Album of the Year #11: JPEGMAFIA - LP! [OFFLINE] - HipHop |
- Album of the Year #11: JPEGMAFIA - LP! [OFFLINE]
- Top 100 Most Streamed Rap Songs of 2021 (Spotify)
- [DISCUSSION] /r/hhh predicts 2022 in hip-hop
- Sunday General Discussion Thread - December 26th, 2021
- Philthy Rich Gives Away Toys & Bikes In His Hood For Christmas!
- On the Metrical Techniques of Flow in Rap Music
- GOOD Music - Christian Dior Denim Flow
- [LEAK] PARTYNEXTDOOR x Young Thug - Stop Calling The Cops
- LIL WAYNE - Gossip LIVE Performance
- Eminem - Ricky Ticky Toc
- [FRESH] AnkhleJohn – Lordy Season
- Who are your favorite female lyricists?
- [FRESH] Monday Night - CAN'T STOP THE RAIN FREESTYLE
- Tor / Sufjan Stevens - Dumb I Sound / ATLiens (f. Outkast) (remix)
- Mello Music Group compilation Mandala coming 1/21 – features Quelle Chris, Apollo Brown, L'Orange, R.A.P. Ferreira, Oddisee + more
| Album of the Year #11: JPEGMAFIA - LP! [OFFLINE] Posted: 26 Dec 2021 07:37 AM PST Artist: JPEGMAFIA Album: LP! Listen: ____________________________________________________________________________________________________________ Background JPEGMAFIA (a.k.a. Barrington Hendricks, b. 1989) is an American rapper, producer, and singer born in Brooklyn, New York. At 13, he moved to Alabama where he experienced a significant amount of racism that influenced much of his preceding work. He then enlisted in the United States Air Force at 18 and was honorably discharged after a tour in Iraq. He initially made music during his time in the military under the alias Devon Hendryx before moving to Baltimore in 2015 and assuming the moniker JPEGMAFIA. Following the release of his critically acclaimed 2019 album All My Heroes Are Cornballs, JPEGMAFIA began to dispute with his music label over how his songs should be handled and processed by industry regulations and obligations. This led to a frantic release schedule, as JPEG repurposed and quickly released material from his back catalogue as a way of fulfilling the requirements of his label contract. This fast-paced schedule led to the release of EP! in November 2020 and its well-received follow-up, EP2! in February 2021. After these two releases, he only needed one more project to fulfill the conditions of his contract. Peggy began teasing the album on August 31, 2021 with the release of its first single, "TRUST!." He then released the second single, "HAZARD DUTY PAY!," on BandCamp, SoundCloud, and YouTube due to sample clearance issues on October 1, 2021. His fourth studio album, LP!, was released on October 22, 2021 following delays due to sample clearance issues. Because of these legal issues and his balking from Republic Records, two versions of the album were released. The "online" version released on streaming platforms and featured a reduced tracklist, while the "offline" version, deemed "the true LP!" from the corresponding BandCamp description, was released on BandCamp, SoundCloud, and YouTube. For the purposes of this review, I have used the "offline" version. Beyond the argument of artistic intent and the "offline" version being the true version according to the artist, I found this version to be a more fulfilling and representative musical experience than the "online" versions on the grounds of a more original and better arranged tracklist, more diverse samples, and better mixes. These differences are certainly noteworthy, but I feel as though they are both beyond the purview of this write-up and better explained by other Redditors. Attached is a post comprehensively detailing the differences between the two versions. My review does not cover tracks exclusive to the "online" version ("CUTIE PIE!," "BALD!," and "BALD! REMIX"), as they are tracks released earlier amid the two entries in the EP! series. It is also worth discussing the beef between JPEGMAFIA and Elucid, one of Armand Hammer's members. Peggy had produced the beat for Elucid's "Oblivion Reflex," which initially appeared on Elucid's February 2018 album Shit Don't Rhyme No More. However, a reissue followed with "Oblivion Reflex" missing and an additional track added to replace its position at the end of the record. The "Oblvion Reflex" beat then resurfaced on January 7, 2020 in a video posted by London rapper IDK, titled "HELLO FREESTYLE (PT. 4)." The beef intensified in June of 2020 on Armand Hammer's album Shrines. In its track, Leopards, the lyrics imply that JPEGMAFIA sent Elucid a cease and desist letter for unauthorized uses of the beat, "I should've listened when they told me you wasn't folk no more/Siccing his white lawyers on your boy/Season of the vic, cease and desist, real n****, I think not/I'm rehearsing for a world where you don't exist." Elucid then goes on to credit Peggy for his production ability on "Oblivion Reflex," but blasts him for engaging in performative politics and going silent instead of resolving his issues directly. He even goes so far as to parodize JPEG's discharge from the military and his 2018 album, Veteran: "Just when you think n***** is on the level/Performative rebel rhetoric, but the beat's incredible/Fuck it, riddle me this, lay it to rest, wait for the hex/I ain't ask for you to talk to me nice/But going silent when shit really ain't right/Veteran dishonorable, vaginal discharge comical/Stripe, stripAttitude don't reflect the action, tight bitch." At last, JPEG responds on LP!, and on two separate tracks. First, he responds on album highlight "REBOUND!" with his trademark inclination for 2010's pop references, "He told me to stop dissing his kin/Oops I did it again," before finishing the verse by poking fun at their stage name, "N***** named after baking soda/But ain't never touched no fucking coke in your city." He then fires more shots later on with "THE GHOST OF RANKING DREAD!," first by criticizing Armand Hammer's beats, "Choppa don't jam/It's like one of y'all beats/Stay in the lab/Get the fuck out the streets," referencing the cover art for their March 2021 album Haram, "Off beat shit ain't gon' make you a living/Teach you something since you think I'm kidding/Woke 3rd eye rapping ass n*****/NOI flows with pork for a image," and mentioning "Leopards" by name, "But lions and leopards/Ain't meant to be jiggy/Tyrone Hill, this ain't meant to be pretty. The beef continued past LP!'s release and into the following tour. On October 23, Armand Hammer had a performance in Baltimore the same night that Peggy had a tour date in North Carolina. JPEG called out Armand Hammer for performing in his hometown and posted his reminder of the tour date that night on his Instagram story featuring an Arm & Hammer box of baking soda, On October 28, JPEGMAFIA tweeted that the beef had been squashed, ____________________________________________________________________________________________________________ Review LP! opens in a bright place with "TRUST!." We're treated to a light cut beginning with a quickly whispered "You think you know me?" tag. Then a lighter is struck, a match is lit, and the song begins with a peppering of bright synths leaping around in a way simultaneously digital and liberated. Peggy's first vocal entrance is momentarily alone before the percussion begins with light snares. The bass begins at the end of his last line on the emphatic second syllable of "conniving," and the first of many great instrumentals on this album enters full swing. In the lyrical matter, Peggy is distancing himself from toxic people in his life, "These hoes is conniving/I won't even try them," and simultaneously acknowledging the difficulties of these separations, "Ok I'm fucked up/Yeah I been fucked over." Following instrumental breaks with long tones accompanied by bells and a sampled drum pattern, his voice takes the energy before the vocal processing seems to distance himself from the mic while he speaks from the viewpoint of those he is distancing himself from, "They looking like 'Peggy/let's see some receipts,'" before returning to his original energy level the next line, "Everything I say I do/Gon' get did." This could all be taken together to view JPEG as distancing himself from those who would take his words, actions, or products and distort them beyond their intended purpose. Examples of this can be seen anywhere from his beef with Elucid of Armand Hammer to how his deteriorating relationship with his record label led to a frenetic 2021 release schedule. After opening with a slowed and reverbed sample, the roiling bass enters on "DIRTY!." Riding this aggressive undercurrent of low frequencies, Peggy surfs on the beat. On this track he does everything from reference past influences, "Momma used to bump Luther, no Beatles," to following the same themes of keeping all of his musical work in his own hands, "Pull it out they be mumbling like sims/and I don't need twenty n***** tweaking synths." He also takes time to criticize the rappers surrounding him in the industry of following uninspiredly in his footsteps, "Who you gon call when the trends all die/N***** follow I been walking my path the whole time." "NEMO!" begins with burbling keys that sound like an 8-bit game booting up. They then settle on a stable lead line as the vocals begin with a bold verse against Peggy's opposition, "I don't back down." He stays in a low vocal energy level, which makes the chorus hit that much harder when it enters with a near-shouted, "BUCK!" like a gun going off. He goes on to acknowledge the confrontational style of his music and label himself as better than the competition, "All of my songs a diss/I might just ghostwrite a hit/They know that's money well spent." Between the two final choruses, a reverberant round of synths spells out warm chords underneath the existing keys pattern before the chorus returns, this time following with glitched-out hits for contrast. After a distorted vocal passage during which the keys drop out, they come back at the end, flimsier and more reedy as they outline one more lead melody. "END CREDITS!" opens with a sample from AEW Dynamite in which an announcer screams in reference to being carjacked, "You know what I do? I pull out the Glock, put it on his forehead, and spill his brains all over the concrete!" As this sample plays out and the aggression is ramped up, a distorted sample of "Monomyth" by Animals as Leaders slowly enters and grows in volume. By the time Peggy enters, this track is a cacophonous, punky rager. The vocals follow this direction, as the lyrics mirror the same punk-informed attitude of flouting convention and personal trauma, "Bitch I write a scene on your life/And I only rap out of spite/Loss is the theme of my life." *With a beat this good, you start with the producer tag. That's exactly what JPEGMAFIA did on "HAZARD DUTY PAY!" before gorgeously flipping "Ain't No Need to Worry" by Anita Baker and the Winans, and in so doing creating something equal parts soulful and braggadocious. Hampered by sample clearance issues, this tracks is the first of many improvements over the "online" version made available on streaming platforms. Over constantly shifting flows, the lyrics go in on his label, "Labels like burners/Just use em' and toss/I took a shot and like Moses they part," flexing his hard-won status, "Stocked up on weapons and pussy and cars/Just thought you should know," furthering the intimidation against those who would beef with him, "These veggie grill n*****/Don't really want beef," and criticizing those performatively supporting Black artists, "Why does your Black feel like business to me?/Industry lies never line up on screen." When the song ends with a lingering hollow tone taken from the bass, it only leaves you wanting to click repeat. *Serving as a smoother cut after the previous track, "GOD DON'T LIKE UGLY!" opens with a sampling of "Psalms" by Thomas Whitfield. Among its twinkling keys and cymbal rolls, Peggy's rapping joins the backing vocals as if to place himself inside the sample itself. The track takes the time to assert his creativity, "I'm a young Frank Zappa/Y'all Sarah Palin," and following a glitchy and quietly frenetic outro, this interlude flows into yet another album highlight. "WHAT KINDA RAPPIN' IS THIS?" opens with a chilled-out intro before transitioning into a psychedelic and swirling collection of keys and tones. The drum pattern solidifies almost a full minute in before undergoing a slight tempo change and pitch shift as Fred Hammon's "More of You" materializes. As the vocals from the sample begins, JPEG asks the question all his fans asked after stumbling on his music, "What kind of rapping is this?" He then proceeds to ride the shit out of the beat as he proclaims his ambition to rattling snare rolls, "Now I'm looking at this one/Now I'm looking at that one/Now I'm looking all over the world." He takes the time to acknowledge the engagement of his fanbase, "Make em follow the script/Like LL when I'm back in the house," and makes references all the way back to the beginning of his discography with The Ghost~Pop Tape, "My pop was a ghost/And my partners ain't shit," to show us that he has, in fact, been this good the whole time. JPEGMAFIA is an unabashed fan of pop music. Whether it's on "living single" from earlier this year where he interpolates Mariah Carey, or the self-explanatory cut "Call Me Maybe," some of his best tracks include the occasional sudden reference to left-field musical influences. "THOTS PRAYER!" is no different, but its introduction and construction around which the interpolation happens shows his growing creativity and freedom as an independent artist. At the beginning, we are led to believe that this will be another soul-based cut with the sample "Thank You" by Richard Smallwood. However, this doesn't last long before launching into the soundtrack of an 80's anime (Genesis Climber MOSPEADA's スターダスト (Stardust)). Only now, after combining such already disparate musical influences, does the interpolation of Britney Spears' "…Baby One More Time" begin. Through heavy Autotune, JPEG sings the same lyrics with minimal changes to the wording as the bass slinks in at the beginning of the chorus. The next verse is buoyed by a plush drum pattern over restless lyrics, "I ain't relaxed yet/Taking a break from these albums I'm gassing." During this, he describes how he sometimes recalls the difficulty he has suffered in his life before remembering what keeps him alive: his music. "I get stuck in the past, get to crying/Then remember my path, get to rhyming." As this album continues, it's as if JPEG is continuously trying to outdo himself. In his restless creativity, "ARE U HAPPY?" contains varied samples from The Beach Boys, Galaxy 2 Galaxy, and "Explode" by The Cardigans in just the intro. When his verse begins, we are treated to another sample, this time from Gangsta Boo's "Hard Not 2 Kill" as he wryly spits, "All of my music is mission impossible/I made the normies believe in a vet." He then notes how his music is still influenced by underground hip-hop and pays his respects to its great artists, "These off-ass beats/Got me blue in the face/Rip DOOM/Through the villain I'm raised." If "HAZARD DUTY PAY!" showed what JPEGMAFIA can do with a sample, "REBOUND!" shows what happens when he uses his original material. Following a clattering in the drums like a huge machine creaking to life, rolling percussion comes to the fore as Peggy ad-libs, shrugging off the imminent diss track as simply "the truth." While this track is not only directed at Armand Hammer's Elucid, the undertones and aggressive horns accompanying the beat make for a cold-blooded diss track. Drawing ideas from abstract vocalizations from the last few years of rap, JPEG begins with the now-iconic, "When I look at your shit I'm like 'huh?'/When I look at my shit I'm like 'AHHHH.'" After a savage chorus and verse, "D-0 N-O-T fuck with me," "Last n**** tried me broke and lying/Baby I heard this man got grilled," one of the album's two features surfaces in the form of DATPIFFMAFIA. With precise and fluid flows, "Full Metal Jacket rappin smackin harder than soap in a sock/Key be to lock, I'm meaner than most/I cleaned up the flow with a broom and a mop," he is able to hold is own against JPEGMAFIA and keep up the energy level amid a more toned-down instrumental passage. When Peggy returns, it features everything you'd want out of a verse from him: pop references mixed in with disses, "He told me to stop dissing his kin/Oops I did it again," and unambiguous slams directly toward Armand Hammer, "N***** named after baking soda/But ain't never touched no fucking coke in your city." As if that weren't enough to make for a classic among JPEG's discography, the track ends with an outro in the form of a funky bass line perfectly contained in a way similar to the earlier "NEMO!." While this song has aged due to the recent resolution of the JPEGMAFIA/Elucid beef, the hard instrumental and pure rage that energizes the track makes for a cutting highlight on an album already full of standouts. *DJ Copyright Violation is at it again on "💯." This track serves as an interlude and heavily samples Young Dolph's (RIP) track "100shots" amid glazed, glitchy synths and slowed and reverbed vocals. "OG!" samples Just Ice's "Original Gangster of Hip Hop" with some tinny vocal processing and a hard-hitting 808 before JPEG skips onto the beat with a stilted flow and celebrating his freedom from his record label and those that would waste his time and talents, "And when this album over/Work for nobody for free/And when this album over/Work for nobody but me!" *Disparate influences continue to inform LP! on "DIKEMBE!." Drawing from a Stan Getz sample, this track features more precise and staccato verses before launching into an intermediate melodic passage in which Peggy gets honest about his distress over people manipulating him and altering his work, "I been struggling, babe/Not with money/Not with fame/All my bitches control me with shame." After an extended outro featuring the guitar from Getz's "Saudade Vem Correndo," another highlight follows. TIRED, NERVOUS & BROKE! - Much like "HAZARD DUTY PAY!," "TIRED, NERVOUS, & BROKE!" starts with the producer tag. This instrumental is derived from Board of Canada's "Roygbiv" and accented by woody percussion as JPEG careens from further referencing past albums, "She bumping Brent/But she black as Ben Carson," to throwing further shots that would go on to inform the boxing imagery of the live tour, "Hit em hard/Swing it left/And get em gone/Pick him up, dust him off/Give him some more." In an extended outro, JPEG and Kimbra discuss an unnamed album before setting up to record a verse of their own in the form of a voice memo. By simultaneously drawing on Tommy Wright III's "Me Against Da World" and Number Girl's "Num-Heavymetallic," "🔥" contains one of my favorite instrumentals on the entire album. The latter sample enters partway through the first verse along with clattering percussion as Peggy distances himself from mainstream artists and flouting his production ability, "Black man can't depend on sympathy/I feel like hip hop tried to put a hit on me/Pussy n***** put me in a box, belittling, repoed/These beats keep coming like kilos." He then takes the time to note the devotion of his fanbase and their engagement during his rollouts and live shows, "I stay feeding my kids, I'm they government/Baby Reagan, I'm crack on the case." Between "NICE!" and the following "BMT!," JPEGMAFIA draws samples from Army training cadences. This track takes the role of an interlude with an attributable sample from The US Marine Corp's "1, 2, 3, 4." The sample is paired with an uncredited shamisen line, perhaps in reference to Peggy's previous interactions with Japanese culture and language in his samples and merchandise. As mentioned previously, "BMT!" is based on a sample of an Army training cadence. While one of the shorter cuts from the album, its brief runtime is filled by one of the nastiest beats of the album. The mix is sludgy, distorted, and hard-hitting, which is paired effectively with staccato-style flows, "Back in this bitch/With a c in the case/All in the gram/But don't be in my face." This track also features one of my favorite lyrical moments as Peggy rattles off criticisms and threats towards his opposition, "All them threats sound fake/A/N***** get shot every day/B/I can't peek yo face/C/This price make him pay." "THE GHOST OF RANKING DREAD!" opens with a conversation between Tyron Woodley and Jake Paul, in which Woodley states that Paul could go big with "training." JPEG likens this to himself as the beat comes in immediately after with a guest verse from the album's second featured artist, Tkay Maidza. Her smooth vocals form the basis for a digitized and laid-back beat, over which Peggy takes more shots at Armand Hammer, "Chop don't jam/It's like one of y'all beats." The track ends with an instrumental outro featuring a distorted guitar and harder trap percussion before continuing on into the final tracks of the album. "DAM! DAM! DAM!" derives its sample and title from a clip of season four of Good Times. After an unmeasured synth intro, the rhythms begin in the beat with a familiar sound to some: the percussion from Drake's "Hotline Bling." This is quickly replaced by a boom-bap pattern as JPEG takes this quieter cut to motivate himself to continue working hard for himself, "Keep taking them shots/Till the rim bleed/Till I succeed/Work like little Steve/Working all day, I don't take no sick leave/In my sleep I hear click beats." *"UNTITLED," JPEG looks beyond the obligations to record labels and anticipates the prospects of his career and taking over the rap game, "Industry done let a wolf in the pig pen." Over a shadowy sample from Floating Points' "Bias," Peggy takes this last track to shade his contemporaries through the lens of pop culture, "These n***** Grey Worm/Straight Unsullied," and embracing a more genuine stage persona, "Boy you scared and you weak plus you dress bummy/I be twerking on stage like I'm Bad Bunny." At the end of the track amid one more abrasive dusting of digitized percussion, JPEG leaves us with the warning, "Don't play with me/Bitch, play PlayStation/It's safer." * - "Offline" version exclusive tracks ____________________________________________________________________________________________________________ Favorite Lyrics: "Styles so slutty/Even you gotta try it." - "DIRTY!" "Floated right through the pandemic, no limits/Stunted creatively/Don't got a vision/I die for my pride/You be hiding in gimmicks/Glock with a switch/Turn a vegan to spinach." - "HAZARD DUTY PAY!" "Full Metal Jacket rappin smackin harder than soap in a sock." - "REBOUND! (ft. DATPIFFMAFIA)" "He told me to stop dissing his kin/Oops I did it again." - "REBOUND! (ft. DATPIFFMAFIA)" "All them threats sound fake/A/N***** get shot every day/B/I can't peek yo face/C/This price make him pay." - "BMT!" ____________________________________________________________________________________________________________ Talking Points:
____________________________________________________________________________________________________________ ** - Music criticism has always been something I have been interested in, but never had the chance to explore. I appreciate having the opportunity to work on this review by being selected for this year's AOTY write-ups. Since this is new to me, if anyone has any comments or criticisms about my review, I would be happy to look through them! Thanks, and Happy Holidays! [link] [comments] |
| Top 100 Most Streamed Rap Songs of 2021 (Spotify) Posted: 26 Dec 2021 04:44 AM PST
Heres the playlist (Safe Option if you're Hosting NYE): https://open.spotify.com/playlist/0sM190jg3gKyZrVZA9NF43?si=b51d21367a254344 Additional Stats: Most Songs on the List:
Most Features on the List:
Rappers who appeared in last years list who didn't this year; Powfu Lil Mosey StaySolidRocky 6ix9ine NLE Choppa Mac Miller S1mba G-Eazy G Herbo Lil Yachty Tory Lanez Bankroll Hayden $uicideBoy$ A Boogie Wit Da Hoodie CJ Aitch AJ Tracey iann dior Money Man Rappers appearing in the list for the first time; Cochise $NOT ArrDee Baby Keem 42 Dugg Moneybagg Yo SpotemGottem Central Cee Smiley Mooski BIA Pooh Shiesty [link] [comments] |
| [DISCUSSION] /r/hhh predicts 2022 in hip-hop Posted: 26 Dec 2021 09:00 AM PST It's that time of year again! It's been exactly 365 days since last year's edition - what's going to happen this year in hip-hop? [EASY MODE] The Forever Story is yet another critically acclaimed album by JID, but his newfound exposure via Enemy means it'll also sell more than his previous works. Following the album, JID goes on a lengthy feature run and establishes himself as significantly more of a household name. [HARD MODE] Kendrick Lamar actually drops the album... but, to the surprise of many, it's his foray into Baby Keem-style art trap. It's critically slammed on release, but ends up on most people's AOTY lists - this one's a grower, Carti-style. [NOSTRADAMUS] I will keep on predicting Kenny Mason blowing up every year until it happens, y'all better not make me do it again. Also, SAINt JHN lands a top 10 hit with one of the singles off Collection Two thanks to a TikTok trend (NOT for the obligatory Imanbek remix either) and firmly establishes himself as a household name as he really should be by now. [WISHFUL THINKING] Pushlib. Or, even better, PushGibbs (with production from Ye, Pharrell, Madlib, and The Alchemist). [GOD PLEASE] Once again, I ask that Young Thug and Rich Homie Quan finally reconcile and start working on Tha Tour Pt. 2. [link] [comments] |
| Sunday General Discussion Thread - December 26th, 2021 Posted: 26 Dec 2021 07:44 AM PST what's the deal with eggnog hope you all had a good Christmas [link] [comments] |
| Philthy Rich Gives Away Toys & Bikes In His Hood For Christmas! Posted: 26 Dec 2021 05:44 AM PST |
| On the Metrical Techniques of Flow in Rap Music Posted: 26 Dec 2021 07:55 AM PST |
| GOOD Music - Christian Dior Denim Flow Posted: 26 Dec 2021 10:13 AM PST |
| [LEAK] PARTYNEXTDOOR x Young Thug - Stop Calling The Cops Posted: 26 Dec 2021 09:26 AM PST |
| LIL WAYNE - Gossip LIVE Performance Posted: 26 Dec 2021 10:10 AM PST |
| Posted: 26 Dec 2021 09:10 AM PST |
| [FRESH] AnkhleJohn – Lordy Season Posted: 26 Dec 2021 05:37 AM PST |
| Who are your favorite female lyricists? Posted: 26 Dec 2021 10:00 AM PST I don't know if it's my personal internet echo chamber or what but I really don't get introduced to enough hip hop by women, I know there's some legend shit out there but don't know where to look. Elements of female empowerment, positive message (couched within struggle for sure makes it even more intense, I mean just real shit) ideally please. Not particularly tryna hear paint by number ghostwriting about another sexual perspective or that saccharine bravado or how alluring someone's genitals are lol Personally love Lauryn hill obviously, chika is the shit, like I want the Kendricks/Coles of female rap not the T.I./futures. I'm sure more will come to my brain that I'll edit this paragraph with, I'm just waking up now so it's all escaping me. Thanks so much!!!! We have the best words my doods [link] [comments] |
| [FRESH] Monday Night - CAN'T STOP THE RAIN FREESTYLE Posted: 26 Dec 2021 05:46 AM PST |
| Tor / Sufjan Stevens - Dumb I Sound / ATLiens (f. Outkast) (remix) Posted: 26 Dec 2021 10:55 AM PST |
| Posted: 26 Dec 2021 10:43 AM PST |
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