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Odd Future - Oldie - HipHop

Odd Future - Oldie - HipHop

Odd Future - Oldie

Posted: 12 Jul 2021 11:09 AM PDT

[FRESH VIDEO] Vince Staples- ARE YOU WITH THAT

Posted: 12 Jul 2021 03:02 PM PDT

Album cover for Pop Smoke's new album "FAITH" revealed

Posted: 12 Jul 2021 09:21 AM PDT

Pusha T - Trouble On My Mind feat. Tyler, The Creator (Official Video)

Posted: 12 Jul 2021 05:59 PM PDT

Rapper shot 64 times moments after being released from jail, Chicago police say

Posted: 12 Jul 2021 05:57 PM PDT

Mos Def - Mathematics

Posted: 12 Jul 2021 01:36 PM PDT

[FRESH VIDEO] Chief Keef - The Talk

Posted: 12 Jul 2021 09:04 PM PDT

Westside Gunn - Wrestlemania 20 (feat. Anderson .Paak)

Posted: 12 Jul 2021 09:00 AM PDT

Vince Staples - TAKE ME HOME

Posted: 12 Jul 2021 05:41 AM PDT

2021 XXL Freshman Cyphers Trailer

Posted: 12 Jul 2021 12:04 PM PDT

Eminem - Bad Guy

Posted: 12 Jul 2021 02:06 PM PDT

Daily Discussion Thread 07/12/2021

Posted: 12 Jul 2021 12:05 PM PDT

Welcome to the /r/hiphopheads daily discussion thread!

This thread is for:

  • objective questions with right/wrong answers (e.g. "Does anyone know what is happening with MIXTAPE?", "What is the sample in SONG?")
  • general hip-hop discussion
  • meta posts...e.g. ideas for the sub

Do not create a separate self post for these types of discussions outside of this thread - if you do, your post will be removed, as stated in the guidelines.

Weekly/Monthly Threads

Other ways to interact

There are a number of other ways to interact with other members of HHH:

New to /r/hiphopheads or hip-hop in general?

Check these out:

Friday Drops

Release Calendar

submitted by /u/HHHRobot
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Rich Brian - Glow Like Dat

Posted: 12 Jul 2021 09:31 AM PDT

Nas - N.Y. State of Mind, Pt. II

Posted: 12 Jul 2021 05:06 PM PDT

Kanye & His Mom Dr. Donda West Spit an Old Verse [Rare Footage]

Posted: 12 Jul 2021 06:07 PM PDT

GoldLink and Flo Milli will perform “Raindrops” live on Fallon tonight

Posted: 12 Jul 2021 09:15 AM PDT

MAVI posts the transcript from an unreleased 2019 interview w Josh Svetz – speaks on Noname's comments on performing for predominantly white audiences, his 2020 plans (drop a tape + tour), who he's tryna work w (P'ierre, Hook, Messiah!, Joy Postell, Madlib, Alc, Black Thought), and more.

Posted: 12 Jul 2021 10:03 AM PDT

this unreleased from 2019 got me finna cry [Josh Svetz] i was so hopeful smh

first sc, 2nd sc

He also replied to some replies (replier in bold):

@gscroyalty: Do you think if you shifted the perspective of your music (basically how u express ur experience/thoughts on blackness), you would have to worry about white audiences infiltrating in the same way? Relatedly, what attracts you to Babyface Rays music?

MAVI: No ion think it's Noname fault stylistically or down to the perceptive abilities between races, and ray jus makes me feel like Hov makes me feel. Very smooth very high lifestyle

@gscroyalty: I understand what you're saying tho. It was unfortunately inevitable in Noname's case

@gscroyalty: How do u think u make the people who listen to ur music feel?

MAVI: I have no idea lmao

MAVI: And I feel like noname uses a lot of abstraction so what perspective who gleans what from what can't b the culprit alone

@gscroyalty: True. I relistened to Reality Check a few months ago and lyrics that once seemed so elusive all made sense. Experience is the best teacher

MAVI: She's a Goat

submitted by /u/TheRoyalGodfrey
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[FRESH] Wiki - Starting Today

Posted: 12 Jul 2021 10:55 AM PDT

[DISCUSSION] Westside Gunn - Flygod is an Awesome God II (One Year Later)

Posted: 12 Jul 2021 09:55 AM PDT

It's good, but pretty bland compared to his other recent output. When West takes on the role of a curator, that's when he shines... When he's supported by luxurious beats and standout features. However, I felt that was missing from a lot of the album and it overall felt kind of dry. Awesome God 1 was much more interesting imo.

It's definetly not a bad project, but when you compare it to the first Flygod is An Awesome God and Pray for Paris, it lacks the same quality. The beat selection has more lows than highs and WSG spits per usual but to me this just seems like a filler project before we get the WSG/Madlib tape. Would give it around a 7/10-8/10

idk man i only gave it one full listen but it didn't really stick with me. i think the griselda boys need to pace themselves a little more, either that or switch it up cause it might start getting stale soon with this rate of content

personally i really enjoyed this project. seems like he was giving griselda associates a spot to shine, namely stove god, armani, and boldy. i don't mind considering they all killed their features, west had some great bars, and the production was interesting and raw. my fav track is prob little cease, the beat is filthy and armani raps her ass off. overall, give this project an 8/10 so far

Beats were weird, sounds like Tommy Pickles

weird nobody mentioned "Michael Irvin", which Tyler would go on to sample for the intro to Call Me

submitted by /u/TheRoyalGodfrey
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[FRESH VIDEO] UMI - Super Rich Kids (New Moon Cover)

Posted: 12 Jul 2021 04:09 PM PDT

T.I. - What You Know (2006)

Posted: 12 Jul 2021 12:59 PM PDT

Sir Benni Miles - Armand Hammar & The Alchemist

Posted: 12 Jul 2021 10:42 PM PDT

Eric B. & Rakim - No Omega

Posted: 12 Jul 2021 07:29 PM PDT

NME reviews Snoh Aalegra's new album: healthy dose of introspective R&B – On album three, Aalegra's emotional availability and candour remains her biggest strength

Posted: 12 Jul 2021 09:11 AM PDT
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Westside Gunn reveals he will be dropping twice this year, once on 8/20 & once on 10/31 - HipHop

Westside Gunn reveals he will be dropping twice this year, once on 8/20 & once on 10/31 - HipHop

Westside Gunn reveals he will be dropping twice this year, once on 8/20 & once on 10/31

Posted: 11 Jul 2021 06:10 PM PDT

Idk who reading this but I'm dropping 2X this year 8/20 & 10/31 #FLYGOD #GXFR #CULTURE #ICON

Source from twitter

The 10/31 release will most likely be HWH8 as the series has a history of dropping either on Halloween or on the nearest friday to Halloween

submitted by /u/thesuntalking
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Housekeeper claims Chris Brown's dog mauled her, alleges he euthanized it to destroy evidence

Posted: 11 Jul 2021 07:31 AM PDT

Pop Smoke's new Album will be called "FAITH"

Posted: 11 Jul 2021 12:53 PM PDT

YGTUT - Live from Chattanooga

Posted: 11 Jul 2021 03:02 PM PDT

Kevin Abstract - Slugger (feat. $NOT & Slowthai), out July 16th

Posted: 11 Jul 2021 08:27 AM PDT

Pierre Bourne - Hulu

Posted: 11 Jul 2021 05:19 PM PDT

Tyler, The Creator - 48

Posted: 11 Jul 2021 07:51 AM PDT

[FRESH VIDEO] BabyTron - Early Bird

Posted: 11 Jul 2021 07:30 PM PDT

Sunday General Discussion – July 11th, 2021

Posted: 11 Jul 2021 08:46 AM PDT

yall see Conor McGregor's leg?

congrats Messi

it's not coming home

submitted by /u/HHHRobot
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Bladee - Reality Surf

Posted: 11 Jul 2021 10:39 AM PDT

Tha God Fahim - Apple Pie

Posted: 11 Jul 2021 06:24 PM PDT

DJ Khaled ft. Big K.R.I.T, J.Cole and Kendrick Lamar - They Ready

Posted: 11 Jul 2021 06:29 AM PDT

Nas - Made You Look (Remix ft. Jadakiss & Ludacris)

Posted: 11 Jul 2021 08:52 AM PDT

Gunna - Argentina

Posted: 11 Jul 2021 07:08 AM PDT

Tame One Feat. Aesop Rock & Breeze Brewin - Molly

Posted: 11 Jul 2021 09:07 PM PDT

MIKE - alarmed! feat. Sideshow

Posted: 11 Jul 2021 09:48 PM PDT

[DISCUSSION] Pop Smoke - Shoot For The Stars Aim For The Moon (1 year later)

Posted: 11 Jul 2021 04:57 AM PDT

1 week late, but I didn't see anybody making a post on this album. Pop Smoke's first posthumous album dropped one year ago.

How's it aged? What's your favourite song? Do you think 50 Cent and the team did a good job with this record?

Tracklist:

01 Bad Bitch From Tokyo (Intro) (prod. by 808Melo)

02 Aim For the Moon [ft. Quavo] (prod. by 808Melo and WondaGurl)

03 For the Night [ft. Lil Baby and DaBaby] (prod. by CashmoneyAP and Palaze)

04 44 Bulldog (prod. by Mobz and Mora)

05 Gangstas (prod. by Swirv and CashmoneyAP)

06 Yea Yea (prod. by HakzBeats)

07 Creature. [ft. Swae Lee] (prod. by 808Melo)

08 Snitchin [ft. Quavo and Future] (prod. by Buddah Bless and SethTheChef)

09 Make It Rain. [ft. Rowdy Rebel] (prod. by Yamaica)

10 The Woo. [ft. 50 Cent and Roddy Ricch] (prod. by 808Melo)

11 West Coast Shit. [ft. Tyga and Quavo] (prod. by DJ Mustard and Bongo)

12 Enjoy Yourself [ft. KAROL G] (prod. by Palaze and Luci G)

13 Mood Swings [ft. Lil Tjay]

14 What You Know Bout Love (prod. by Tash)

15 Something Special (prod. by Duro)

16 Diana [ft. King Combs] (prod. by SpunkBigga)

17 Got It on Me (prod. by Young Devante)

18 Tunnel Vision (Outro) (prod. by 808Melo, Nagra and Carson Hackney)

19 Dior (Bonus) (prod. by 808Melo)

submitted by /u/Manyattan
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Tkay Maidza Cements Herself As A Star Of Tomorrow On ‘Last Year Was Weird, Vol. 3’ - EP Review

Posted: 11 Jul 2021 09:05 PM PDT

It can be difficult to bounce back from errors, especially when people can't recognise why something works or doesn't, to begin with. But, that leniency is to be expected from Tkay Maidza by now. Forever shapeshifting, she, along with an exclusive breed of alt-pop star, are changing the face of pop. Her debut LP 'TKAY' tried to do it all single-handedly, but couldn't find the clarity to prove the hybrid could work. It wasn't until she leapfrogged the competition in the midst of a renaissance of all things weird and wonderful on her 'Last Year Was Weird' series that she cemented herself as one of the most ingenious creatives of her time. And on its third, and final installment, she arrives fully-formed. The only thing that can even keep up with her turbulent talents on 'Vol. 3' is time itself, and per usual she does everything she can to tip-toe around that.

There's no overarching narrative to 'Last Year Was Weird, Vol. 3', but that's the beauty of it. Every single second is connected only by a common goal to recreate the pandemonium, sullen vulnerability, and then anarchy, again, of a title that couldn't be more accurate in this time of crisis. The polished exterior of 'Eden' and 'Onto Me', with UMI, give Maidza breathing room to rehearse her encyclopedic repertoire with ease. She skates between soothing melodies to shades of Missy Elliot's peppery pastel pronunciation, and even exhaustion delivered with a despair-ridden attitude, with assertion. The perfectionist segues between jagged fragments of song and styles as they collide using her self-sure confidence as a glue, even pausing to cooly levitate atop the crop of '80s dance-pop on 'So Cold', a probable post-COVID party anthem, that has re-entered the spotlight.

Unpredictable as 'Vol. 3' may be, it prioritises effectiveness over the sheer vastness of its content. In the past, Maidza has run herself ragged, allowing both good and bad experiments to slip through the cracks. As a result, 'Vol. 3' minimises the chances of spiraling. Even then, 'High Beams', the biggest surprise across all three installments, manages to simulate sitting through a cult initiation and space travel in a two and half minute window. Those looking for the warm embrace of the most sombre moments from 'Vol. 1', have plenty here, too. Maidza, more mature than ever, isn't afraid to expose the chinks in her armour on 'Cashmere' as she pokes at the open wound left from a sour break-up. 'Breathe' doesn't hit you in the face like it's competition either, but it doesn't try to. It strips the genre down to its barebones, an aching voice, elasticated synths, and a longing for something more concrete, before she bows out on "Can we just stay here?" in a quiet retaliation to everything she's fought to attain this platform.

Even the shakiest moments on 'Vol. 3' have something to offer. Granted, it can feel like the focus here has shifted from the ever salient Maidza to the absurdity of the production. In particular, 'Syrup' struggles to cope with the change of pace. Maidza is easily forgotten as the weight of the shingled vibrations of a druggy synth and gnarly drums crumble on top of her withdrawn syrupy tone. It magnifies her chameleonic character, but at what cost? Conversely, Maidza and Yung Baby Tate, harnessing the force of a stampeding herd of bull, are as ferocious, if not more unhinged, than the sinister bass that underscores 'Kim'. The pair are so blind with rage, in fact, that they rarely take note of how unbearable the looped hook can be. That stubbornness can be grating, but it's never persistent enough to ruin a dozen good things the weak links have going for them.

'Vol. 3', unlike its predecessor, slows down to admire a landscape Maidza has helped build from the ground up. That EP was like a whirlwind of audio that passed before you had time to even process what had hit you. The final chapter, shackled by the same time limit, feels more accessible, yet never lets you calculate its next movement. Maidza's many faces can now, finally, be understood, as she spearheads a vanguard into superstardom. 'Vol. 3' is a blueprint that, although near-inimitable, can work, if you have the raw talent to work around it. And as Maidza closes this chapter in her career, she opens the door to aspire to something, somehow, even bigger. Whether it be another full-length album or, again, reshaping the infrastructure of pop, she's well on her way to taking the title of the next true trailblazer.

Last Year Was Weird, Vol. 3 - Tkay Maidza - 8/10

submitted by /u/RedHeadReviews
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Benny The Butcher - 03 Draft (feat. Dark Lo)

Posted: 11 Jul 2021 04:28 PM PDT

Billy Woods - Crocodile Tears

Posted: 11 Jul 2021 05:48 AM PDT

Tha Uno - Work of Art

Posted: 11 Jul 2021 09:40 PM PDT

Lord Infamous of Three 6 Mafia's 2007 album "The Man, The Myth, The Legacy" on vinyl for the first time ever

Posted: 11 Jul 2021 01:38 AM PDT

GrandeMarshall - Say Less

Posted: 11 Jul 2021 09:28 PM PDT

Young Nudy - Walking Dead (Official Audio)

Posted: 11 Jul 2021 06:53 AM PDT
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Recommended If You Like thread - July 10, 2021 - HipHop

Recommended If You Like thread - July 10, 2021 - HipHop

Recommended If You Like thread - July 10, 2021

Posted: 10 Jul 2021 08:00 AM PDT

If you're looking for a recommendation give a description/music link/artist so that other people will know what you want.

Example: "I want to hear an artist that sounds like old Kanye production" (you can get more specific but usually enough). And then someone will respond with recommendations X, Y, and Z.

You can also leave a top level comment recommending an artist/project/scene that you think others might like if they like X, Y, and Z.

Example: "You guys should check out DJ Mustard's mixtape Ketchup RIYL (recommended if you like) post-hyphy and minimalistic west coast beats"

Remember, the point of this thread is to share music, try not to post stuff that's already really popular unless it answers someone's question.

The more descriptive you guys are with your posts, the easier it is to help you find what you want. Just stating an artist's name isn't that helpful since you might only like one specific aspect of that artist's music.

​

Previous RIYL posts

submitted by /u/HHHRobot
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RDCworld1 Crew Meeting J. Cole For The First Time

Posted: 10 Jul 2021 07:32 AM PDT

Mick Jenkins - Gwendolynn's Apprehension

Posted: 10 Jul 2021 03:29 PM PDT

Mac Miller - Hand Me Downs

Posted: 10 Jul 2021 12:14 PM PDT

Mach-Hommy - Mozambique Drill (feat. Tha God Fahim)

Posted: 10 Jul 2021 02:26 PM PDT

[FRESH] Big Baby Scumbag - Trappin Out The Krusty Krab

Posted: 10 Jul 2021 04:18 PM PDT

Mach-Hommy & Alchemist - Floor Seats

Posted: 10 Jul 2021 07:23 PM PDT

Vince Staples On… Encarta Escapism, Long Beach Living and Why Beethoven Is More Relevant Than Boyz N the Hood

Posted: 10 Jul 2021 08:25 AM PDT

bladee - Hotel Breakfast (Official Audio)

Posted: 10 Jul 2021 03:49 AM PDT

IDK with MF DOOM, Westside Gunn, Jay Electronica - Red

Posted: 10 Jul 2021 09:29 PM PDT

Daily Discussion Thread 07/10/2021

Posted: 10 Jul 2021 08:09 AM PDT

Welcome to the /r/hiphopheads daily discussion thread!

This thread is for:

  • objective questions with right/wrong answers (e.g. "Does anyone know what is happening with MIXTAPE?", "What is the sample in SONG?")
  • general hip-hop discussion
  • meta posts...e.g. ideas for the sub

Do not create a separate self post for these types of discussions outside of this thread - if you do, your post will be removed, as stated in the guidelines.

Weekly/Monthly Threads

Other ways to interact

There are a number of other ways to interact with other members of HHH:

New to /r/hiphopheads or hip-hop in general?

Check these out:

Friday Drops

Release Calendar

submitted by /u/HHHRobot
[link] [comments]

Mobb Deep ft. Nas - It's Mine

Posted: 10 Jul 2021 04:46 PM PDT

Big Sean - Respect It (ft. Young Thug, Hit-Boy)

Posted: 10 Jul 2021 03:23 PM PDT

On His Self-Titled Album, Vince Staples Finds Creative Freedom (NPR)

Posted: 10 Jul 2021 02:05 PM PDT

[FRESH VIDEO] Pooh Shiesty x G Herbo x No More Heroes - Switch It Up

Posted: 10 Jul 2021 10:55 AM PDT

[FIRST IMPRESSIONS] Rejjie Snow - Baw Baw Black Sheep

Posted: 10 Jul 2021 08:13 AM PDT

What'd you think of Rejjie's new album? How do feel about Cam Obi's contributions? Thoughts on the concepts?

submitted by /u/Burntholesinmyhoodie
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J. Cole - Miss America

Posted: 10 Jul 2021 09:05 AM PDT

Ciara- Where You Go (feat. Future)

Posted: 10 Jul 2021 09:55 AM PDT

R&B Artist Spotlight: Sault

Posted: 10 Jul 2021 07:05 AM PDT

Spotify
Apple Music
Instagram
Youtube Channel

Music Style: Neo Soul taking influence from Post-Punk, Funk, Psychedelic Soul, Afrobeat, and Jazz.

​

Sault is a British music collective who've had a lot of acclaim since 2019. Despite the high acclaim of their music, their media presence is almost non existent. They don't do interviews nor give any live performances. Also, the identity of its members are mostly unknown. We know that some of the members are producer Dean Cover, singer Cleo Soul, keyboardist Kadeem Clark, and rapper Kid Sister.

​

Sault's music primarily consists of Neo-Soul, but also incorporates elements from Funk, Punk, Jazz, along with various other genres. They work with other genres like reggae (Up All Night, Monsters), Trip Hop (Uncomfortable), Samba (Street Fighter, Strong), Breakbeats (I Just Want To Dance, Free), Disco (Over, No Bulls***, Why Why Why Why Why), and Highlife (Bow). Sault also makes use of spoken word bits and poetry into their music as seen in X, Black is, No Black Violins in London, and Little Boy. These little bits of poetry help Sault to create a full picture of what they are trying say in their music. A major aspect of Sault's music that should be highlighted is that it ties into their lyrical content. Their music incorporates many different forms of black music which carries over into the next topic.

​

Lyrically, there is only one thing that can describe the kind of topics that Sault's music touches on. Before, we get to that, let's head back to around 2014-2016. Since that time, there was surge of albums by black artists with lyrical content based around blackness and the realities of being black in the world. Some of those albums include D'Angelo's Black Messiah, Kendrick Lamar's To Pimp A Butterfly, Solange's A Seat at the Table, Jamila Wood's Legacy! Legacy!, Blood Orange's Freetown Sound, Dave's Psychodrama, Raphael Saadiq's Jimmy Lee, keiyaA's Forever Ya Girl, Alicia Keys' HERE, and Rapsody's Eve. All of Sault's albums from 5 to Untitled (Rise) cover similar topics like the albums listed earlier while their album Nine talks about gang violence in London. Almost all of Sault's music covers at least some aspect of the black experience. Everything from police brutality (Foot on Necks, Don't Shoot Guns Down, Scary Times) to black unity (Bow, Strong) is what Sault's music covers.

​

In Bow, they list many black countries like Jamaica, Nigeria, Sudan, Kenya, Tanzania, and Egypt while repeatedly stating, "We got rights, we got rights". This means that whether you're from Jamaica, Nigeria, Sudan, etc.; at the end of the day, we are all black and deserve rights. In the songs, Threats and Us, the lyrics talk about refuting society's negative perception of black people. In Threats and Monsters, the lyrics specifically detail how society tries to paint the image that black people are monsters and threats. Look at any police brutality case involving a black person. The media will try its hardest to paint the victim in the most negative light as possible. Keep an eye on any police brutality case in the news, you will notice how the media will bring up the negative parts of the victim's past as way to paint them as this awful person therefore, we shouldn't feel bad that they were unjustly gunned down by the police. Also, I've noticed that in several police brutality cases, many police officers respond in form of the phrase "I felt threatened" or "I was defending myself". However, you'll notice that they never say this when encountering white people.

​

There are two more songs that I want to highlight. The first one is Little Boy. In, Little Boy some of the lyrics go,

Little boy, little boy, when you get older
You can ask me all the questions
And I'll tell you the truth about the boys in blue

Little boy, little boy, when you get older
And you're searching for the answers/And the lost truth for those who look like you

These lyrics reflect the conversations that many black parents have with their children once they reach a certain age. Normally talk would be regarding the birds and the bees; for black people, that conversation is about the realities of being black in this world. When I was younger, I remember my father drilling this into me.

Whenever you're pulled over by the police, always show the upmost respect. Always say yes sir/ma'am. Move really slow in getting your driver's license and giving it to the officer. Speak in a calm tone and don't raise your voice. And finally, never argue or get physical with the officer, even if they're in the wrong.

Once I got a little bit more older my father added, if you follow these rule and still end up in jail, I'll bail you out and we can fight it in court. It wasn't until I got older, when I fully understood why my father constantly drilled this in my head. He was trying to prepare me for the realities of being black in this world. I'm pretty sure that most black people have been given at least form of this talk when they were younger. This is the kind of talk that the song Little Boy was referencing. This kind of talk is just scratching the surface of the all the realities of being black in this world.

​

The next song that I want to highlight is You Know it Ain't. This one is my personal favorite because it speaks about something that I've been concerned about during the George Floyd 2020 BLM event. In the song, I want to highlight some of the lyrics

You assume and surmise that educating you is somehow my responsibility

Yeah, you say our friendship is the most important friendship you've ever had ever

You say your entire friend group back home is all black

Yeah, I see your little post, talking 'bout "BLM is my motto"

What follows each of these lines is "But you know it ain't". What You Know it Ain't is calling out are the people who use the pain of black people for their own personal gain. Basically, it's calling out the fake woke crowd. I noticed that during the George Floyd protests, all of a sudden it was cool to say BLM. I remember that during the Trayvon Martin situation along with many others, whenever you would say BLM, people would respond with "All Lives Matter". People wouldn't really be saying BLM like that. Nowadays, you see BLM on every thing. One of the lines also mentions how some say they have black friends. A common retort people give when being accused of racism is that they have "black friends". What that implies is that the person only sees their black "friends" as just props to convince themselves that they aren't racist. My whole gripe with the situation is that I'm tired of seeing the commodification of black pain. The song points it out the issue of people jumping on movement with ulterior motives instead of being genuine. This results in movements becoming cheapened and looking like a total joke, which sets back any progress made by that movement.

​

For something more on the jazzy soulful side, listen to 5 or Untitled (Black Is). For something more dance oriented, listen to 7 or Untitled (Rise). For something more on the hip hop side, listen to Nine (Make sure to download the album from their website because it will be removed from streaming services on 10/02/2021)

Some of my favorite Sault songs: Up All Night, Don't Wast My Time, Why Why Why Why Why, Let Me Go, Masterpiece, Think About It, We Are the Sun, With Hundred's pt 55, Smile and Go, Threats, Red Lights, Friends, Waterfalls, Hard Life, Wildfires, Bow, Eternal Life, Pray Up Stay Up, Strong, Fearless, I Just Want to Dance, Street Fighter, The Beginning & The End, Free, You Know it Ain't, Uncomfortable, The Black & Gold, Little Boy, London Gangs, Alcohol, 9, Light's in your Hands

Next R&B Artist Spotlight: Aaliyah

If You use discord, make sure to check out the R&B Discord Server. If you want to be in a place to discuss R&B music. Here's a link if you're interested discord.gg/rnb

submitted by /u/24KVoltage
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Mobb Deep - Murda Murda

Posted: 10 Jul 2021 03:58 PM PDT

Freddie Gibbs - Rep 2 Tha Fullest

Posted: 10 Jul 2021 10:52 AM PDT

[FRESH ALBUM] Ken Car$on - Lost Files 2

Posted: 10 Jul 2021 09:06 PM PDT

Good Gas - Good Gas

Posted: 10 Jul 2021 09:14 AM PDT
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