Pages

Top Ten Tuesday: Busdriver - HipHop

Top Ten Tuesday: Busdriver - HipHop

Top Ten Tuesday: Busdriver

Posted: 08 Feb 2021 10:51 PM PST

Here's how this works:

• One song per comment.

• The thread will be put into contest mode (randomized comment order).

• Upvote the songs you like.

• Please don't downvote!

• Artist must be main credited artist in the song unless specified otherwise

• Search/use ctrl+f to see if anyone posted the song already.

• Try to limit yourself to posting one or two songs.

• Please post a link with your song.

• The 10 songs with the most upvotes will be HHH Top Ten.

• Have fun!

Here is is our spreadsheet with all past results, made by /u/elektrikg33k.

Our upcoming schedule:

2/16/21 - Big Pun

2/23/21 - The Beatnuts

3/2/21 - Fat Joe

────────

https://en.wikipedia.org/wiki/Busdriver

please take 5 seconds to ctrl+f the thread to see your song has already been posted

and as always pm me if you want to see a certain artist here

submitted by /u/CaptainGordan
[link] [comments]

[LEAK] Tyler, the Creator & A$AP Rocky - Jinglin'

Posted: 08 Feb 2021 03:52 PM PST

[DISCUSSION] J Dilla - Donuts (15 Years Later)

Posted: 08 Feb 2021 08:27 AM PST

Donuts is the second studio album by the American hip hop producer J Dilla, released on February 7, 2006 by Stones Throw Records. It was released on the day of his 32nd birthday and three days before his death.

On Metacritic, Donuts has received "universal acclaim" from critics, based on an aggregate score of 84/100 from 15 reviews. Pitchfork placed the album at number 38 on their list of the top 50 albums of 2006 and at number 66 on their list of the top 200 albums of the 2000s. In 2020, Rolling Stone ranked the album at 386 in their 500 Greatest Albums of All Time.

Background

In 2002, J Dilla had been diagnosed with thrombotic thrombocytopenic purpura (TTP), an incurable disease of the blood, while also battling lupus, which had been diagnosed a year previously. According to close friend and fellow producer Karriem Riggins, the impetus for Donuts came during an extended hospital stay in the summer of 2005.

In the December 2006 issue of The Fader, J Dilla's mother, Maureen Yancey, a former opera singer, spoke of watching her son's daily routine during the making of Donuts:

I knew he was working on a series of beat CDs before he came to Los Angeles. Donuts was a special project that he hadn't named yet. This was the tail end of his "Dill Withers" phase, while he was living in Clinton Township, Michigan. You see, musically he went into different phases. He'd start on a project, go back, go buy more records and then go back to working on the project again.

I saw him all day, everyday. I would go there for breakfast, go back to Detroit to check on the daycare business I was running, and then back to his house for lunch and dinner. He was on a special diet and he was a funny eater anyway. He had to take 15 different medications, we would split them up between meals, and every other day we would binge on a brownie sundae from Big Boys. That was his treat.

I didn't know about the actual album Donuts until I came to Los Angeles to stay indefinitely. I got a glimpse of the music during one of the hospital stays, around his 31st birthday, when [friend and producer] House Shoes came out from Detroit to visit him. I would sneak in and listen to the work in progress while he was in dialysis. He got furious when he found out I was listening to his music! He didn't want me to listen to anything until it was a finished product.

He was working in the hospital. He tried to go over each beat and make sure that it was something different and make sure that there was nothing that he wanted to change. "Lightworks", oh yes, that was something! That's one of the special ones. It was so different. It blended classical music (way out there classical), commercial and underground at the same time.

Composition

Donuts is an instrumental hip hop album; the only lyrics on it are short phrases and gasps taken from various records. Donuts contains 31 tracks, which was J Dilla's age at the time of recording. Most songs are quite short, running at lengths of 1–1.5 minutes each, and vary in style and tone Clash called the album "a conversation between two completely different producers". The original press release for the album compared it to scanning radio stations in an unfamiliar city.

The track order is also unusual: the album begins with an outro and ends with the intro. According to Collin Robinson of Stereogum, "it's almost too perfect a metaphor for Dilla's otherworldly ability to flip the utter shit out of anything he sampled". The ending of the final track flows right into the beginning of the first one, forming an infinite loop, and alluding to donuts' circular form.

Recording

In 2005, J Dilla underwent treatment at Cedars-Sinai Medical Center for complications brought on by TTP and a form of lupus. While in the hospital, he worked on two albums: Donuts and The Shining. 29 out of 31 tracks from Donuts were recorded in hospital, using a Boss SP-303 sampler and a small 45 record player his friends brought him. Records his mother and friends would bring were used as the source of the samples for the album. She recalled it in the Crate Diggers documentary: "When I took the crate up, and he looked through it, I think out of a whole milk crate full of 45s, I think he might have taken a dozen out of there and set them aside. He said 'you can take that back to the house'. He said 'none of that's good'."

Throughout the year his condition worsened. His legs swelled, making it difficult to walk. At times his hands swelled so much he could barely move them. If the pain was too intense, his mother would massage his fingertips, so he could continue working on the album. Sometimes he'd wake up in the middle of the night and ask his mother to move him from his bed to the instruments. According to Kelley L. Carter of Detroit Free Press, J Dilla told his doctor he was proud of the work, and that all he wanted to do was to finish the album.

While working on the album, Dilla didn't allow anyone to listen to the unfinished version. He got furious when he found out his mother listened to it while he was in dialysis.

Aftermath

Dilla's death, three days after the album's release, was widely mourned by the hip hop community, including all those who worked with him in the past and the years closer to his death, especially Detroit's hip-hop community (which included rapper Proof, a friend and associate of Dilla's, who also died 2 months later on April 11).

In regards to the name, "Donuts," The New York Times published an article on Dilla's death, on February 14, 2006, saying, "The record company issued a brief note about the title: 'Easy explanation. Dilla likes donuts.' Yesterday his mother managed a chuckle when she confirmed that fact. 'I just bought two dozen a week ago,' she said."

Legacy

The tracks "One for Ghost" and "Hi" were used in Ghostface Killah's Fishscale, under the names "Whip You With a Strap" and "Beauty Jackson", respectively. Ghostface Killah also used "Geek Down" for the song "Murda Goons", released on his Hidden Darts: Special Edition album. Busta Rhymes and Rah Digga used "Gobstopper" and "Last Donut of the Night" as beats for "Just Another Day at the Range" and "Best That Ever Did It." "Workinonit" was used by The Roots for a collaboration with Saigon for the album Game Theory. The verse from Saigon can be heard on his mixtape Return of the Yardfather. J Dilla's posthumously released album The Shining, also released with new verses on Common's Finding Forever, uses a re-edited version of "Bye."

The aforementioned tracks were, for the most part, recorded or planned during Dilla's lifetime. After Dilla's passing, The Roots used "Time: The Donut of the Heart" for their J Dilla tribute "Can't Stop This" on the album Game Theory. In 2005, the track "Mash" was rapped over by MF DOOM and Guilty Simpson on the track "Mash's Revenge", which appears on the Stones Throw compilation "B-Ball Zombie War". DOOM also used "Anti-American Graffiti" which appeared on the Dilla Ghost Doom release Sniperlite, under the track name "Sniper Elite". DOOM later used "Lightworks" on a track of the same name on his album Born Like This. "Lightworks" was also used for the "B-Ball Zombie War" track "Lightworking," which features Talib Kweli and Q-Tip. Busta Rhymes added a verse to Q-Tip and Talib Kweli's on "Lightworks" and included it in his 2007 mixtape Dillagence.

Cartoon Network has used many of the album's tracks as bumper music during the Adult Swim programming block. Adult Swim, which has been in a partnership with Stones Throw records, cited the track "Stepson of the Clapper" as their addiction.

Many other rappers and hip hop artists have used various beats from Donuts. Termanology also recorded a track titled, "Only One Can Win" using J Dilla's track "Two Can Win." The song is a tale about a man choosing between rap and a woman. He pays respect to Dilla in the beginning of the song. Talib Kweli has used "Bye" on a track called "I Feel You" from the 2006 mixtape Blacksmith: The Movement and "Dilla Says Go" on a track called "Kweli Says Go" from the mixtape with Clinton Sparks "Get Familiar". Rapper Big Pooh had used "Gobstopper" for a track titled "Plastic Cups", and he also used "One Eleven" for a track with the same name featuring O-Dash on a mixtape with Mick Boogie. Drake used "Time: The Donut of the Heart" in a song called "Where to Now" on his mixtape Comeback Season (2007). Charles Hamilton created a mixtape titled And Then They Played Dilla rapping over tracks from Donuts. He also created a sequel, which is named "And Then They Played Dilla 2".

Rapper Skyzoo has recorded tribute tracks using "Two Can Win" and "Last Donut," among others. Jay Electronica used "Gobstopper" for his track "Abracadabra" and several other Dilla beats for various tracks of his Victory mixtape. XV released Thanks For The Donuts, a tribute EP using J Dilla beats, on February 7, 2011 (Dilla's birthday as well as the fifth anniversary of Donuts). Big Sean has also released freestyle which uses the beat for "(Only) Two Can Win", and uses the same title. Nas released "The Season" on October 30, 2014 which uses "Gobstopper" as the backdrop for his track. J Dilla is listed as the producer. Lupe Fiasco used "The Diff'rence" on the track "Of" from his August 29, 2015 mixtape "Pharaoh Heights".

In 2013, for Complex, the singer Bilal named it among his 25 favorite albums, explaining that, "I love the way he chopped on that album and the beats were so strong he didn't really need anyone rhyming on anything. It was just great music."

In 2017, Dave Chappelle used "Workinonit" as the theme music for his two Netflix stand-up specials.

In 2018, rapper Andy Mineo released his EP, the Sword, with a song named after Donuts with rapper Phonte of the underground rap Little Brother and singer Christon Gray.

submitted by /u/HHHRobot
[link] [comments]

Nas announces new track E.P.M.D this Friday with Hitboy

Posted: 08 Feb 2021 03:49 PM PST

2 Chainz posts video of a packed show he did with Gucci Mane last night.

Posted: 08 Feb 2021 04:45 PM PST

Link to the post on insta. I dont see a single mask in that crowd.

submitted by /u/idkwhattoputasmyname
[link] [comments]

[FRESH VIDEO] BRENT FAIYAZ - CIRCLES FEAT. PURR

Posted: 08 Feb 2021 11:56 AM PST

[FRESH EP] Brent Faiyaz - DO NOT LISTEN

Posted: 08 Feb 2021 12:31 PM PST

Don't really know what to call this lmao but Brent just dropped 3 tracks:
Circles (feat. Purr)
Paper Soldiers (feat. Joony)
Price of Fame

Link (from his youtube): https://www.dropbox.com/sh/s53906m1759kpwh/AADnkrjdhQ2C1MSutTRSln_ba?dl=0

Edit: Guess it was a limited-time link, here's the songs on Soundcloud
https://soundcloud.com/justleavemelone/sets/brent-faiyaz-do-not-listen

Thread for Circles:
https://old.reddit.com/r/hiphopheads/comments/lfk8hi/fresh_video_brent_faiyaz_circles_feat_purr/

submitted by /u/RafiakaMacakaDirk
[link] [comments]

Daily Discussion Thread 02/08/2021

Posted: 08 Feb 2021 01:13 PM PST

Welcome to the /r/hiphopheads daily discussion thread!

This thread is for:

  • objective questions with right/wrong answers (e.g. "Does anyone know what is happening with MIXTAPE?", "What is the sample in SONG?")
  • general hip-hop discussion
  • meta posts...e.g. ideas for the sub

Do not create a separate self post for these types of discussions outside of this thread - if you do, your post will be removed, as stated in the guidelines.

Weekly/Monthly Threads

Other ways to interact

There are a number of other ways to interact with other members of HHH:

New to /r/hiphopheads or hip-hop in general?

Check these out:

submitted by /u/HHHRobot
[link] [comments]

Coolio ft. L.V. “Gangsta's Paradise” on the Howard Stern Show (1995)

Posted: 08 Feb 2021 04:46 PM PST

Lil Tjay announces new song ‘Calling My Phone’ featuring 6LACK, dropping 2/12

Posted: 08 Feb 2021 10:37 AM PST

R&B Artist Spotlight: PARTYNEXTDOOR

Posted: 08 Feb 2021 09:40 AM PST

Spotify
Intagram
Youtube Channel

Music Style: Dark Moody Alternative R&B that incorporates Dancehall, Afrobeats, Cloud Rap, and Trap music

​

Many of you would recognize the name PARTYNEXTDOOR or PND from a lot of his features. He has been featured on Still Got Time (Zayn's Icarus Falls), Ghost Town and Wouldn't Leave (Kanye West's ye), Fue Mejor (Kali Uchis' Sin Miedo (del Amor y Otros Demonios) ∞ ), With You (Drake's Views), Wednesday Night Interlude and Preach (Drake's If You're Reading This It's Too Late), Just Might (Summer Walker's Over It), and Cash Out (Calvin Harris' Funk Wav Bounces Vol. 1). PND not only has done a lot a features, he's also penned songs for other artists with his most recognizable one being Work and Sex with Me (Rihanna's Anti). He's also penned Let Me (Usher's Hard II Love), Legend (Drake's If You're Reading This It's Too Late), Wild Thoughts (DJ Khaled's Grateful), Maria (Christina Aguilera's Liberation), Ratchet Happy Birthday (Drake's Scorpion), and The Blinding (Jay Electronica's A Written Testimony). So, If you've never heard a PND song, you would of at least heard a track that he penned.

​

The majority of PND's music is a moody Alternative R&B sound that is often bass heavy with 808s (Come and See Me, Peace of Mind, Rendezvous), incorporates Dancehall music (Eye on It, Only U, Not Nice), Afrobeat music (Believe it, Loyal, Low Battery), or Hip-Hop based (Don't Know How, West District, Thirsty, Don't Worry). His music sometimes will have tribal elements (Over Here), a saxophone (Her Way), more electronic (Let's Get Married), atmospheric (Peace of Mind, Problems and Selfies, Temptations, Split Decision), or more on the pop side (Damage). There are even slight tempo changes within songs (Persian Rugs, Girl From Oakland). Overall, a typical PND track would be bass heavy with 808s.

​

While a bass heavy R&B track with 808s may seems like nothing really special, it actually describes a form of R&B called Toronto R&B. Toronto R&B is simply moody bass heavy R&B with 808s. You may call that Trapsoul which was coined by Bryson Tiller. However in reality, PARTYNEXTDOOR is actually person who started trapsoul. A lot of his music is pretty much trapsoul when you listen to it. PND's music style is the one that's been replicated the most. From every typical male R&B singer in any "R&B Vibez" Spotify playlist, to albums like Positions (Ariana Grande) and Changes (Justin Bieber) from mainstream pop stars. Even R&B singer Zayn emulated some PND on his album Nobody is Listening. You can even find PND's influence on many songs on RnBass and EscapeTracks. PND influence has even hit the Spanish market with songs like Con La Luz by COASTCITY along with Fruto Prohibido and En Tru Cuerpo by Lyanno. It also his the German market with songs Wrong For Me, Needs, and Stay by German singer Nolai. PARTYNEXTDOOR is pretty much responsible for this trap R&B wave that music has right now. Although it's beyond over saturated, it still has its gems. Basically, without PARTYNEXTDOOR, there would be no Trapsoul, think about it.

​

Lyrically, PND songs revolve around relationships, love, and sex. While his lyrics may seems like stuff for the typical R&B fuck boy handbook, there are time when they truly shine. PND's lyrics often have a very high energy to them, and are self preserved. This element can be seen in songs like Peace of Mind, Only U, and Ballin'. On a vocal spectrum, PND isn't really the best in that department. His singing ability is probably only somewhat higher than Drake. However, don't assume that PND can't sing. In fact, watch this live performance of Joy. PND's singing voice is very soft and reminicent of late 90's to early 2000's R&B singers. It makes a lot of sense considering how that live performance of Joy is very 90's R&B inspired. In some of his songs such as Joy, Don't Know How, 1942, Don't Run, Ballin', and Belong to the City help showcase his vocals. PND is not only a singer, he's also a rapper as well. PND has shown that he can go full on rapping in his songs (Over Here, Break From Toronto, Preach, Don't Worry), engage in a sing-rap style (Thirsty, Sex on the Beach, One I Want), or even alternate between singing and rapping (Right Now).

​

Make sure to check out PARTYNEXTDOOR's projects: PARTYNEXTDOOR, PARTYNEXTDOOR TWO, PARTYNEXTDOOR 3 (P3), Seven Days, PARTYMOBILE, PARTYPACK, COLOURS (contains both COLOURS 1 & 2)

Some of my favorite PARTYNEXTDOOR songs: Ballin', Believe It, Split Decision, Girl From Oakland, Damage, Sex on the Beach, Belong to the City, Persian Rugs, Over Here, Right Now, Eye on It, Her Way, Only U, Break From Toronto, Loyal, Come and See Me, 1942, Never Played Me, Problems and Selfies, Spiteful

Also here's a little Spotify Playlist for him.

Here are some good performances: Joy (Live), Live in Sarcamento, Wireless Festival

Next R&B Artist Spotlight: Jorja Smith

If You use discord, make sure to check out R&Bcord. If you want to be in a place to discuss R&B music. Here's a link if you're interested. https://discord.gg/DP35Kttb\Note, This link will expire in one day*

submitted by /u/24KVoltage
[link] [comments]

Papoose Announces Plans To Retire From Rap To Focus On Family, Will Release New Project Every Month Of 2021

Posted: 08 Feb 2021 04:39 PM PST

RZA - Grits

Posted: 08 Feb 2021 02:47 PM PST

$UICIDEBOY$ - TO HAVE AND HAVE NOT

Posted: 08 Feb 2021 12:51 PM PST

Lucki - Jigga 98 ft. Da$H

Posted: 08 Feb 2021 08:01 PM PST

[FRESH VIDEO] Mir Fontane - Call J. Cole

Posted: 08 Feb 2021 08:06 AM PST

Jaylib - The Red (Original Version)

Posted: 08 Feb 2021 08:06 AM PST

Pink Siifu & Fly Anakin - Open up Shop (feat. B. Cool-Aid) (Official Video)

Posted: 08 Feb 2021 12:20 PM PST

Grip - Menace... Nigganomics

Posted: 08 Feb 2021 08:14 AM PST

Talib Kweli & Goodie Mob Talk Dungeon Family, 'Soul Food', Southern Hip Hop | People's Party Full

Posted: 08 Feb 2021 07:19 AM PST

VanJess Are Telling R&B Stories of Confidence & Belonging: Nigerian-American sisters VanJess break down their latest album, ‘Homegrown' | Audiomack World Interview

Posted: 08 Feb 2021 08:06 AM PST

Static Major Harmonizing to What Would Soon Become “Look What You’ve Done” by Drake

Posted: 09 Feb 2021 12:44 AM PST

Icewear Vezzo - 6Print | Diss Rap | "I'll never let a n-gga Young Jeezy Me"

Posted: 08 Feb 2021 06:30 PM PST
at

Smooth Sunday. Post your smooth tracks here - February 07, 2021 - HipHop

Smooth Sunday. Post your smooth tracks here - February 07, 2021 - HipHop

Smooth Sunday. Post your smooth tracks here - February 07, 2021

Posted: 07 Feb 2021 06:30 AM PST

Let's keep it simple. Post your smooth tracks here.

Previous Smooth Sunday posts

submitted by /u/HHHRobot
[link] [comments]

[GAME THREAD] Superbowl LV Halftime Show: The Weeknd

Posted: 07 Feb 2021 05:13 PM PST

Temperature: 62°F

Humidity: 88%

Wind: 8 MPH

Pollen Report: 6 (Medium)

UV Index: 4.9 (Moderate)

Sunrise: 7:12 AM

Sunset: 6:16 PM

figured i would make it since no one else had. lmk if there's anything else i should add

edit: full performance up on youtube

submitted by /u/CaptainOvbious
[link] [comments]

The Weeknd’s FULL Pepsi Super Bowl LV Halftime Show

Posted: 07 Feb 2021 06:06 PM PST

[DISCUSSION] Pop Smoke - Meet the Woo 2 (One year later)

Posted: 07 Feb 2021 08:12 AM PST

It's been one year since Pop Smoke dropped his second mixtape, Meet the Woo 2. How has it held up since then?

RIP POP SMOKE, THE SMOKE WILL NEVER CLEAR

submitted by /u/Gendreau
[link] [comments]

ILOVEMAKONNEN‘s First Time Hearing Drake’s Verse On Tuesday

Posted: 07 Feb 2021 08:49 PM PST

Fans Surround Lil Baby House After His Super Bowl Address Was Leaked

Posted: 07 Feb 2021 02:31 PM PST

The Weeknd - The Hills

Posted: 07 Feb 2021 07:09 PM PST

Sunday General Discussion - February 7th, 2021

Posted: 07 Feb 2021 11:23 AM PST

Insert topical message here

If you're interested in modding this daycare, don't forget to apply here

submitted by /u/HHHRobot
[link] [comments]

J Dilla's Donuts: 15 year tribute

Posted: 07 Feb 2021 07:04 AM PST

Dreamville - Under The Sun ft. J. Cole, DaBaby & Lute

Posted: 07 Feb 2021 02:55 PM PST

[DISCUSSION] Boldy James & The Alchemist - The Price of Tea in China (ONE YEAR LATER)

Posted: 07 Feb 2021 12:21 PM PST

It has been one year since the release of this album, what are your thoughts on it now?

submitted by /u/cheerfullly
[link] [comments]

MF Grimm Mf Doom - Tick Tick...

Posted: 07 Feb 2021 10:09 AM PST

The Weeknd - Die For You

Posted: 07 Feb 2021 07:05 PM PST

[DISCUSSION] Brent Faiyaz - Fuck The World (One year later)

Posted: 07 Feb 2021 11:35 AM PST

Brent Faiyaz dropped his second EP a year ago, with the lead singles Fuck the World (Summer in London) and Rehab (Winter In Paris).
Pitchfork Review:

There's a lot of slow-groove R&B right now, most of which is destined to rack up streams on sleep-inducing playlists with names like "Vibes." Brent Faiyaz is often lumped into this scene, but he doesn't deserve to be. The 24-year-old won't be found crawling on his knees begging for his ex back, or making sugary love songs for lifestyle-advertising mood boards or direct-to-Netflix rom-coms. If you listen to the dreamy soul of his new album Fuck the World long enough, it starts to sound like a horror story. In his world, sex is a game and there are no consequences for anything.
Faiyaz is at his best when he's cold-hearted, like Future minus the bleak outlook. "Rehab (Winter in Paris)" is unsympathetic from the opening line: "I got too many hoes/But they ain't you," he sings warmly over neo-soul ready strings and finger snaps—so warmly, in fact, that you forget that he's actually telling the girl he's supposed to be in love with that he's sleeping around. The stripped-down, self-produced "Fuck the World (Summer in London)" is similar, with countless bars that make him sound like a demon ("Your nigga caught us texting/You said 'Baby don't be mad you know how Brent is'") or stand out for the wrong reasons (on the hook he calls himself a "walkin' erection"). Both songs are minimal in their approach, but layered, with small tweaks—like his slowed vocals on "Fuck the World (Summer in London)"—that elevate it all.
It's worth noting that Brent Faiyaz is a savant at caption-worthy one-liners—"I'd probably be dead if I was basic," "If you ain't nasty don't at me." But there's more to Fuck the World than Faiyaz's ability to provide content for fit pics. He's remarkably consistent as a songwriter; the weakest point over 10 songs is "Soon Az I Get Home (Interlude)," mostly because of its brevity. On "Let Me Know" he shows off his sweet (and under-used) falsetto, adding a coating of earnest gloom: "Who can I love when they tell me I can't love myself?/How in the hell, could I possibly love someone else?" he croons.
True to Fuck the World's title, Faiyaz spends most of his time shrugging, and his looseness separates him from his more self-serious R&B peers. The ethereal "Clouded" is an exception. For a moment, he wonders about his legacy: "Is anybody gon' remember me?/If I go tonight I doubt the world would change." Then, the moment passes, and he instantly returns to his comfort zone: too much sex, destroying relationships that aren't his, and breaking hearts without remorse.

QUESTIONS:
- Where do you rank Fuck The World in Brent's discography?
- Favorite songs? Least favorite songs?
- What do you think of the production and where do you think Brent will go next with his future work?
- Do you think this is a step-up lyric and production-wise from his previous work?
- How do you rank it among the best R&B albums of 2020?
- What are your thoughts on Brent's success by still being 100% independent? Do you think he can reach the next level popularity-wise (Frank Ocean, 2013-2016 The Weeknd, etc.) without label backing?

submitted by /u/RafiakaMacakaDirk
[link] [comments]

[FIRST IMPRESSIONS] Conway the Machine & Big Ghost Ltd - If it Bleeds it Can Be Killed

Posted: 07 Feb 2021 12:00 PM PST

RYM Review

A great followup from No One Mourns The Wicked. If It Bleeds It Can Be Killed by Conway & Big Ghost Ltd is the duo's second album together and it's a great followup. NOMTW was my favorite Conway record of 2020 and this is on that same level. The beats in the beginning were a bit odd to me, but it really hit me when "Kill All Rats" started playing, which is a great song with some great features. Toast had one of Conway's best verses in my opinion on the album. Red Beams is probably my favorite together with Kill All Rats, because the beat on that track is just so godlike, it's hardcore but also mixes some heavy instruments. This album has emotional tracks, gritty and dirty tracks and overall an incredibly East Coast sound.

submitted by /u/HHHRobot
[link] [comments]

[FRESH] LANCEY FOUX - HONEST

Posted: 07 Feb 2021 03:49 PM PST

Da$H - "USUAL"

Posted: 07 Feb 2021 09:14 PM PST

Obie Trice feat.Eminem - Rap Name (Explicit)

Posted: 07 Feb 2021 03:15 AM PST

[DISCUSSION] Madlib - Sound Ancestors (One Week Later)

Posted: 07 Feb 2021 12:01 PM PST

favorite tracks?

how does this stack up with his discog?

submitted by /u/HHHRobot
[link] [comments]

[FRESH VIDEO] Lil Yachty, Krispylife Kid, RMC Mike, Babyface Ray, Rio Da Yung OG, DC2Trill & Icewear Vezzo - Royal Rumble

Posted: 07 Feb 2021 10:32 AM PST

J Dilla - Won't Do

Posted: 07 Feb 2021 10:46 AM PST

Rapsody - All Black Everything

Posted: 07 Feb 2021 08:03 PM PST

Flatbush Zombies - dirty elevator music

Posted: 07 Feb 2021 08:27 PM PST

R&B Artist Spotlight: Miguel

Posted: 07 Feb 2021 10:44 AM PST

Spotify
Instagram
Youtube Channel

Music Style: R&B that treads along the line of Contemporary and Alternative while incorporating elements of Electropop, Rock, Funk, Soul, Neo-Soul, and Psychedelica.

​

When thinking of the leading male artists of the Alternative R&B movement, the artists who come to mind are Frank Ocean, The Weeknd, and Miguel. You have Frank Ocean's moody avant-garde style that appeals to the indie music scene, The Weeknd's dark haunting style of R&B, so where does Miguel fit in? His music doesn't appeal to the indie scene nor is it dark. Miguel is somewhere in the middle ground. His music is a style of Alternative/Contemporary R&B that can appeal to the old school R&B crowd, while not appearing to stray too far from traditional R&B styles.

​

What also makes Miguel stand out compared to Frank Ocean and The Weeknd is that he's the strongest vocally. That can be seen in My Piece, Pineapple Skies, Vote, and Use Me. If you're still not convinced, watch this video of him covering Kiss it Better. Most of Miguel's lyrics revolve around love and sex which are regular topics in R&B music. While lyrically Miguel doesn't offer much outside of some vivid imagery (Hollywood Dreams, Banana Clip), growing up mixed race (What's Normal Anyway), and the occasional socio-political commentary (Candles in The Sun, Now). Luckily, Miguel's vocal ability is really good to the point where the lyrics aren't much of a concern.

​

Miguel's music can be described as primarily R&B, but it often incorporates other genres and styles. You have the typical Contemporary R&B tracks (My Piece and Sure Thing), Hip-Hop based songs (Sky Walker, Gfg, NWA), and the Pop-oriented tracks (Pay Me, Hard Way). Miguel also shows that he can perform full-on rock songs (Leaves, Arch & Point, Face the Sun, A Beautiful Exit, Waves), sensual neo-soul tracks (What's Normal Anyway, Vixen, All I Want is You), Psychedelic leaning tunes (Kaleidoscope Dream, Destination a morir, The Thrill), and funk inspired songs (Banana Clip, Caramelo Duro).

​

For those in the mood for some nice Contemporary R&B, check out All I Want is You. For stuff more psychedelic leaning, check out Kaleidoscope Dream. For more of that psychedelic sound but more rock based, listen to Wildheart. For more Contemporary R&B, but going in a more funk, soul, and hip-hop direction, listen to War & Leisure.

​

Some of my Favorite Miguel songs are Pineapple Skies, Simple Things, NWA, Adorn, Hero, Damned, Leaves, Coffee, How Many Drinks, Kaleidoscope Dream, Gfg, What's Normal Anyway, Teach Me, Banana Clip, Sky Walker, Sure Thing, Use Me, Leaves, Where's the Fun in Forever, Caramelo Duro.

Here are some good performances: Tiny Desk Concert, BET Awards, Good Morning America, BBC Radio 1 Live Lounge

If You use discord, make sure to check out R&Bcord. If you want to be in a place to discuss R&B music. Here's a link if you're interested. https://discord.gg/793qfHFG
\Note, This link will expire in one day*

submitted by /u/24KVoltage
[link] [comments]

The Game - One Life (Audio) ft. J. Stone, Masego

Posted: 07 Feb 2021 09:08 PM PST
at
Subscribe to: Posts (Atom)