge to seperate them. A filler track for me, however, that is to be expected in any full length album.

After 'Flea Flicka', the album really starts to take shape and define itself. Spitshine takes its place as the grooviest track on the album for me, with a simple yet catchy melody and Smino doing what he does best with his innovative vocal delivery

Netflix and Dusse takes its place as one of the more playful tracks on the album. As its name would suggest, it's about Smino trying to get acquainted with a girl. The lyrics on this track definitely stand out as Smino finds three different ways to describe that ass, two of them in the same verse.

1

That ass a creature

2

That ass on Sunset Hill, a beautiful view

3

That ass look like a fuckin' grapefruit

His creative way with words is also very much visible on this track with bars like

Pink Caddy, Pepto Bismol-bile

Suggesting that the colour of his caddy is similar to that of Pepto Bismol, going as far as to call it his Pepto Bismol-bile (like Batmobile).

Been on my brain, Miss Serotonin

In this line, he calls this track's girl his Miss Serotonin - Serotonin being a chemical which contributes to feelings of joy and happiness in the brain.

The next track on the album, Anita, is one of the album's defining/iconic tracks. Released as one of two singles prior to the album's release, Anita is a track involving Smino showing appreciation for all the women who've had an impact on him, using the name 'Anita' as a general name for all of them. He uses the verses on this track to talk about his city, St. Louis, his family, and his crew, tying it up at the end with a beautiful outro where he spells out the words to the sentence, "Anita, I need her" over and over.

Lobby Kall is a fun track and not much more than that. It lets the album breathe after Anita and doesn't say too much. With barely any Genius annotations to help me on this track, I'm quite lost as to what the verse was actually about. However, the track does end with a small skit which is presumably Smino turning up at his house drunk in the late of the night, with his girl who's inside refusing to open the door. This is a set up for the progression of the album as Smino addresses his problems with drinking and smoking.

Edgar Allan Poe'd Up starts with what sounds like Smino bragging about smoking, drinking, and having sex, however he is quick to admit that he's stuck in a cycle which has left him feeling mundane. Furthermore, he recounts his plans to break this cycle which unfortunately end up being ruined by a meddling shawty who sends him nudes, which then sent him spiralling back. He reverts to rapping about the girl's body and manages to find yet another way to describe a girl's head game before ending the verse. This track has a feature from TheMIND which I didn't find memorable at all, however it does add to the track as TheMIND talks about his struggles with expressing his emotions and instead choosing to get over them by drinking.

Father Son Holy Smoke was the first song I listened to on the album because I thought the name was cool, before going to the start of the album and listening to the whole thing over and over. As is tradition, Smino throws in a bar about getting head, this time getting over with it at the very start. He has wide array of flows for this song which he weaves together beautifully. What Edgar Allan Poe'd was to Smino's drinking, Father Son Holy Smoke is to Smino's smoking, however, the latter is far better executed in my opinion. Through the track, Smino speaks of how smoking weed helps cool his mind, yet still manages to acknowledge it as an addiction which he indulges in to avoid his problems.

On B Role, Smino goes off with a flow that you can't help but bob your head to. That being said though, this is a song which I don't feel belongs on the album, despite liking it outside the album's context quite a bit. The track starts off with an edgy crushed guitar riff which instantly deviates from the atmosphere that had been set up till now in too abrupt a fashion. With a better intro transition, it could have found its place, especially keeping in mind that the following track has a similar style of production too, alas imperfections are bound to be found on an 18 track project.

Blkoscars is another song on this project which I'm not fond of. It feels like the production is venturing into areas of experimental music which just leave you slightly confused after listening, or maybe it's just me. Anyways tho, Jay2 starts off the song with a feature verse and he seems to be rapping like he's trying to prove something. A good verse, yet once again, out of place for me. Smino comes in towards the second half to rescue the track with his funky singing. This is one of those songs which I only listen to when I'm going through the whole project - didn't even remember what it sounded like when I started writing this.

The title track's finally upon us at this point and it does amazingly well to bring the album back to its roots. The production's free of its edginess and has reverted back to its laidback style. Smino goes Boom Boom Boom Sminoshima (as in Hiroshima) just as the kick kicks in with the bass and everything feels fine again. The singing on this song is snappy. Another interesting aspect is that Smino's devoted the track to talking about his grind and shifted the focus from girls, drinking, and smoking. He also manages to throw in the line Smi-no, more like Smi-yeah, which is nice, I guess.

Long Run's got an intro which reminds of the one on Maraca. It sets a vibe and that vibe completely changes soon as the verse starts. Once again he's talking about a topic which although he has brought up, he hasn't devoted a lot of time to on a track. Smino reflects on his childhood, where he grew up, and his community. Via Rose features on the chorus and delivers her vocals beautifully - probably my favourite feature on the album alongside Ravyn Lenae.

I feel like Innamission is one of those songs you sleep on for a long time until it comes up on shuffle one day and suddenly you open your eyes. Smino starts off by shouting out his crew, followed by a verse, which is solid. And then a prechorus, which is kind of exciting. But then the chorus comes on and without doubt, it's the dopest thing you've heard in a good minute. I played that on the bus one time, and it was a bit disappointing when no one lit up when the chorus came on. I think it takes a couple of listens before it hits you. Or maybe it was just me.

Silk Pillows sounds like it's rehashing a couple of ideas we've already heard on the album. Akenya brings a decent verse to the song, but for the most part this song felt like something I'd already heard over the last 20 minutes of listening to the album. However, we do see Smino go back to making sexual references in the track after a severe drought over the course of the last three songs. He says "D go deeper than an 808, boom boom boom". He also says "You a vet? I'm a dog", which makes me wonder what Smino thinks a vet does, but good music's meant to raise questions so in its own way, this is getting the job done.

The production on Ricky Millions is very very nice. It's something about the chords which makes it stand out. Smino's got some catchy bars and Drea Smith captures the vibe of this track perfectly. The mixing on her vocals is done really well. All in all, I rate this track. It shows that Smino still has some tricks left up his sleeves, even towards the end of this 18 track long journey.

Amphetamine. What a way to close out an album. The track starts off with a somber tone, and Smino projects his emotions beautifully through his delivery. You can hear slight breaks in his voice in the chorus which really add to the effect. He talks about his struggles with addiction, and how he realises the negative impact it has on him. Yet, he's still optimistic that he'll be alright. If he makes it through the night, that is. Part 2 of this song is titled Krash Kourse, and could easily be its own song, however, it makes sense for it to be one long track, combine with Amphetamine, because you see Smino address everything he's been talking about over the album. We see a verse from Jean Deaux, a chorus from Bari, and finally a verse from Noname to close the album. Thankyou Jesus, whoever you are are the last words you hear. It's beautiful.

Favourite Lyrics

All the lyrics about getting/giving head

1

Woo, my bad, don't gag

Although it's cute that you choosin' me over breathin'

2

Shawty sucked me, I was 9

3

Head game crackin'

She a cluck with the fuck

4

She just wanna suck somethin'

Toppy, that's the topic of discussion

5

Shawty sling head like a Greek sword

6

My dick a cheat code, I stick for the joy

She sayin' it's sweet, callin' me chico

7

But if you real then I extract my grill

And I snack on that 'til that blood sugar build

8

That clean me up, I pick you up

I pick you, gimme that spitshine

9

Shawty she be comin off the top

Like some good writtens

DISCUSSION QUESTIONS

What do you think is next for Smino?

Do you think mainstream glory lies in Smino's future?

Who would you like to see Smino collab with?

What do you think the weak points of this album were?

Is Smino taking rap in a whole new direction?

Which head bar is your favourite?

How do you feel about the variety of lyrical content in this album?

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I don't really know if theres something i can link to to prove this but yesterday Smino was on Hot 104.1 in St. Louis and he said he has a project coming with Metro Boomin for 314 day. (314 is St. Louis' area code and they're both from here)

submitted by /u/Musicmantobes
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≈ https://soundcloud.com/foreignyyz/coco ≈

It's on Spotify: https://open.spotify.com/track/3NOEakU7bUe3NxuIPIbokm

As well as Apple Music: https://itunes.apple.com/us/album/coco/1318493827?i=1318494344

Thanks a lot, happy holidays, be blessed. I'll make sure to pass what y'all think on to him!

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Daily Discussion Thread 12/23/2017

Posted: 23 Dec 2017 06:22 AM PST

Welcome to the /r/hiphopheads daily discussion thread!

This thread is for:

  • objective questions with right/wrong answers (e.g. "Does anyone know what is happening with MIXTAPE?", "What is the sample in SONG?")
  • general hip-hop discussion
  • meta posts...e.g. ideas for the sub

Thread Guidelines

  • Do not create a separate self post for these types of discussions outside of this thread - if you do, your post will be removed.

  • Please be helpful and friendly.

  • If a question has been asked many times before, provide a link to a thread that contains the answer.

Other ways to interact

There are a number of other ways to interact with other members of HHH:

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at