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Album of the Year #5: Mereba - The Jungle Is The Only Way Out - HipHop

Album of the Year #5: Mereba - The Jungle Is The Only Way Out - HipHop

Album of the Year #5: Mereba - The Jungle Is The Only Way Out

Posted: 06 Jan 2020 09:05 AM PST

Artist: Mereba

Album: The Jungle Is The Only Way Out

Listen:

Spotify

Apple Music

Background by /u/mehlibu

Marian Mereba, known mononymously by her last name, is a 29-year-old R&B artist out of Atlanta, known primarily for her membership in its Spillage Village collective. Those following the work of fellow members like JID and EarthGang might have caught her honeyed harmonies on tracks from albums like The Never Story and Strays with Rabies. By early 2018, alongside racking up Spillage Village features, she'd released two EPs, 2013's Room For Living and 2017's Kotton House Vol. 1. From these appearances, you could grant that she was a nice vocalist, but nothing she'd done had indicated serious potential as a solo act — her early material is mostly generic R&B, maybe pleasant for a playlist but without great songwriting or composition to back it up.

A few songs, however, hinted at the direction she'd take later. First, on 2017's "Radio Flyer", Mereba integrated her lush guitar playing behind those vocals to produce a track that, while still pretty simplistic compared to her future work, demonstrated the expansive, cinematic flair she would grow into during the next few years. Meanwhile, "September" was a saucier track where she ramped up her romantic confidence ("you must've forgot I'm a queen"), emboldened the guitars, and added some interesting synth touches as well.

Mereba had originally moved to Atlanta and enrolled at Spelman's College to find herself, wanting to participate and be absorbed in what she saw as the center of black culture in America. After joining Spillage Village in 2014 and steadily putting out buzz-worthy music, this work finally paid off with her 2018 signing to Interscope, placing her alongside her Spillage Village collaborators on the label. The two singles she released last year after being signed marked a left turn from her previous work: "Planet U", an ode to a unique lover, sounds huge and complex, with enveloping bass and synths, layered folk harmonies, and extended rap passages, while "Black Truck" turns a digital beat from 9th Wonder(!) into a reflection on the long road she's taken to follow her dreams.

Both tracks ended up on The Jungle is the Only Way Out this past February as part of Mereba's commercial debut. This album is naturally her biggest effort yet, drawing on spoken word, hip hop, folk, blues, and more, as well as her family, her Ethiopian heritage, and choice features from crewmates JID and 6LACK. Since then, she's made major appearances on the chart-topping Revenge of the Dreamers III compilation album, a recent Tiny Desk performance, and the soundtrack to acclaimed drama Queen and Slim, showing that her star will only keep rising from here on out.

Review by /u/mehlibu

I'll be honest: whenever I hear about a new artist who 'seamlessly blends genres', is 'boundary-pushing' or 'defies labels', I kind of roll my eyes a little, because in my experience, that usually means they make generic pop music with weird chords. (Read some Spotify bios and see what I mean — it's an epidemic.) These days, I rarely see such fusions of disparate genres that don't feel forced or overwrought, which makes it all the more admirable that The Jungle Is The Only Way Out is so mature and thorough in its sound and style.

If you ever get the chance to see Mereba live, she'll put on an impressive show, singing, rapping and playing guitar all while maintaining the conversational stage-to-audience intimacy that's prized by artists in her lane. This album pulls off the same balancing act. The Jungle Is The Only Way Out begins with "more", one of three spoken-word/poetry interludes on the project, where Mereba's hushed harmonies leave space for some useful affirmations ("clean the mess more \ bless my set more"). Next, "Kinfolk" introduces us to the style that makes Mereba special: it's a gorgeous, anthemic R&B cut about Mereba finding peace, liberation and "hidden treasures" in the family she builds around her, but it's also a showcase for her dramatic guitar work, propelled on the chorus by a badass blues riff that sounds straight out of a car commercial, but much more captivating.

Performing the poet, the neo-soul vocalist, the folksy singer-songwriter, the conscious rapper, and everything else in between might come across as corny or lack cohesiveness in a different musician's hands. Mereba, though, feels like a complete artist who deals in her own inspirations and themes. The Jungle Is The Only Way Out, largely produced by Mereba herself, keeps an earthy, inky atmosphere that conjures up vast landscapes in nature, with distant synth touches rippling behind her lush vocals and guitar. Some of her evocative harmonies on this album almost remind me of chamber-folk acts like Fleet Foxes; as someone who prefers a lot of his R&B gritty, groovy and subterranean, I can't say I was always satisfied with The Jungle Is The Only Way Out's clean style and mixing, but the blend of sounds here is lush and effective. On the album's extended version of "Black Truck", 9th Wonder's propulsive boom-bap drums and repetitive keyboard line make for one of the album's most vivid beats, underpinning a story of struggling towards success that feels universal once Mereba's harmonies hit their gorgeous high notes ("Stay sick cause I follow my gut \ They say I was pushing my luck \ Imma push me a matte, all black truck").

A lot of Mereba's songwriting cleanly captures ambitious concepts that I rarely hear handled similarly in R&B and neo-soul. "Heatwave", featuring 6LACK, treats cycles of police violence like primal forces of nature: "long summer, it's gon' be a heatwave [...] you'd better run." The idea is an old one (think Chance the Rapper on "Paranoia", or any street rapper going for something abstract). But Mereba's singular voice imbues the theme with new significance, especially when paired with one of the album's many artfully-shot companion videos. Meanwhile, with its uplifting call-and-response structure, the interlude "Get Free" almost sounds like a modern take on a spiritual or a gospel song, its pining for liberation driven by massive layers of vocals and a crescendo of synths and strings. Regardless of what genres they comprise, I look at these tracks like 2019 versions of authentic folk songs. They're grounded in today's sounds and issues, but timeless in how they approach them.

There are other tracks on The Jungle Is The Only Way Out I haven't mentioned — the more typical cutting-off-a-toxic-relationship ballad "Highway 10", or "My One", a song about Mereba finding solace in her lover with a grating hook — but the album's strongest songs are its final four. "Planet U" stands as Mereba's most structurally-interesting song, one where she appreciates her man's unique qualities by beginning with an eye-catching rap verse and building over booming bass to an outro with some of her most cathartic singing yet. The theme here — that Mereba's lover is so one-of-a-kind, he must be from his own planet — is fun and well-executed, and the witty lyrics expand on that conceit ("maybe the moon was your womb and Spock was your doc \ your pops a vacuum filled up with the dust of trillions of stars \ that dim next to you") in an impressively rapid-fire, JID-esque flow and cadence. "Stay Tru", which Mereba performed on COLORS last year, offers a tried-and-true plea for fidelity with a beautiful, playful chorus that pulls at your heartstrings ("donʼt play me like a fiddle \ Keep another love with me up in the middle"). In general, the hooks on this album are incredible, and anchor the loose, interlude-filled tracklist really well.

Mereba has the makings of an amazing songwriter — her pained R&B relationship ballads captivate you and sketch her out as a woman with a unique perspective, while her forays into other styles work wonders just as well. The final two tracks exemplify these different modes as perhaps the best songs she's ever written, and some of the best songs of the year overall. "Sandstorm", a sophisticated duet with JID, has the highest streaming numbers of any song on The Jungle Is The Only Way Out, and it's easy to see why; when they harmonize as star-crossed lovers over those jet-black snatches of piano, they make pure ear candy. In keeping with the naturalistic imagery of the album, the "sandstorm" here is the two lovers' toxic relationship — as much as they try to reconcile, they're too destructive to be together. "Sandstorm" is one of the most entrancing love songs I've heard this year, but "Souvenir" is something else entirely, a luminous lullaby of a folk song that recounts an LSD trip Mereba had shortly before writing it. Its cryptic references to different colors defy interpretation; she crafts pearls like "grey is the color I wear when it's cold \ I don't mind shaking, it keeps me awake". But as her guitar and voice softly guide you into her world, you feel, as with the best songs on The Jungle Is The Only Way Out, like she's tapped into something deeper.

Favorite Lyrics by /u/mehlibu

As for the Devil, show it. No ruler can size you

No ruler should rule you, but the one that never binds you

Realize too, all that will try you is designed to unwind you, define you

but you do get to decide if this tide will capsize you.

The devil's been lied to.

The devil could die, too.

"dodging the devil"

A gun goes off and I'm burning up the track

Gimme my space, swear you so intergalac-

-tic, like Bic, you be turnin' me to wax

Bitches ain't shit, still throwing you the cat

"Planet U"

Red is the color I wear when it's late

And my door's knocked on 'round 8

Grey is the color I wear when it's cold

I don't mind shaking, it keeps me awake

"Souvenir"

But then I remember that you got a temper, and I got no filter

So it's like a sandstorm, when we get to blows

Can we please take it easy?

Let's just act like adults

JID and Mereba on "Sandstorm"

Discussion Questions by u/mehlibu

  • Had you heard of Mereba before this album? If so, how does it compare to her early work?

  • How does this album stack up against the broader alternative R&B scene? Against the rest of Spillage Village?

  • Does The Jungle Is the Only Way Out actually sound as interesting as I say it does, or is it just a bland folk-soul hybrid?

  • What do you think of the spoken-word passages on the album?

  • A common opinion I've heard is that while the last few tracks are well-written songs, the rest are mostly forgettable. Do you agree?

submitted by /u/mehlibu
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Daily Discussion Thread 01/06/2020

Posted: 06 Jan 2020 02:04 PM PST

Welcome to the /r/hiphopheads daily discussion thread!

This thread is for:

  • objective questions with right/wrong answers (e.g. "Does anyone know what is happening with MIXTAPE?", "What is the sample in SONG?")
  • general hip-hop discussion
  • meta posts...e.g. ideas for the sub

Thread Guidelines

  • Do not create a separate self post for these types of discussions outside of this thread - if you do, your post will be removed, as stated in the guidelines.

  • Please be helpful and friendly.

  • If a question has been asked many times before, provide a link to a thread that contains the answer.

Weekly/Monthly Threads

Other ways to interact

There are a number of other ways to interact with other members of HHH:

New to /r/hiphopheads or hip-hop in general?

Check out these:

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IG Story, also posted on Future's IG story.

Original Thread

Snippet

According to /u/16ringsupinmycocina, it's a single for the Prince Family compilation album and the guy who posted that snippet said he heard 3 songs off that project and he's pretty reliable since he's really affiliated with J Prince

submitted by /u/HHHRobot
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Do you guys think that Tupac’s activist potential was hindered by Suge and Death Row?

Posted: 06 Jan 2020 11:01 AM PST

I feel like when Tupac signed to Death Row, he was going backwards with his potential. He always had an interest in helping the black community and the inner cities, but the people he surrounded himself with weren't mentally on the same level as him. And it's the drama that he got caught up in. I just feel like his overall iq and values were different front Suge. Tupac wanted change in the community, Suge wanted money. And Suge is a terrible person, but Pac maybe felt like he owed Suge loyalty for bailing him out.

submitted by /u/throw2045
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Eric B. & Rakim - Paid In Full

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at

Sunday General Discussion NAITO DOUBLE CHAMP EDITION -January 5th, 2020 - HipHop

Sunday General Discussion NAITO DOUBLE CHAMP EDITION -January 5th, 2020 - HipHop

Sunday General Discussion NAITO DOUBLE CHAMP EDITION -January 5th, 2020

Posted: 05 Jan 2020 10:59 AM PST

THANK YOU GEDO YOU BALD ASS BITCH

THROW EM UP

Redneck anime aside, vote in the 2019 HHH music awards here

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Album of the Year #4: Baby Keem - DIE FOR MY BITCH

Posted: 05 Jan 2020 11:39 AM PST

Artist: Baby Keem

Album: DIE FOR MY BITCH

Released: July 19, 2019

Label: Baby Keem LLC

Listen:

YouTube

Spotify

Apple Music

Soundcloud

Background by /u/pizzazza

As one of Los Angeles, California's most alluring up-and-comers, Baby Keem has been making waves in communities around the internet to critical acclaim. Las Vegas born 19-year-old Hykeem Carter is making a name for himself as the next rapper to keep your sights on, and his most recent project DIE FOR MY BITCH is making it increasingly hard not to wonder what he'll do next. Some may consider the rapper "underground," and his lack of extensive interviews only add to that claim, but what we do know is the kid is going places if he keeps up what he's doing. Little information is widely available about Hykeem besides rumors of him being Kendrick Lamar's younger cousin, but we can only assume that the young artist likes to keep to himself; at least for the time being. Not long prior to the release of DIE FOR MY BITCH, Keem dropped his debut mixtape, The Sound of Bad Habit, which itself was released in the same year that he posted his since-removed Midnight EP, as well as the extended plays No Name and Hearts & Darts; the latter garnering his first wave of attention with the Cardo-produced track "Baby Keem".

Some may recognize Hykeem's production credits on Jay Rock's Redemption, ScHoolboy Q's CrasH Talk, and even the soundtracks for Black Panther, and the 2019 remake of The Lion King. Though unsigned, Keem maintains a tight relationship with his friends over at Top Dawg Entertainment, and releases his music and merchandise through Baby Keem, LLC. It is not currently known if Baby Keem, LLC plans to take on broader industries in the future such as the technology or defense sectors, and request for comment regarding the future of the corporation was ignored; however it is safe to assume that the rapidly growing multinational syndicate in Hykeem's stage name will eventually enter emerging markets such as cryptocurrency and all-electric transportation. It is readily apparent that Mr. Carter is indeed about his check, so massive business moves like those previously mentioned are never out of the question for the young musician. For the time being, however, it appears that Keem will focus a majority of his energy on his contributions to the hiphop scene.

With the release of DIE FOR MY BITCH, Keem silenced the critics who claimed he was something along the lines of a one trick pony. Those who listened to Keem knew he could rap confidently in the cadence shown throughout The Sound of Bad Habit, but could he express enough variety in his sound to garner longevity? With this new mixtape, he proved that and then some.

Review by /u/pizzazza

The opening track on the project, "STATS", has an important role on the mixtape. When you're used to listening to tracks by Keem like "Gang Activities" and "Baby Keem", you're more than likely going to want some more of that sound going into his next tape. "STATS" reels you in with heavy 808s, witty and charismatic one liners, and a delightful beat switch only a minute into the song like the cherry on top of a model-humbling sundae. "STATS" is like the introductory paragraph of a Masters thesis, gripping the subjects attention for the ride that is soon to follow, while reminding you not to stunt. The track itself serves the mixtape as one of multiple "bangers" throughout, but has a touch of personal introspection with lines that remind you that he's only human and has private issues that money can't fully resolve. Even the self proclaimed "black Brad Paisley" has his demons; a bad bitch and money can only do so much.

Next up on the tape is Keem's first dance with a relatively slower song. "HONEST" is as melodic as it is dreary, almost acting as a self-aware call for help regarding past relationships and the lack thereof. On this joint, the young musician speaks on his troubled romantic life from an earlier time in which a love interest of his failed to check on him when he was in need, essentially tossing him out in the cold to fend for himself. In typical Keem fashion, however, the track also includes mighty flexes regarding his red Toyota and bubbling stardom. And even a time of despair, the self-indulgent rapscallion is still fuckin' on his ex, while acknowledging that he "ain't living right." As the vinyl crackles behind the soft instrumental, you can feel his words are legitimate and, well, honest. A tale as old as music itself, all the man wants is for his lover(s) to be as truthful to him as he is to others. As the ending fades into a brief brush of reverb, the next track, "INVENTED IT," begins. On this one, Keem immediately starts his upbeat rapping while making references to the emotion felt on the last song. Smoking alone, downing painkillers to drown the pain, and actively avoiding TED Talks is all too common following a painful breakup with a loved one; and something Baby Keem knows all too well. In a similar vein to skipping educational videos online, Keem outright states that he's hanging with his demons, while still looking fresh in his fashionable clothing. As the hi-hats rattle and the melancholic chords glide over the beat, you'd think the song's lyrical content would be more fit for a fraternity party, when in reality it's a vague revelation of a young man's tainted love life.

"FRANCE FREESTYLE", the first single off the record, marks a change in pace from the last two tracks. When this single first came out on streaming services, many listeners thought Baby Keem would be dropping another project full of certified USDA Choice slappers, but this one proved to be one of the more hard hitting tracks on an album full of personal ballads. This isn't Keem's first time flexing on a track, and he shows it. Though the chorus does allude to more demons haunting the young soul, it is then filled with rhymes about shopping, earning his fair share of money, and hopping off a jet in France to perform for his international fans. In the midst of braggadocios punchlines, he also briefly references his past relationships once more by proudly proclaiming to the world that he can't mess with two women at the same time anymore, and must focus his energy on one. Distorted 808s rattle alongside a melodic piano melody, and Keem rides the beat like Tony Hawk skating down a half pipe.

That exciting, aggressive tone is shifted back to a slow jam about how he is constantly hurt by his peers and lovers whenever he shows his face. "BULLIES" is a teenager in his rawest form, stressing how he has been incredibly hurt in the past but stays strong inside and out, never letting those around him see him when he is weak. Through all the flexing, Hykeem reminds us through his music that he is still a vulnerable, young man who would rather be left alone than be drawn into the traditional drama that those his age constantly go through. And right on cue, Baby Schwarzenegger rebounds with another bass-heavy tune showcasing his ability to flex like no other. "MOSHPIT" shows Keem showing off not only his 50 Cent-esque lifestyle, but also reminding the listener that he doesn't care what people think of him due to the fact that his grandmother loves him. At this point in the mixtape, you should now be certain that Baby Keem is proud of the money he has made through his musical ability, and he is not afraid to let the world know if they don't already. Past the album's only interlude is "ROCKSTAR P", a bubbling trap beat filled with Keem whimsically rapping about his inherent lack of fear. There's a fine line between flexing on your haters, and straight up hating them back; rest assured, Keem has too many haters to be one himself.

"TOP RAMEN", one of the more minimalist, monotonous tracks on the project, eliminates the extras that may cloud a listener's view and gets straight to the point. Keem reinforces the fact that he does what he wants for the fun of it over a stripped down beat ringing with cowbells and distorted snares. In classic fashion, he instructs those around him to get their girls off him, going as far as to say that they're masculine enough to win an ESPN ESPY award. Here, we catch a slight glimpse of his ties to TDE, when he refers to himself as a "Top Dawg" while still having his girl eat Top Ramen for dinner. As previously stated, the man does what he wants, and one can assume that does not include taking his seasonal side chick to extravagant dinners.

"MY EX" is a comparatively standout track compared to the rest of the record. Instead of a traditional trap-inspired beat, Baby Keem sings solely over looping acoustic guitar chords produced by his friend Lyle Leduff. This song strengthens the argument that Keem is as versatile as he is self-asserting; he confesses his emotions towards his ex-lover like a childhood friend in need of someone to vent to. Not a single drum is hit, or rather placed, throughout the track; yet Keem glides over it like butter on toast. In an interview with Complex, the musician recounted the night that the song was created, stating that he was "bored with trap," and after Lyle sent him the initial beat he requested the drums be removed to wipe away any signs of the audacious trap he is most known for. "It was a feeling song," the rapper said, and the output that resulted from this jarring transition was, in my opinion, tremendous. "MY EX" gets you right up in your feelings, right before being jerked back into one of my favorite songs on the project, "BUSS HER UP". The beat on this one immediately gets your head bobbing back and forth with its heavy 808s, whimsical hi-hats, and a sensationally subtle synth to flesh it out. Mr. Carter, recent founder of Baby Keem, LLC, just purchased quite the expensive watch, and boy does he want you to know it. With his recently acquired buss down, one might even conclude that he's fixing to buss her up as well. A substantially large Richard Millie watch, also known as "a racing machine on your wrist," may dangle off his hand as he eats his soul food, but that's an easy price to pay for the luxurious lifestyle Keem strives to live. Rappers are known to exaggerate the way they live through their music, and I'm no investigative journalist by any means so don't mistakenly take this as gospel, but as a man who is "sick of cap, fuck," it wouldn't be stupid to believe that Baby Keem truly owns a race car on his wrist with a six-digit price tag. I, for one, am in no position financially to question the legitimacy of these claims, and for someone who could indeed get physically ill from his peers lying through their teeth, I'll be taking his word for it. I must admit that I've played this song a substantial number of times on repeat; enough that the woodwind synth melody may forever be ingrained in my mind.

If you've heard one single song by Baby Keem, it is most likely "ORANGE SODA", one of the singles released prior to the mixtape, and possibly his most popular song as of writing. The rapper speaks of his "orange soda," a metaphor for a woman he's romantically attracted to, which also emphasizes his love (lust?) for the citrus-flavored carbonated beverage. In this track, which is accompanied by a music video, Keem is speaking directly to the girl he is romantically involved with while demanding that her friend does not interfere. The instrumental sounds almost childlike, as if it was produced for an actual baby; but seeing as I'm in my mid-20s, I'm not aware of any individuals in that demographic that particularly vibe with hounding bass hits and reverberated, atmospheric snares. After Keem finishes speaking to his love interest, he speaks on his so-called "homeboy" on "NOT MY BRO". Hykeem utilizes his higher-pitched rapping voice, nearly shouting, about his homie not wanting any smoke for trying to hook up with his ex-girlfriend. The pitch of Keem's voice contrasts delightfully with the spooky beat scattered with hi-hats and heavily distorted 808s.

Finally, we come to the last track on the project, "APOLOGIZE", another comparatively slower song with a booming instrumental full of bouncy kicks and precisely timed claps. The piano melody, paired with Baby Keem's personal vocals, again showcase his versatility as a vocalist and singing ability. As the mixtape draws to a close and the track fades to nothing, you feel as though you've been introduced to a new friend and the thoughts that lie deep inside of his mind. Baby Keem paints a picture of his world and does it with ease, whether that be in regards to his love life, the betrayal of friendships, or just a straight up flex. Keem is carving a lane for himself with a variety of different styles packed into one single project and doing so with the cadence of a hiphop veteran. Producing or co-producing many of the tracks on this record goes to show how artistically driven he is as a creative, and at only 19 years old, it's only a matter of time before he gains mainstream recognition considering he has already begun breaking through the underground within various hiphop forums and communities around the web.

Favorite Lyrics

Smile, ho, take a picture with me

I drive solo and my gas is on E

'Cause if I get pulled over, then there's a problem

Baby Keem got issues and money can't solve them (Ayy)

I got a bitch that love to do the extras

I pull a bad bitch whenever I want (Ayy)

I keep kickstand rock band in my trunk (Ayy)

Baby Keem just humbled a model

Not a fake one, a real one, don't stunt (Hol' up)

Instagram pics, that's just a front (Hol' up)

Lil' bitch, you ain't gettin' no gun (Tick tick)

  • "STATS"

Two-story apartment, finna buss her up (Buss)

She got a boyfriend, now I wanna buss her up (Buss)

He disrespectful, now I gotta act up (Buss)

If he big then I'ma call for backup

Two jack rocks for a bitch nigga

Baby Keem don't talk to gorillas

Spider-Man suit and I'm in and out the zoo

Boogie man costumes hangin' out the rood (Swerve)

  • "BUSS HER UP"

When I walk in this bitch, I better get my full stay

This my bitch face, nigga, get the fuck out my way

That's a pump fake, that's what you niggas all say

Say she love me, that's what you bitches all say

Yeah, you lost my trust

You was surfin' on your wave, you lose me for lust

New friends, I'm finna fight, get your mans, ho

Psych, you bow-legged ass bitch, I don't use hands, ho

  • "FRANCE FREESTYLE"

I'm sick of the rah-rah-rah

I'm not finna slide if your block hot

Big rock band, he's a shooter

Heard him talkin' about the hacks, no computer (Yeah)

Eat a drumstick (Yeah)

Top dawg, but my bitch still eat Top Ramen (Yeah)

Met my mom

My mom said she a top woman (Yeah)

I got fame and she help me keep my conscious (Yeah)

I don't sneak around, if I do, I have fun (Huh)

If they cancel me, then I retire, get the drum (Yeah)

If they cancel me, then I might have to pop the trunk (Yeah)

If they cancel me, I black on black my Air Force Ones (Yeah, let's go)

  • "TOP RAMEN"

Talking Points

  • Given Keem's current trajectory and rumored connections, where do you see him being one or two years from now?
  • If you were Keem, what would you focus your energy improving upon as an up-and-coming rapper?
  • Do you believe he would be at the point he's at now without his connections to big players such as ScHoolboy Q, Jay Rock, and Beyoncé? Why or why not?
  • Who would you like to see featured on Keem's next project, or whose next project would benefit from a feature by him?
  • If you were dating a model and Baby Keem humbled your girl, how would you respond?
submitted by /u/pizzazza
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KERWIN FROST TALKS TO ASAP ROCKY (EPISODE 14)

Posted: 05 Jan 2020 09:38 AM PST

Rapper DaBaby Released From Miami-Dade Jail

Posted: 05 Jan 2020 03:43 PM PST

[FRESH] Wiley - Eediyat Skengman (Stormzy Send)

Posted: 05 Jan 2020 07:59 AM PST

Big Boi - Royal Flush (ft. André 3000 & Raekwon)

Posted: 05 Jan 2020 09:46 AM PST

Tay-K — Megaman ( Official Video ) (Prod. By Russ808) Directed by @DONTH...

Posted: 05 Jan 2020 07:52 AM PST

YG - FDT (Audio) ft. Nipsey Hussle

Posted: 05 Jan 2020 11:03 PM PST

EL-P - Drones Over Brooklyn

Posted: 05 Jan 2020 12:09 PM PST

Thieves in the Night - Black Star

Posted: 05 Jan 2020 06:06 PM PST

[NEWS] Drake & Future announce “Life is Good”

Posted: 05 Jan 2020 11:54 PM PST

Recently posted on both stories!

https://i.imgur.com/U4Pryzv.png

submitted by /u/Kashpee
[link] [comments]

[LEAK] Lil Peep & ILoveMakonnen - Don’t Lose Focus

Posted: 05 Jan 2020 12:43 PM PST

Bladee - Facetime

Posted: 05 Jan 2020 06:17 AM PST

Kodak Black - No Flockin

Posted: 05 Jan 2020 02:32 PM PST

LC - Drake - War (Remix)

Posted: 05 Jan 2020 10:02 PM PST

$uicideboy$ - Chariot of Fire

Posted: 05 Jan 2020 08:08 PM PST

Pete Rock and C.L. Smooth - All The Places

Posted: 05 Jan 2020 07:12 AM PST

Heems - You Have to Ride the Wave (feat. Danny Brown & Mr. Muthafuckin’ eXquire)

Posted: 05 Jan 2020 07:06 AM PST

[FRESH] Quavo - Practice Makes Perfect

Posted: 05 Jan 2020 01:41 PM PST

We Mustn’t Forget Yung Lean

Posted: 05 Jan 2020 05:41 PM PST
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